There was a glare on the painting because of my shiny medium so I had to take the photo from the side instead of head on.
I’m not sure if I’ll go over the tree again or not. It might look like a lot of time consuming line work but its not that difficult and every time you go over a line it gets easier. Painting tiny lines always starts out a little awkward but by the time I’m done it goes fast. The secret is to thin the paint until its runny and have a coat of Maroger medium on the dry painting so you’re painting the lines on top of the slick medium. The background was dry and the medium is clear. If you paint a line where you don’t want one or if your line goes crooked you can easily wipe it off without destroying the background because of that layer of medium.
This close up shows the background vegetation, bushes, trees, whatever. I kind of faked that part. And it shows dead leaves on the ground. The ground is colors I mixed up in plein air and blobbed on at home and then scraped through with my palette knife to mess it up and give it a dead leaf texture. I mixed the colors for the background in plein air too and painted two or three gray greens and some sky spots then blended the edges with my modified fan brush. When the first glaze was dry I mixed up the lighter tint of burnt umber and faked in the bushes at home with my fan brush.
So far, the painting is monochromatic with three different textures.
You can see a few peeks of blue sky but the redbud is a short tree so when you see them from the road you don’t see sky through the branches. A redbud will blend in with the underbrush which hasn’t leafed out yet but it’s getting that more pink or red tint that shows up just before the buds become noticeable. I made my tree stand off the background with the contrast of lighter and darker burnt umber lines. I knew I’d need a background that was close to a middle value from light to dark for the more contrasty sticks to show up. This isn’t realism. They blend in with the underbrush in real life.
This is my modified fan brush. I cut the zig zag edge. Now I can paint five or more lines at once. It holds a lot of paint so when it’s loaded with nice thin paint and I’m painting in the couch, ( on top of the medium ) so I can do a background like this relatively fast. People that don’t know about the modified fan brush will think it took forever to paint all those lines and the hairy texture.
I got this far just in time because I think the redbud will be in full bloom this week. I’m excited because it’s almost finished. The purple flowers are next. I’ll need to underpaint the flowers with white first because the violet and amethyst paint is transparent and it won’t show up very bright on top of this background unless it’s on top of a layer of white.