I started this yesterday in Plein air and finished it at home using my Inktense pencils and watercolor in a tube for the background. I wanted to try to make the background as smooth and thin as I could. Some blossoming of the paint happened, maybe because the paper warped. I remember stretching watercolor paper long ago. I might have to look it up and see how other artists do that. Or, if any of my fellow bloggers could tell me, do you stretch your paper? and if so how? I’d be interested. It seems like extra work, like priming a canvas, but I still prime my canvases for an oil painting.
It was so nice out there today. The botanical garden had a lot of visitors when I went out to sketch this morning. I smelled the roses as I was walking in and remembered one I loved last year, the Crimson Bouquet. I wanted to find the brightest red because I’m from Lancaster Co. PA. the red rose town. York, on the other side of the Susquehanna is the white rose town.
I can’t tell if the background is working or not, but I wanted to do the minimum for it.
I’m looking forward to my art adventure in New Mexico in 2 months. I want to take all my art supplies with me on the trip but it’s not practical. I don’t know what kind of drawing or painting I’ll want to do when I see the Ghost Ranch. If I take a lot of art supplies I’ll have a bigger job unloading my trunk every night when I stop at a motel. I’m definitely taking my oil paint supplies and I’ll have to prime a couple canvases in Aug, but I’d also like to take my Inktense pencils and a watercolor sketchbook. In the meantime, if I can sketch a few flowers while standing in the shade this summer, that’s good practice. I might have better luck when I try to do a landscape with the Inktense pencils out West.
Do you think this art has a meaning? Sometimes I look for meaning in art and there is really no meaning. Could he be making fun of plein air artists that don’t “copy” nature? Anyway, thanks for the laughs, Hank Schmidt in der Beek and Fabian Schubert.
It’s too hot and humid for me to enjoy drawing in Plein air and that’s ok because I have a lot of other things taking my time. At least I got this sketch done from a model horse. I love horses for subjects. They’re the most beautiful animals.
I’m trying to get used to drawing horse anatomy. The more practice I can get now, the easier it will be to sketch live horses in plein air in the future. That’s why I left that line at his knees. I drew it when I measured the proportions of the horse. Then I tried to visualize the muscles and did a little shading. It took me 4 hours or so to get this far and that’s all the visual info I need at this stage.
If the weather stays this hot I’ll transfer this sketch to watercolor paper and do a watercolor sketch of it next week. I’m also thinking of a place I remember in the shade to get back outside drawing. There’s not much shade on the beach. I walk there but don’t take my art supplies because by 10:00 I’ve had enough sun.
This photo shows my model on some books to bring him up to eye level. He’s made of china so he’s too reflective. I took the photo so you can compare my sketch to the model for accuracy. Darn it, part of my easel is blocking the model in my photo. Funny, I didn’t see it when I was drawing. I guess that’s because the camera has a different perspective.
It’s not finished. I have the leaves sketched in charcoal but I might not fill them in. The flower is the fun part.
This is close to life size on a 9 x 12 paper. The tree is next to my apartment and I stood on my balcony to draw it. The blossoms are starting to fall down on my car.
I’m glad I did this pastel today because I put it off while I watched Lucifer on Netflix. The devil is a good looking British chap. Did I feel guilty about abandoning my art for a week while I binge watched Lucifer? Not at all. And I learned that you don’t go to hell unless you feel guilty. So, that means I should be ok.
I think I’ll go to Back Bay next and try watercolor again.
ok that was fun. I had an inspiration to draw myself with white and silver oil paint sticks on watercolor paper then use the same blue watercolor all over top of the paint sticks to see if I could make a transparent effect. The oil paint sticks resist the watercolor. I hope it looks ghostly. If it’s working I might use the effect again some time.
As I was doing this, I wondered if there’s a face morphing program that an artist could use to make a ghostly look. I saw an app that could put your face on a hot dog! It was a scream! I think I remember the beginning of face morph programming. Was it when Michael Jackson did his video where he sang, doesn’t matter if you’re black or white? He had good looking people of different races and sexes blending into each other. Now you can do it too. Those guys who code computers have to be geniuses.
Do computer programs have an imagination? Would they give you a ghost if they weren’t programmed to have a ghost as an option? I think they are limited to what the programmer could put in which isn’t the whole brain of an artist. They have a limited number of choices to work with for the creative process, where my brain has limited experience, but more than an app. As always, feel free to opine.
As I was standing in front of the mirror in my bathroom to work on this, I turned it around to look at the reflection. That’s an old way to check if your drawing is working, look at the reflection then you can see your mistakes better. I thought it kind of looks like me as I was working, but when I turned it around to see it in the mirror I thought, oh no. It looks like a primitive. Well, portraiture ain’t easy and I’ll try again some time. I have to keep challenging myself to do the difficult projects or I’ll never improve. Can’t say I’m afraid of failure, I can’t tell if it’s working or not anyway.
