pelican / charcoal and chalk

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It’s a throwback to the age of the dinosaurs isn’t it?

My model is a bronze sculpture.

Yesterday I got a start on my sketch but after working on it for a half hour or so I saw that I drew it too far to the left on my paper. I didn’t want his beak to crowd the edge so I decided to transfer my sketch to the other side of the paper and try again.

I worked on it for another hour or so and was starting to get hungry and lose my concentration. I took a break and went back to work on it a little more. Then a lady spoke to me and I jumped. She was very apologetic for startling me but I told her no prob. I was in the zone but I can go back. That happens sometimes when you draw in plain air. If it would annoy you too much to have your concentration broken, then plain air isn’t for you. I kind of enjoy talking to people who are interested, so no big deal if they scare me. I’m not on any schedule for finishing the sketch.

Drawing this pelican made me see the beak has an extra section down the center. And from far away the head looks like a squid to me. Can you see that shape in the head? I’ve seen live ones before but I can’t remember where. If I find a good spot with a nice background for this bird I might do a painting and enter it in the Audubon contest. (some day)

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otter / charcoal and chalk

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My model is made of bronze. He’s at Norfolk Botanical Garden where I found a whole bunch of bronze birds and animals.

It was nice out this morning, not too hot and humid. I found a great place to stand and draw under a magnolia that is starting to bloom. When the weather gets warm I look for a shady place to sketch. There was a little breeze and the otter was in the sun.

It’s only drawing practice. I might never use this sketch in a painting, but if I ever want an otter for a painting I have one.

Wine makes her happy

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When I started drawing this statue I thought she looks high. She’s smiling and her eyes are half closed. Then I saw she has grape leaves in her hair. She must be drunk!

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This is my model. She’s in a large formal garden at Norfolk Botanical. I’m still doing portrait practice by sketching statues because they’re free and they don’t move. My friends and family don’t want to pose long enough for me to get a finished drawing. At least if I do find a free live model some time in the future, the time I’ve spent sketching statues will help me get a likeness.

After sketching a bunch of statues of male artists, it was nice to draw a pretty girl. I’ll go back to the sculpture garden with the famous dead guys again and do more of them but I took a little break from them.IMG_2049

This is another pretty girl in the same formal garden. Unfortunately, her nose is broken which will make it more of a challenge to draw her. I’ll have to use the magic of art to fix her nose after I get a little better at portraiture.

About ten years ago I practiced figure drawing and portraiture in Hollywood Cemetery in Richmond. I got the inspiration to draw the stone angels and was working on that for about six weeks when a good friend died suddenly and I was totally shattered. I hung around in the cemetery a lot for a couple years and drew most of the angels. It was the best therapy for me. Every day I was reminded that I’m still alive because I was standing over all these dead people. Hollywood Cemetery is very special. I’m not superstitious. I never saw a ghost, but the cemetery was my refuge from the world and it made a better artist out of me. And it helped me recover in some weird way, when my life went down the tubes back then.

After spending a lot of time sketching in the cemetery I wanted to draw some angels that were broken. I figured out how to draw a missing hand on a broken angel by copying a hand of another angel to fit. I felt like I kind of fixed the broken one when I could do that, and I knew my drawing skill was improving. That’s why I want to try again by putting a nose on this broken statue’s face.

I was very happy to find all these statues at Norfolk Botanical so I can continue to what I started ten years ago.

Can you name this famous dead guy? part six

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I’ll give you a hint. Italian neoclassical sculptor.Amore_e_psiche_(1)

This is one of our dead guy’s masterpieces.

The plein air report for today- Flies were biting my legs. It must be that time of year I have to pack bug spray with me. Then it started raining. So, that’s my excuse for not finishing this sketch.

Previously on “Who’s the dead guy?”

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crabapple tree finished

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Did you ever work on a painting for a long time and wished you were finished but knew you really weren’t? I knew I had to add another layer of paint to the leaves to give them some sunlight and I put it off for weeks. It was less time consuming to do that last layer of paint than I thought it would be. I’m happy that I finally got it done. I think the painting looks better with the light shining on the leaves and it looks more lifelike.

Can you name this famous dead guy? part four

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I’ll give you a hint. He liked to paint curvy women. No teenage nymphs for this guy.

When I was working on this study I thought this hat is too much. did he really wear a hat that partially blocked his vision and then have to tilt his head back to see? Or is that only how he looks in this statue. I thought he seems kind of snobby. In the future, whenever I see one of his paintings, I’ll always wonder if he was really all about that hat.

This is my second try. If I transfer this to another paper and try again I could make some corrections and it would come out better, but I don’t want to. This is only a practice sketch so that my portrait drawing can improve.

Previously on “Who’s the Dead Guy?”

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Can you name this famous dead guy part three, and story of strange bird encounter

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This guy is harder to name. I had to look him up, but if you study art history you might know him. I’ll give you a hint. He’s been dead over 2000 years.images (12)

This is one of his masterpieces. Well, it’s not the original. That one was destroyed.

Now for the bird story.

I’ve had a lot of weird bird encounters in my life. Here’s another.

This morning I was over at the garden working on my sketch and a lady spoke to me. She said, “That crow is interested in your bag.” I looked at the bench where I had taken my pencil box and water bottle out of my bag and laid them on top of it. This crow was on the arm of the bench looking at my stuff so I shooed him away.¬† He waited till I got right there and flew a few feet away. I went back to my drawing and I saw he was there again on the arm of the bench looking at me. I held out my hand and said , “Sit on my finger.” But he hopped away slowly. Then I put my pencil box and water bottle back in the bag and laid it at my feet in the grass. The crow flew up to sit on the statue’s head and sat there looking at me. I said, “What?” He hopped down and was hopping around my feet for a while and I told him I was trying to work here and he left. So, do you think the crow wanted to tell me something?

Previously on “Who’s the Dead Guy?”IMG_2034

Can you name this famous dead guy? part two

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This one is hard to guess. I never knew what he looked like until I saw his name on the statue. I’ll give you a clue in the photo below.

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It’s easier to get a likeness drawing from a statue than from a live model. I’m kind of slow on drawing. This is my second try. I almost had it yesterday but I could see it wasn’t right, so I transferred my first sketch to the other side of the paper and tried again this morning. Now I think it looks more like him and if I use this sketch and do a more finished drawing it will be better yet. But portraiture is a real challenge to me and I don’t feel very confident in my sketch until I give it a second try.

A statue will never get impatient!

One problem with drawing these statues is the spotty light. They’re shaded. Then sometimes the sun is beaming right down on one of them, but not for long. See my photo¬† below.

Previously on “Who’s the Dead Guy?”IMG_2035

No Camera Needed