Category Archives: experiment

Flower Children Dancing


watercolor and Inktense pencils







Art from my subconscious / good or bad?

I can’t tell if it’s working on any level or if it sux. Feel free to opine or critique without worrying about hurting my feelings. I don’t have any emotions toward this experiment. (and that’s the best way to approach an experiment, just try something and see what happens.) If you studied psych this might give you some insight into my subconscious brain. If you see anything, let me know, crazy or sane, doesn’t matter either.

I didn’t make plans or do sketches first. The only thing I decided was to have fun on a cloudy day when I didn’t want to go out because it was a holiday and would be crowded at the places I like to go. The other thing I decided before starting was to use yellow pink and green.

First, I spattered yellow on the paper ala Jackson Pollock to get a loose start. Then when the yellow dried I wet the paper and blobbed two pinks in around the yellow. While the paper was still wet I scribbled in some lines with the Inktense pencils. When that dried I blocked my flowers off with masking fluid and painted the background green. Then masked off the lighter green lines and went over it again with dark green.

When it’s all dry, rub off the masking fluid and VOILA!

I like this product, but opening the bottle can be frustrating.

Those dang lids where you have to press down while turning.

Once in a while I can open the bottle with no problem but sometimes I try and try until my hand gets tired and it won’t open. One time I broke a lid off a bottle of masking fluid with a wrench. That’s how bad it is.

Yesterday I got a call from a friend and she asked me what I was doing. I said trying to open this stupid bottle. She told me to run it under hot water. I said that won’t help. The lid isn’t glued shut. I can turn it. It just won’t unscrew. Again she said run it under hot water so I said ok. I ran hot water over it for a few minutes and when the bottle warmed up the lid came off! I celebrated that happening with loud insane laughter that my neighbors might have heard because my windows were open.

Now I know the trick to opening these poorly designed bottle caps. I guess my crazy friend knows a thing or two.

This masking fluid is great for adding texture to a watercolor. A few years ago I tried using it on an oil painting, which I was told doesn’t work, but it does work if you use it over thinned oil paint with no medium mixed in. And I keep seeing people are still reading those old posts which is a mystery to me how they find my old masking fluid on oil paint experiments.

If you want to use this product the most important thing to remember is to put soap on your brush first. It’s impossible to clean the brush if you don’t put soap on it first and the brush will get gummed up and ruined. With soap on it you can rinse the brush in water to clean it and use more soap to be sure to get all the masking fluid out of the brush.

watercolor fun time / dunes

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They gave all of us Plein air artists a great swag bag at the Ghost Ranch with a lot of art supplies. The thing I wanted to try first is this little color sample test palette  with 6  dry colors from QoR Modern Watercolors made by Golden. I was just playing around and made the colors bleed because it’s kind of fun to see what you get when they mix and also to watch the bleed.

That’s Mars Orange Deep on the dunes with Indanthrone Blue in the shadows and Manganese Blue in the sky. The blues don’t show up right in this photo because I took it in the yellowish light over my work table. They’re both good blues in real life.

They are some real nice bright colors and I might buy tubes of them in the future.

It rained today and it might rain tomorrow. That’s ok. It’s been dry here for 3 weeks. I started my watercolor at the Pleasure House Point marsh, but didn’t get very far with it yesterday. I will finish that thing some time soon. Not exactly sure how to proceed.  At least I had good weather for my vacation. I’m glad I made it home before the bad weather moved in out west.

skinny-dipping / watercolor abstract

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I bought raw Sienna, burnt Sienna and cobalt blue. This is a test of transparency and how the colors look overlapping and blending. I made it fun by doing a skinny-dipping abstract. The colors look better in real life than they do in this photo. A big part of improving my watercolors is to do random color swatches until I’m more familiar with the paint. It might seem like a huge waste of time and paper, but every step counts toward the goal of mastering the medium, which could take years, so there’s no rush, or limit on supplies I’ll go through. Now I know I’ll enjoy using these colors together and I like the blends I got.

Spirit Horse Head in Clouds

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It’s a clouds experiment. I can’t tell if it looks like clouds to the viewer or not. If it looks like something else, that’s what it is. I painted it in Plein air from my balcony with watercolor and the clouds were moving. I used masking fluid on my fan brush and white oil paint stick first to block out some white and to see if I could make a soft and fluid cloud texture. When it was dry I rubbed off the masking fluid with an eraser.

The horse is another drawing with a black oil paint stick taped to a yardstick to make it fun.

I’m just goofing around at home with the horses for models and trying different things with watercolors but I’m going to get back out in plein air tomorrow and get back to the landscape next.

The weather is improving.  YEA!

Spirit Horse / watercolor

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I was trying to make a ghostly transparent look with this experiment. I used masking fluid on the horse and spattered rubbing alcohol on the background. It was fun. I might do another ghost horse. Why wait till Oct? Spooky subjects are fun all year round.IMG_2307

This is my finished charcoal sketch that I started earlier this week, as seen on my previous blog post, when it was kind of rough. I’d like to go abstract with it but I feel like I need to do a tight sketch first.

