It’s kind of dark since it’s backlit but you can see the pretty clouds. A man walking on the path took the pic and emailed it to me. I’m much more attractive in real life and the painting looks better too, just in case you were wondering.
I went over the clouds again, the background trees, the edge of the creek on the other side, the creek water and changed the shape of the pond in the middle ground then finally got to start on the trees on the path. So, I’ve been to the point a bunch of times and went there to walk a few times without painting. It’s supposed to be nice again tomorrow so maybe I can get more tall grass painted on the path and do some tree trunks and sticks.
Then I’m almost finished except for the reflections on the pond and I want to put a figure on the path. The paint is getting kind of lumpy because of all the layers applied with my palette knife. I might paint the figure with paint brushes since it will be small and a palette knife isn’t easy to do a small figure.
I can’t be a purist about any certain style or art subject that comes up. I think it’s fine to mix up different styles in one painting. A purist who wants to do a palette knife painting might not want to use a brush at all. Some watercolor purists don’t use water color pencils along with watercolors in a tube. Once I heard a juror say, “Pick one style and stick to it.” I wondered if she meant me. Heck, I don’t even know the different styles. I only know what I learned in art school long ago.
I wonder if they would give this a bad critique at the academy. Probably. They were the old school purists.
There is only one bright tree on the far side. I almost covered it with a pine tree but I’ll save it.
I don’t know how well this shows up in the photo. I put the handle of the drawing board over a stick that’s rooted there and it kind of tilts the paper up a little while stopping the wind from blowing it away. Also, maybe you can see where my drawing board broke at the handle once long ago and I glued chop sticks on it to repair it with some glue on paper towels ripped to fit and a little wooden shim over a crack. I just don’t want to buy another drawing board. I’ve had this one so many years I kind of got attached to it. It’s been all over hell’s half acre with me.
If it’s windy I’ll just sit on the ground to paint. It’s a real nice spot there at the edge of the pond.
We’re having some nice weather this week. It might be cold tomorrow but I should probably let this dry a little before I go back into it.
I was glad when the clouds rolled in this afternoon because I had a solid blue sky and I wanted to make it more interesting. I’m not sure if I want to work on the clouds more or if I should leave them alone. I’ll probably work on the background trees again before I start blobbing in the trees on the path.
A couple weeks ago I illustrated a song for Halloween and thought it was a lot of fun so I decided to do another one and this time it was even more fun! I picked Wordless Chorus because I didn’t want to illustrate lyrics. I wanted to see if I could let the music move my hand. I tried to paint with no plan in mind and be fast and spontaneous.
The part of the song I’m illustrating starts at 3.18.
I listened to it a couple times and thought it sounds uplifting and exciting. I’t’s wild and free spirited.
First I mixed some yellow and orange and waited for the fun vocals to start. Then I quickly loaded up my palette knife with yellow and went to town! Then I waited for the part of the song I like again and repeated the process with orange.
I stopped to have a look and decided it needed some pink so I mixed up more paint, turned my paper 180* and slapped in some pink while listening to the vocals.
Then I looked closer at the texture and it reminds me of the veins on a leaf. I said, I guess it’s fall leaves in the wind.
The black background makes it look dramatic but after thinking it was a leaf abstract I wanted to see it on a blue sky, so I added the blue but tried to keep from messing up the edges and smears I made with the bright colors.
The unexpected palette knife textures are fun to look at. I’m not sure how this kind of art rates in real life, I mean is it a big waste of paint, is it worth anything, but it was fun to go wild with it and I might do another illustration of a song.
There’s a funny vein in the paint. I don’t know how I did that.
I can’t tell if this expresses the song very well or not.
Do you remember that famous quote, “Art should comfort the disturbed and disturb the comfortable.” ?
sounds like b-s to me. It makes me think they want art to be political and that is not the main reason for art.
When I was in art school my wise teachers told us art serves 3 purposes, decoration, illustration and self expression. Self expression being the least important. It’s only the huge egos of the modern art world that think they can change society with a painting. And who cares about my self expression? I don’t have that kind of ego. I blame my parents. You might want to thank them. If an art viewer is savvy enough to analyze my paintings, there’s plenty of information in there about me. I can’t keep self expression out of it. I don’t need to deliberately make paintings expressing my moods.
Now, let’s say I know a disturbed person. Am I going to show them Starry Night and think that will comfort them? If I want to comfort someone who is disturbed I’ll find out what’s bugging them and try to find a real practical solution. If I showed Starry Night to a disturbed person and asked them if that comforts them they might say yes because they think I want to hear a yes. Then they go right back to their problems and forget Starry Night instantly.
What if I had some resentment to people who are comfortable? I don’t, but that would be political and if someone’s comfortable why should I try to ruin that for them. They’re not hurting me.
