Poinsettia / oils

The reds in the photo aren’t the same as real life, but you get the idea.

I was having some fun painting like Matisse by taping my brushes onto yard sticks and standing back from the painting. You have to give up some control over the brush because it goes where you don’t want it to go but that’s ok. It gives the painting a loose modern look. Fast, loose, unfinished, spontaneous, that look is what the modern art world prizes the most. A finished painting is looked at as being “labored over” which is ungood. I’m not really feeling pressure to paint modern. I’ll go back to doing finished paintings. I got so modern painting this yesterday, I didn’t even sketch it first, just started slapping paint on paper.

This is a close up of the flower’s center features, I’m not sure what you call the little parts, and a stem.

I painted it on the back of a figure drawing that was on black paper. I’m enjoying painting on paper and I like to use both sides. You can see the black paper showing through here. Then I wanted to tone down the black a little so I went into the background with gray trying not to mess up my edges and smears of the reds. In traditional painting you paint the background first but in modern art you can do it last if you want to.

I might give this another try on another piece of paper. Look, Ma, I’m a fauve!

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