Poisonous plants on Mars.
Poisonous plants on Mars.
First I had to paint the flowers with white because the pinks won’t show up bright enough on the dark tinted paper since they’re semi transparent colors. Also, I couldn’t see the flowers well enough until I painted them to tell if they look like a good arrangement.
The background texture is from my modified fan brush. I wanted to make a look of pine needles on the ground
The scary part is the pinks. I mixed my colors in plein air sitting next to the azaleas and I think I have the closest pink to what it actually is, but it’s not as bright on my palette as it is in reality. Flower petals allow a little light to go through. They’re not 100% opaque because of the cell structure, if you know what I mean. The sun on the pink petals makes a brighter pink than you can buy in a tube of paint.
I need to do a color rough and see if the pink will be brighter if I use glazes of the two pinks that I have straight out of the tube.
First I need to go over this again and decide where to have shadows and where to have spotty sunlight. Then wait for that to dry before painting the pinks. I’m excited I got this far with the painting and might be able to finish it next week. It can dry this weekend. I’m going to PA.
Recently this sold for a staggering amount of money. I don’t believe it was painted by Da Vinci. It looks stiff to me and something’s wrong with the chin. It’s too fuzzy or something. It’s dead on facing you.
Well, anyone can be a critic, right? Feel free to disagree, as always.
I can’t find fault with any other Da Vinci painting, though, and I’m going with my intuition on this. It’s not a Da Vinci.
Last week I didn’t see these flowers on my walk. Today they’re all over the path making it smell so good! I need to mark the date so next year I can be ready when they bloom. I’d like to use them in a still life with some other local objects, maybe seashells or something. I have a fish shaped dish that could be in a still life and a little vase for the flowers.
I can’t do it this year because I’m into a difficult painting right now, the azaleas. I don’t know if I can make the azaleas painting work out as planned but it will take some time to tell. I need to make more progress on it.
It’s not unusual for me to save an inspiration for a year or more before I get into the project. You know me, slow living. haha. Like my daughter says, “live fast die young, live slow die later.”
I saw this idea when I was ordering something for my daughter and decided to give it a try. The shirts are cheap and it doesn’t take long to do so if she doesn’t wear it it’s no loss. We often don’t see eye to eye on fashion. Sarah’s not here to try it on.
I cut the sides of the one shirt up to 1.5″ of the armhole seam. Then I cut my triangles out of the other shirt. I didn’t have a pattern so I cut them longer than I’d need. If you have too much fabric it’s better than not having enough.
Then I pinned the triangle cut in starting at the bottom on each side and when I got close to pinning at the armhole I worked it around till it fit and let the excess hang off.
I hope you can see what I mean in this photo. You can see how much of the triangle I trimmed off after sewing.
I want to make a Raggedy Ann for my granddaughter. I made one for Sarah when she was a baby and she loved hers to death. Then I had to make a back up Annie because the first one wore out. When I make this one I’ll interface the whole thing. It’s no rush, the baby will be here in Sept.
As I’m sketching the flowers, I pick up information that a photo won’t give you. It’s not always easy to see the petals as separate shapes. I’m sure a camera would blend them together. I might be the only one interested in drawing petals separately but it could help me decide which direction to drag my brush on the painting, where the edges are if I want to keep edges. I’ll probably simplify the painting but I need detailed drawings.
Another thing a photo won’t make you aware of is that the buds and flowers come in groups of three. The stems are in threes too. The stems don’t go straight vertical but have some curve. Some of the petals have smooth edges and some have zig zag edges.
Now I realize that other plein air artists don’t care about separate petals. They’d go to the garden and start right in with slapping down some paint and finish the painting in a day or maybe less. I need the sketching time to figure out a plan.
The more flowers I sketch the easier it gets. I might need more flower sketches but maybe these are enough.
The two big azalea bushes I was standing between are in a kind of U shape where I can step off the path and stand between the bushes to sketch. These are on the shady side. I looked at the sunny side of the bushes and the sun was too bright on my white paper. It was blinding! I use the white paper last because it’s not great for sketching in plein air. Also when looking at the side in the direct sun all the flowers were lit equally bright. When I sketched the shady side it was easier on the eyes. I didn’t feel like going back to the car for my sunglasses.
As I was standing there for around an hour and a half to fill each of these papers with flowers, some spotty light fell on a few flowers at a time and it was much nicer to see than the bright glare of direct light. I decided to do my painting with spotty light. I’ll have to fake it on the sunlight if I paint this at home, but that means I can put as much sunlight in as I want to, because if I go back to the garden to paint the flowers will be different and I don’t know exactly what time the sun fell on any flower to catch it at it’s best.
So, yeah, and hour and a half on each sketch paper. That means I have around six hours in it so far and haven’t started painting yet. That’s one reason I can’t get in with a plein air group. Also, I don’t want to pay to join a group, I mean $35 to get your name on an email list? But they don’t like this approach to painting. They don’t want to go back day after day and do a bunch of sketches. But it’s a whole different process and if I ever sell a painting I’ll ask a lot more for it than their fast one day paintings would go for. They want their art openings to be “cohesive” which means the artists must conform. If all the paintings for sale are asking $300 and someone enters a painting and they want $1000 for it, the juror would reject it because they don’t want an artist to think their painting is worth so much more that any of the others.
I traced my flowers from the sketch papers and cut them out to arrange them on the paper I tinted for this painting. This step will help me decide if I need to draw more flowers or if this is enough. I want to have some flowers in the background too. If I can come up with a good arrangement then I’ll try to decide how much sunlight to put into the painting and where. I decided I want the spotty light to make the composition more than the flower shapes. If I can make a good composition with the flowers and light, I hope the viewer’s eye will move around the whole painting.