I don’t care really, if art metaphorically stomps on some high muckety muck’s toes. Whatever. I only want to say, if a quote sounds stupid, stop repeating that nonsense. Make art for illustration or decoration. Making the comfortable disturbed is a weak kind of art.
I think this was one of my first plein air sketches from Middle Creek Wildlife Preserve in Lancaster Co. PA. maybe 2006.
I want to use both sides of the paper and this will get ruined along with 2 others. They’re 7″ x 10″. I pulled an old sketchbook out of my flat file to find a piece of paper to redraw my new landscape larger on the other side. When I slap some oil paint on the back of this paper these will be lost. If you want to stop me from ruining one of these you can make me an offer, otherwise, maybe tomorrow these die.
I can’t remember where this scene was. That was around the time I started drawing in plein air so I can’t remember if I had a vacation at VA. Beach or maybe Chincoteague, because this looks like Assateague.
I have to be ruthless with my old art. I haven’t looked at these for 15 years. I won’t miss them. Anyway, I’m posting them so you can compare them to my new paintings, and so they can live on the cloud forever, at least until the electricity goes out.
I tried to make mental notes of the colors I needed when I sketched this in plein air then painted it at home. The color looks good in the photo for the sea oats but the background isn’t showing up green enough and there’s a lighter area showing on the right because of a glare.
For the background I wanted to give a color and texture of pine needles. For the sea oats I wanted to make a fuzzy texture .
It seemed like the painting went fast on this project. I worked on it for around 5 hours, which isn’t really that fast, just fast for me, because I often have 30 or 40 hours in a painting. So I like the palette knife for that. It’s not easier than painting with a brush, just different. This was a simple experiment.
The palette knife makes the project faster because I painted right on top of my sketch. Usually I redraw my sketch and then redraw it again on the canvas. This way I saved a lot of time because I didn’t prime a canvas which is a multi step process with sanding the canvas, painting gesso on it and sanding it again then tinting the canvas. That part needs to be spread out over two days or more. This way I could jump right into painting.
It’s nice not to have to clean the brushes. That is a job.
Paper is working out to be more conservative than canvases, So the palette knife is practical on a lot of different levels.
I am using more paint than I use normally. That’s one drawback to the palette knife.
The palette knife is fun, though, so I’ll do more.
I made the path wider so it’s more visible.
This is a plan for a palette knife painting on paper. I’m going to try painting right on top of my charcoal sketch, at home, because it’s going to rain again for a few days. Luckily, I got a few colors mixed in plein air today which I can put plastic wrap on top of and they will be good for a week or more. They say the sun will come out on Sat. too, so I can get back over there and mix more colors.
We didn’t have any frost yet. The trees are showing some color but not a lot. I might fake in some fall color in the background, or I could wait and see what happens, but the beach isn’t the best place for fall colors.
I need to look at this sketch and make some decisions before I get started painting . Like exactly where to start. I mixed some middle ground tree colors in plein air but I should probably start with the sky and background. Or I could try to paint the water first. The water looks different every time I see it, so I might just wing it.
I’m not a good photographer, but this pic is too boring. I’ll get a more interesting painting if I don’t use it, I’m only showing you the photo so you can see how much my naked eye differs from the camera. Which eye is the better representation? The human eye or the camera?
They seem to glow when the sun shines through them and they look great with dark green pine trees behind them.
There’s this little salty meadow that floods sometimes. I really enjoy the view looking across it. I want to sketch the long view of the meadow and a few other places there.
They’re calling for good weather again tomorrow then a few days of rain. I might try a palette knife painting of this if it’s not good to go out.
At first it was kind of scary, then it was fun.
I knew my lines would get all crooked painting with the palette knife. I tried to keep them as straight as I could but when you try to paint on top of lumpy paint from the previous palette knife glaze, you just have to stop worrying about straightness at some point.
It probably doesn’t matter if my perspective is off either. I don’t know if this is some kind of abstract or any kind of realism or what it is if it fits in some style of painting. The palette knife gives it a whole different look than I’d have got with brushes. To me it’s a wavy feel.
I don’t know if this shot is giving you all the grays in the dark. I used warm and cool grays on top of warm grays on top of cool grays. Some of the lower layers show through and the viewer’s naked eye can mix the tints and shades of gray to see a gray that’s alive and moving, not a dead gray.
I considered not painting the railings but then I decided the battery needed them. I knew they would be rough going on top of all those lumpy layers but I kind of got them in. I’m glad I gave it a shot.
This is the grass and path. It was fun glomming the paint on real thick with my palette knife. I mixed the colors of paint on my palette and only mixed them a little on the canvas with the knife and added some texture.
This shows you how out of control my lines got and some texture in the background, that might or might not be a ghost.