I wanted to make myself look younger. In real life I’m not trying to hide my age. I understand people that do, though. I’ll never get plastic surgery. I might not draw all the wrinkles.
Once I saw an art show where the artist wanted to make women feel better about their self images. She got a bunch of her friends drunk for nude photo shoots for her paintings. The models hid their faces from the camera with their hair or hats, or the photo was from the back. Then she enlarged the figures to around 8′ and painted them in acrylic with the scars, fat folds and skin blemishes in tight detail. The paintings were imposing larger than life. They were in your face “feminism”, I guess. I didn’t enjoy looking at them. When I was in art school we’d have got mocked out of town by our teachers if we painted scars or skin problems. Fat was ok. The only female model that was dependable was obese.
I was thinking how ironic it was that the obese model from long ago was ok nude without getting drunk first but the models for the woman self image empowerment project hid their faces after drinking wine. As for me personally, my clothes don’t come off. hahahah but I wondered if the women’s lib feel good about your body no matter what project actually did make anyone feel better. It made me feel bad for the models. I couldn’t look. And I consider myself to be a liberated woman. So for my self portrait, I’d like to make myself look better than real life. I don’t know if I was successful.
About my bucket list, I’m glad I didn’t wait till my hair is totally gray to do this. And I live at Virginia Beach, which today is suffering, including me when I think about the murders, but I think it’s mainly a fun place where people aren’t too surprised to see blue hair.
The other things on my bucket list are going to happen too because they’re all reasonable goals. Then if I have some warning before I die, I can say, yeah, I did that. It was fun.
Do I look like this? I don’t know. It’s not finished. My hair is brown and gray with a blue fringe, and I usually wear glasses. I’d like to do my self portrait with my fun “bucket list” hair do. I’m not drawing the glasses.
It’s hot and humid out today so I decided to try to sketch myself. I have my easel in the bathroom in front of the mirror. There’s enough room to walk around it but the light isn’t good. I worked on the sketch for an hour or so then did other things and then went back to it. I’d like to put some pastel in for color.
I’m not photogenic. There’s a photo of me somewhere but I don’t keep them. The good thing about doing a self portrait from life is that maybe I could make myself younger looking. Then I could say, look, I don’t need to buy the app for that! hahaha I’ll try to finish this so the blue stays in my hair forever on the blog.
Last year I sketched waves with charcoal and chalk. This year I want to sketch them in color. I think the watercolor pencils have a grainier quality than regular watercolors. I’ll do some comparisons with the watercolors in tubes this year. It seems like I picked a difficult subject for Plein air painting because waves never stop moving. I’ll keep working on it but there are so many great views around here and I’m not on a deadline. I’ll try out my Inktense watercolor pencils drawing other scenes before I get the hang of painting of the ocean. It’s not just painting waves, it’s also that I want to paint the bubbles on the sand and that looks even more difficult.
Yesterday we had nice weather but it was too windy to stand on the beach at the water’s edge. I sat on the leeward side of a sand dune and it was great. It took me some time to plan my sketch with pencil and pick my colors from the charts I made. Then I realized I forgot to bring a piece of soap along. If you put soap on your paintbrush before you dip it in the masking fluid it saves the brush from getting gummed up and ruined. For this experiment I used my white oil paint stick on the sky as an alternative to masking fluid and used regular masking fluid to block out the white foam on the breakers.
After I got my sketch planned and picked the colored pencils I wanted to use I came home to paint this because I had enough sun. I’d buy a beach umbrella, but those things can be a hazard. I don’t need to stay out all day painting in plein air. I can go back any time. This could take months or even years, but eventually I’ll get it.
This is my third try to represent a wave, painting at home from memory with my Inktense watercolor pencils. It’s on the back of a flop experiment. That’s why it has some smudges showing in the sky. It’s another experiment, this time trying out masking fluid applied with my fan brush to mask out the white clouds, and white oil paint stick used to mask out white foam on the wave.
I’m guessing which colors from the set of pencils to use after finally finishing with the big project of testing each color pencil by making washes from the darkest concentration of the color to the most washed out lightest version of the color. That’s why I call that that exercise a gray scale. If black is 100% and white is 0% using gray, when you do a gray scale of a color you can estimate the value of the color. Some of the colors don’t get any darker than 30%. I have 3 pencils that go to black in the set, which is good.
Now I need to go back to the beach to see if the colors I picked are close to the colors of nature, or if I can make a better color.
It’s going to get unseasonably hot out there today. I’m not sure if I’ll go to the beach today or wait till tomorrow when it might be more comfortable weather. In the summer, if I don’t get up at the crack of dawn, it’s too hot to paint in plein air in the sun. In the winter, I have to wait until afternoon when it warms up enough to go out. That way I’m not suffering for art.
The time I spent goofing around at home with these pencils is going to help my chance of success when I seriously try to do a nice finished painting. You learn a lot through play. You can take a class and a good teacher can help immensely but you still have to work on your own for a long time to get anywhere with art, at least that’s my experience.