Cyclamen / oils

I tried to paint like Matisse again by taping my brushes onto yardsticks and standing way back from the paper to paint. It’s fun! I had some problems with this painting, though. Not the yardsticks, the pink.

It’s impossible to mix this color. I tried every combination of the colors I had and put the painting aside because it was dull. That’s the one drawback about oil paint. When you mix colors you lose chroma (brightness). Eventually I went to the art supply store and bought a tube of “amethyst” by Michael Harding for $24. An expensive tube of paint, but I’ll need it in the spring when I try to paint some redbud trees.

You can avoid losing as much chroma as you might if you only mix your colors on the palette with a palette knife instead of mixing colors on the canvas with a brush. You also need a brush for each color. And you can avoid losing as much chroma if you build up layers of transparent glazes and let the viewer’s eye do the mixing. But the modern art way of avoiding loss of chroma is to not mix the colors at all. Just use the paint straight out of the tube!

When I put the painting on hold for a few days and went back to it, the petals and leaves were different so I had to kind of just wing it on top of my underpainting. This close up shows some fun leaf squiggles, smears and lines and blobs.

For the art viewer who likes to look at brush strokes, you might be able to see my layers, first the thin layer of underpainting and on top of that the thicker paint of the final layer.

I realized how I’m making the veins in the paint. It’s something I do without thinking, and big round brushes are ideal for this. You load up the brush with paint then go at it from the side of the brush, rolling the brush as you draw it across the paper or canvas. I hope you know what I mean. I should get someone to video tape me doing the brush roll thing, maybe you already do that if you paint. When I realized I was rolling the yardstick I thought I’m getting the hang of this.

This is the unfinished painting on the easel with the flower. I went larger than life. Larger is easier especially when you have your brushes taped to yardsticks.

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