This will be a busy week at the botanical garden because of the holiday and the weather is improving. Norfolk was on the edge of a freeze warning so I wondered if it would affect the azaleas which are starting to bloom but they look fine today.
I’m undecided how to paint them but I’ll get more sketches and paint at home. I have a good spot to sketch off the main path. I just don’t want to hang around if it gets crowded so I’m going when they open in the morning.
These are close to life size on my 11 x 14 paper which is the size I can stand and hold in one hand to sketch without using my easel.
I took my numbered color swatches that correspond with my Inkense pencils to make color notes. That’s my little color notes on the sketch. I might use my Inktense pencils for this or maybe oils with my brushes on a yardstick, which is fun.
The variegated ones are my favorites. oops, I smeared my charcoal. That’s ok, I need a lot more sketches but I can start planning my painting by starting to arrange them on a larger paper.
In wildlife news:
Crows, A crow was harassing me at the botanical garden when I painted the redbud last week, caw caw cawing over my head for a long time. Finally I thought he wants to steal something shiny from me and I covered my paintbrushes and everything else with any shine and he went away.
Canada geese. I pulled into a shopping center to get lunch and saw a goose sleeping in the parking lot. I wondered if he was sick, hoped he didn’t get hit by a car. Then I got my Kentucky fried chicken and parked to eat it. I saw the other goose sitting on a nest under a tree on one of the cement islands with mulch in the parking lot. 4 crows were constantly harassing the goose on the nest. The goose didn’t seem concerned about the cars but that would be bad with the crows harassing the geese all day. And they will have to walk a long way when the eggs hatch because there’s no pond anywhere near there. The babies will have to cross busy streets if the crows don’t manage to steal the eggs first. what a bad spot for a nest! I noticed some human had left a plastic bowl near the nest, probably with food or water.
Ospreys. I was happy to see the nesting pair back on top of the light pole out back. It’s over a little league field. The teams are back to playing their regular schedule. Sometimes it gets loud out there but it’s mostly quiet.
The colors don’t show up in the photo exactly as they are but you get the idea.
The flowers are thick paint and I used my modified fan brush again to add texture. You can see the difference between my background glazes which are thin and the flowers which are thick. That’s the traditional way of painting. If you use both thin and thick paint it helps give the illusion of depth and the viewer’s eye has something to compare. The viewer might not realize it but the painting might keep their attention longer with that contrast of paint thickness and texture.
You can see the thick paint of the dead leaves on the ground, the thin paint of my background glazes and the thick paint of the flowers compared to the solid lines of the branches.
Google political art and this is the first thing you find. This is weak art. It doesn’t stand alone. It needs a caption.
I’m guessing Banksy is rich but I don’t know enough about him. Is he putting his money where his mouth is? Is he a philanthropist helping the marginalized people? I know if I had a ton of money I’d help the veterans who are struggling. I see them. I feel for them.
Will art like this change society? Do you think it’s possible to change society with a catchy slogan? I doubt it. I guess its possible to change yourself but did you ever try to change someone else? Am I right to think this art is only benefitting the guy who sells the posters? Please feel free to enlighten me if I’m wrong.
What if you feel ok with yourself? Would this make you want to change? Is the homeless veteran problem my fault? I don’t think so. Is poverty my fault? Is racism my fault? No. How can I change to make those things go away?
This is the kind of art that doesn’t last very long. It might be saved somehow even if it’s outside on a wall in the weather. Someone might put it in a museum but when this era is past it could go into a warehouse with all the other bad political propaganda art.
There was a glare on the painting because of my shiny medium so I had to take the photo from the side instead of head on.
I’m not sure if I’ll go over the tree again or not. It might look like a lot of time consuming line work but its not that difficult and every time you go over a line it gets easier. Painting tiny lines always starts out a little awkward but by the time I’m done it goes fast. The secret is to thin the paint until its runny and have a coat of Maroger medium on the dry painting so you’re painting the lines on top of the slick medium. The background was dry and the medium is clear. If you paint a line where you don’t want one or if your line goes crooked you can easily wipe it off without destroying the background because of that layer of medium.
This close up shows the background vegetation, bushes, trees, whatever. I kind of faked that part. And it shows dead leaves on the ground. The ground is colors I mixed up in plein air and blobbed on at home and then scraped through with my palette knife to mess it up and give it a dead leaf texture. I mixed the colors for the background in plein air too and painted two or three gray greens and some sky spots then blended the edges with my modified fan brush. When the first glaze was dry I mixed up the lighter tint of burnt umber and faked in the bushes at home with my fan brush.
So far, the painting is monochromatic with three different textures.
You can see a few peeks of blue sky but the redbud is a short tree so when you see them from the road you don’t see sky through the branches. A redbud will blend in with the underbrush which hasn’t leafed out yet but it’s getting that more pink or red tint that shows up just before the buds become noticeable. I made my tree stand off the background with the contrast of lighter and darker burnt umber lines. I knew I’d need a background that was close to a middle value from light to dark for the more contrasty sticks to show up. This isn’t realism. They blend in with the underbrush in real life.
This is my modified fan brush. I cut the zig zag edge. Now I can paint five or more lines at once. It holds a lot of paint so when it’s loaded with nice thin paint and I’m painting in the couch, ( on top of the medium ) so I can do a background like this relatively fast. People that don’t know about the modified fan brush will think it took forever to paint all those lines and the hairy texture.
I got this far just in time because I think the redbud will be in full bloom this week. I’m excited because it’s almost finished. The purple flowers are next. I’ll need to underpaint the flowers with white first because the violet and amethyst paint is transparent and it won’t show up very bright on top of this background unless it’s on top of a layer of white.