By the time I finished the watercolor I probably have 7 or 8 hours in this one experiment, including the time I spent sketching, transferring it to watercolor paper then going into it with masking fluid and paint. That’s not including the times I had a fan blowing on it between layers of paint. That might seem like a long time to put into an experiment, but I learned a thing or two that I can use in the future. The more times I draw a subject the easier it gets.

Green Horse on Orange

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To go a little more abstract this time, I didn’t draw it with charcoal or pencil first. I couldn’t decide how to go about it, then just went with the old blob in a rough  shape method, like I would with charcoal, only with paint. First I put a glaze of cadmium yellow on the whole paper and let it dry. Then I sprayed water on it  and tried to make it evenly damp. I dabbed up the puddles with a paper towel. The paper warped like crazy. Then I blobbed in the general shape of the horse with green and lifted some of the color back out.

The red color, opera, looks like a bright orange over the cad yellow. I did a test strip to pick my colors and liked the colors I got when Veridian green mix with opera. And they both looked good on top of the cad yellow.

Then just to mess it all up, I splashed rubbing alcohol all over it. I held it in front of a fan till it was almost dry then darkened up the green paint with some ultramarine blue to paint the sketchy lines.

That was fun. And good practice on things like, the right wetness of the paper, trying to control a bleed, drawing with a paintbrush which I can’t erase, etc.

 

Blue Horse, Red Sky, Yellow Grass watercolor

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This time I wanted to let the horizon line bleed. It was out of control because of the paper warping and I let it go. For a second I considered trying to stop it, then I said, let it bleed.

It was fun watercolor practice. I think I’ll do another horse. There are so many possibilities with how to go about watercolor, I’m just kind of playing around. Play is a good way to learn.

I have a song stuck in my head. A few days ago I watched” Bohemian Rhapsody” on HBO. It was good. I love Queen, and of course, Freddy Mercury. The movie had a short clip from the” I Want To Break Free” video where they’re dressed up in drag and Freddy comes in pushing a vacuum cleaner. I remember when it was on MTV. I thought it was brilliant and I loved the song. So I had to look it up on Spotify to get my fix. I Want To Break Free might be my favorite Queen song. Didn’t Freddy have an amazing voice? What a great inspiration he was.

Red Horse, Yellow Sky, Blue Grass

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I was putting this off because it was kind of difficult and I didn’t have the time to concentrate on it. First I had to redraw my horse sketch from a few weeks ago onto watercolor paper and make corrections. That took a couple hours. Then I couldn’t decide what colors to use. Finally I decided it would be best to start with the background and do the horse last like I would if it was an oil painting. Too many decisions! I tackled  the sky, grass and horse as separate experiments, using two Inktense pencils on the wet blue  paper for the grass. It was kind of fun pushing the paint around to make it as even as I could on the horse then lifting out paint with a paper towel where I wanted highlights. Now that I got one horse sketch finished I might try again with a different model horse. It’s still too hot out for me to enjoy painting in Plein air unless I get out at the crack of dawn.

Rose / Inktense pencils practice

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It was so nice out there today. The botanical garden had a lot of visitors when I went out to sketch this morning. I smelled the roses as I was walking in and remembered one I loved last year, the Crimson Bouquet. I wanted to find the brightest red because I’m from Lancaster Co. PA. the red rose town. York, on the other side of the Susquehanna is the white rose town.

I can’t tell if the background is working or not, but I wanted to do the minimum for it.

I’m looking forward to my art adventure in New Mexico in 2 months. I want to take all my art supplies with me on the trip but it’s not practical. I don’t know what kind of drawing or painting I’ll want to do when I see the Ghost Ranch. If I take a lot of art supplies I’ll have a bigger job unloading my trunk every night when I stop at a motel. I’m definitely  taking my oil paint supplies and I’ll have to prime a couple canvases in Aug, but I’d also like to take my Inktense pencils and a watercolor sketchbook. In the meantime, if I can sketch a few flowers while standing in the shade this summer, that’s good practice. I might have better luck when I try to do a landscape with the Inktense pencils out West.

 

self portrait as ghost / mixed media

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ok that was fun. I  had an inspiration to draw myself with white and silver oil paint sticks on watercolor paper then use the same blue watercolor all over top of the paint sticks to see if I could make a transparent effect. The oil paint sticks resist the watercolor. I hope it looks ghostly. If it’s working I might use the effect again some time.

As I was doing this, I wondered if there’s a face morphing program that an artist could use to make a ghostly look. I saw an app that could put your face on a hot dog! It was a scream! I think I remember the beginning of face morph programming. Was it when Michael Jackson did his video where he sang, doesn’t matter if you’re black or white? He had good looking people of different races and sexes blending into each other. Now you can do it too. Those guys who code computers have to be geniuses.

Do computer programs have an imagination? Would they give you a ghost if they weren’t programmed to have a ghost as an option? I think they are limited to what the programmer could put in which isn’t the whole brain of an artist. They have a limited number of choices to work with for the creative process, where my brain has limited experience, but more than an app. As always, feel free to opine.