Category Archives: art

meme #2

3j0zru

Let’s all mock the art world. This piece of  “art” is probably Dada, which is the anti art. The concept is to be outrageous, to shock or amuse you. Are you shocked or amused? I’m not.

Every idiot involved with this should get audited by the IRS because it looks like a money laundering scheme to me.

 

a meme we made

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My daughter, Sarah, helped me make a meme!  Spread it around!

This is our response to the latest “conceptual art” to become famous. I forget the artist’s name.

 

swamp painting progress report

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Half finished

It’s real nice painting outside when it’s in the 40s F. (cool for my Celsius reading friends) Not too many people walk across the overlook distracting me. My attention span seems to last around 2 hours. When I can see I’ve made some progress I start to feel the cold. I’m wearing layers, but standing still, except to sit on a cold bench sometimes for a break.

I went there twice this week and stayed 2 hours each time and got the background under control and started on the trees on the right. Tomorrow they’re calling for cloudy weather. That’s ok, I’d like to wait a day or so for this paint to dry before I go over it again. Giving a layer of paint time to dry helps eliminate the problem of “muddy colors” because you can put a warmer glaze over a cooler one,  cooler to warmer, lighter or darker, any direction you want it to go without mixing the paint on the canvas. Instead the viewers eye mixes the colors and sees a brighter gray, green, brown, orange, whatever.  That’s one trick to avoid muddy colors.

Another trick to remember is not to mix the colors with your paintbrush. Mix the colors with a palette knife on the palette. Keeping the colors clean, even if they’re gray. For this you need a brush for each color. Mixing colors with a brush on the canvas causes muddy colors, though I think artists worry too much about mud. (mud is part of nature)  Those two things make a difference to the eye of a trained art viewer.

We might get some rain next week. Hopefully, I can get back out there on Sat. or Sun. to work on this. If we get a few days of rain I’ll have to put this aside and find another project to amuse myself.

 

swamp underpainting / oil

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This is a 30 x 30 canvas. I need to do a detailed underpainting because this is a complicated plan. So far, I have my sunlight and shadows blocked in. The underpainting is an important step because this is when I make the most decisions. I can tell that it’s close to correct perspective because I can fit the trees in with spacing that’s close to what I see there. And I decided how much Spanish moss will be in the painting, how much water, where I want the most contrast in order to make focal points, etc.

Now I  have to go over the whole painting again, maybe twice, starting with the sky and the background trees at the top and working my way down the canvas into the foreground with layers of glazes. I’ll brighten it up a lot and give it some depth. I want the grays in the trees to look pearly so I’ll use warm and cool grays together and try to keep the values from light to dark with the same contrast as I see in nature.

I think the water will be the hardest part and it’s the last thing to finish. I don’t have that figured out yet.

This is a start. I have over 10 hours in it so far, and 6 trips to the swamp. including the times I sketched. It could still take weeks to finish because of the weather. I want to get there early in the morning and leave around 10 when the light is different and the park gets crowded. I didn’t expect to make this much progress this fast on the painting, so I think I can finish it in Dec.

the Brain aka glitter ball

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Do you remember that episode from the original Star Trek where Kirk and Spock go to a planet with those very highly evolved beings that don’t have a body, they’re only glowing orbs that communicate telepathically and have the power to  make things happen through thought? If I recall correctly, they forced Kirk and Spock to fight to the death. It seemed like the big glowing brains were so bored all they did was bet on sports that they forced on other species. One says, ” 100 quatloos on Kirk.” Then another says,” 1000 quatloos on Spock.” etc.  Kirk and Spock don’t kill each other and Scotty beams them up.  I’m not sure I have all the details right of that episode. It was a long time ago.

Also, a long time ago my husband brought home a Christmas decoration like this. It’s plastic cups with holes punched in the bottoms and lights in the holes. My daughter and I loved the thing. It had programmable lights, so they go through sequences. We called it the Brain and said it was communicating with us. When it flashes we said it’s angry. When it does a slow fade we thought it was at peace. You can just stare at it and it hypnotizes you.

I wonder what ever happened to that brain. I always missed it and wanted to try to make one when I thought of decorating for Christmas. I don’t usually decorate but this year I looked up how to make Christmas decorations out of plastic cups and watched a YouTube video. My first try didn’t work because the cups were the wrong kind of plastic. When I tried to staple them together they broke. Likewise when I tried to drill holes for lights. Then I went to another store and bought the Solo cups and they worked.

Now we have a brand new Brain. When I told my daughter I was making one she said she’ll be happy to see our overlord again.

sketch for swamp painting

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This is my previous sketch of a cypress knee transferred onto an 18 x 24 piece of charcoal paper with more knees and trees sketched in around it. It’s rough. I’m not sure you can make it out. The darker vertical lines are trees. The faint sketchy vertical lines are Spanish moss and the squiggles and shaded areas closer to the top are different types of foliage. I want some sky in the painting but it will be patchy.

I bought a 30 x 30 canvas for it. It’s easier for me to draw larger than smaller. There is room on a 30 x 30 for me to show more swamp water on the bottom, which is dark. The water isn’t actually black. You can see through it and peat is forming on the bottom because the water doesn’t have much oxygen in it so the fallen leaves decay into peat. I’ll also have room on the canvas to extend the view on the sides showing more swamp.

The foliage was bright orange when I was there a couple days ago. I don’t know how long that color will hang in there. We’re getting some rain and wind this weekend, a nor’easter. The storm is coming from the south but the wind wrapping around it is the nor’easter.  That’s ok. I need to sand and gesso my canvas a couple times before I tint it gray then wait a day or two for the tint to dry before I redraw this on it and finish  drawing more trees on either side of what I have here. So I don’t mind hanging around at home if it rains.

This is one of those paintings that could take a long time to finish because of the weather. Like a month or more. After I redraw it on the tinted canvas I want to do a thin underpainting. Then the plan is to paint on top of my underpainting when it’s dry like Matisse did by taping my paintbrushes onto yard sticks so I can stand way back from the canvas to work on it.  That’s a fun way to paint but the paint goes on thick so if I need to build up layers or make corrections I’ll have to wait longer for the paint to dry before I go over it again. When I paint thin glazes I only have to wait overnight for it to be dry enough for the next coat of paint.

If I paint the orange leaves then they fall down, it doesn’t matter. If they fall down before I get to paint them that doesn’t matter either. The swamp is most beautiful in the winter in my opinion.

 

wave / watercolor practice

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The ocean, it ain’t easy to paint. If I try about 100 more times maybe I’ll get it. That’s ok. This could take years. I won’t give up until I do my masterpiece, hopefully before I die. Until then, you might have to look at some bad art. hahahahahah  If you have any advice for me on technique that would be great.

It was nice out today. Not hot or cold, sunny with a nice breeze. Last time I went to First Landing State Park, by the time I left the parking lot was slam packed. I decided to try a watercolor sketch at Back Bay today because I thought it would be less crowded since it’s a holiday, and it was. I enjoyed sitting on a sand dune to paint this.

We might get some rain tomorrow and this week, so I wanted to get out today for a sketch.

I’ll keep all my bad attempts at painting waves. After I have a bunch of them I’ll take them all out with me and that will help me improve my technique if I can compare them to real live waves. It’s like figure drawing. I’ll keep at it but not constantly.  I go back to figure drawing again and again over the years, and I’m getting better at that. I might not do a figure drawing for a long time. but when you put an art down then pick it up years later, you can pick up where you left off. You don’t forget what you learned before. The hands have a memory and it doesn’t take much time to get back in your previous groove. It will be the same for me painting waves.

cypress knee / good news in the art world

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I’m on the Plein air email list put out by Eric Rhodes and I’m getting the info for plein air camps and contests, figure drawing seminars and practice etc. It’s all related to the Plein Air magazine founded by Eric Rhodes. This guy is a genius. I know the email gets sent to hundreds of people, but it seems like he’s talking to me.  Once I got an email headed “Chris, your paintings are good enough.” It was to enter the Plein air mag contest.

I don’t feel like entering. I entered a bunch of times over the years. I saw the winners in the magazine and knew I didn’t stand a chance because all the paintings were fuzzy and mine are sharp.

The first time the plein air week happened in Richmond I entered but didn’t get accepted. I was doing figure drawings back then from the sad stone angels in Hollywood Cemetery. I didn’t know why I didn’t get in. I could only guess.

Those are just a few of the hundreds of reasons why I gave up on spending money on the art world. I go alone to draw in plein air any time. My apathy gives me a feeling of freedom from the art world which I think is corrupt. This is all beside the point.

The money I spent was worth it for plein air camp at the Ghost Ranch. So I’m glad I’m getting the emails because I might go to another event like that. No teachers to follow, no contest, no drama.

Today I was happy to read the email from Streamline. It was addressed to plein air event planners. It talked about how the plein air movement has grown and needs to adapt. The seminar they’re organizing is to plan better  plein air events in the future. Eric said we shouldn’t sacrifice quality for speed. I was happy to read that because I’ve been complaining for years how plein air painters rush rush rush and I don’t want to paint like they do.  He also said that’s one reason why some good artists don’t go to the events.  Did he mean me?

I hope this is a sign of a change in the art world for the better. I could never make it happen. Eric Rhodes could do it.

I wonder if Eric or someone on his staff read my blog. I told my daughter I’m an influencer now. That’s funny because I don’t want anything to do with the real art world. Sarah said that’s the best kind of influencer, the apathetic kind. hahaha She would know, she’s the social media guru.

Yeah, I’m famous. I’ll be dead before the art world figures it out.

The sketch is my plan for a swamp painting. It’s real nice out today and cool. The fall colors look good over there. I might start the painting now instead of waiting for the freeze.  This is my favorite cypress knee from when I was in the swamp last year. I need to transfer this to a larger paper and draw the background trees with Spanish moss on both sides of this knee. I need a big canvas. This sketch will help me figure out what size canvas to buy.

That’s my composition method, find something beautiful, draw it, draw what’s around it.

 

Path Through Wildflowers

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This is watercolor with Inktense pencils. It seems like it took a long time to finish.  I went over to the garden 6 times including the times I sketched it, first on charcoal paper and then again on watercolor paper. Each time I stayed there for an hour or two and made some progress on it then came home and worked on it off and on for hours, so I think I have over 20 hours in the painting. I enjoyed working on it very much.

The weather was beautiful! It’s cooling down but not cold.  I didn’t turn the heat on in my apartment yet. It’s staying around 70 inside so far. I hate  turning the heat on for the first time every year because it blows dust around and I don’t want to catch a cold because of it.

The garden is still beautiful with a lot of flowers blooming. The roses are so sweet smelling and the breeze makes the scent follow you down the walk.

It looks like I have time to try another watercolor painting before we get a good freeze. I’m waiting for that refreshing arctic air from Canada. Then I’ll start on my long time in the planning winter swamp painting in oils. Until then, maybe I can try to get a watercolor done at Back Bay.