This is the tall kind of lotus with the big leaves. I should make this leaf twice this size if I do it in oil paint. I didn’t take the right color pastels. It’s a narrow path and I took some pastels in a baggie instead of my whole pastel collection.
It’s getting too hot for me to enjoy standing around outside to draw. I have to get to the botanical garden when they open at 9 or forget about it because I’m not going out to draw when it’s over 85. At least I can get the zen vibe of drawing in for an hour or so in the morning if I get out early enough. Today the heat didn’t get to me until I was ready to do the leaf. It becomes impossible to concentrate when you get too hot.
I’d like to do more lotus studies and try to paint like Matisse again with the paintbrush on a yardstick. That was fun.
Today I went back to the garden thinking I’d do more sketches of Chicks Dig It, but when I saw these spider lilies I was no longer in love with Chicks Dig It. I’m fickle like that.
That means I’ll have to sketch these a couple more times for my painting because each variety of lily has different shaped petals. Good thing I didn’t start transferring my sketch of Chicks Dig It to the canvas. I like to take my sweet time doing a painting, actually. Sometimes I wish I could just go there and go home with a painting but I never learned exactly how to go about painting in the fast way. Then sometimes I’m glad I’m slow to decide simple things like which variety of lilies to paint because I’d rather have a dozen sketches that I can throw into a flat file and one finished painting, even if it takes me weeks to do it. There’s not enough room in my small apartment for hundreds of canvases but I could find a place for hundreds of sketches. And every time I move, which has been frequently in the past fifteen years or so, I throw away a lot of paintings and give them away.
It seems like in the art world oil paintings are looked at with more respect than other media, but to me the sketching and drawing that leads up to an oil painting is necessary and just as important. And drawings or dry media of any type should be valued equally to an oil painting. But that will never happen.
It’s a throwback to the age of the dinosaurs isn’t it?
My model is a bronze sculpture.
Yesterday I got a start on my sketch but after working on it for a half hour or so I saw that I drew it too far to the left on my paper. I didn’t want his beak to crowd the edge so I decided to transfer my sketch to the other side of the paper and try again.
I worked on it for another hour or so and was starting to get hungry and lose my concentration. I took a break and went back to work on it a little more. Then a lady spoke to me and I jumped. She was very apologetic for startling me but I told her no prob. I was in the zone but I can go back. That happens sometimes when you draw in plain air. If it would annoy you too much to have your concentration broken, then plain air isn’t for you. I kind of enjoy talking to people who are interested, so no big deal if they scare me. I’m not on any schedule for finishing the sketch.
Drawing this pelican made me see the beak has an extra section down the center. And from far away the head looks like a squid to me. Can you see that shape in the head? I’ve seen live ones before but I can’t remember where. If I find a good spot with a nice background for this bird I might do a painting and enter it in the Audubon contest. (some day)
One day a couple weeks ago I was walking in the garden carrying my 12 x 16 sketchbook when I came across this beautiful tree in the last stage of blooming. A few pink flowers were still hanging on and I wished I could paint real fast so I could capture it like that with some flowers and new leaves coming out. It’s a big crabapple tree and famous because it’s in a book of VA’s 100 most beautiful trees.
I knew I couldn’t sketch it on my 12 x 16 paper because it’s easier for me to draw large if I’m drawing a large subject. That’s one reason why I know my drawing needs improvement. Why can’t I draw small? I can usually draw a figure with a 1.5″ head. A one inch head is too small for me most of the time, but I try to sketch small figures sometimes.
I decided to use a piece of paper out of my 18 x 24 sketchbook and give it a try. 12 x 16 is the largest size sketchbook I can hold in one hand to draw and don’t need my easel. When I tried to sketch the tree on the big paper it seemed like it kept getting bigger and bigger as I was sketching. ( a sign that my drawing is out of control ) I wasn’t going to show this sketch because the tree looks crowded on this big piece of paper but I wanted to paint it and I thought if I had a larger canvas I might be able to do it. I bought a 30 x 40 canvas.
I did a detailed underpainting of the tree and it looked ok on the 30 x 40 canvas. It’s not squished to fit. It was a little easier to sketch the second time. There’s another five feet of tree off to the right which I couldn’t get, though. The branches come back down to the ground and form a thick bush next to the tree. Now I’m over half way finished but it might still take another week at this rate. The background trees, sky and grass are finished but the tree and leaves are still mostly in the underpainting stage. The new leaves have a red orange tint and are shiny. It’s too soon for me to tell if my painting will work out. It could be an epic failure, or it might be ok when it’s finished. I missed the time to paint the tree with flowers but I think it’s beautiful without flowers. If the painting is ok I’ll post it when I’m finished. If it’s not ok, I’ll try again next year.
Let me tell you about a very strange encounter I had with dogs on the beach.
Dogs really love me. I don’t know why. I like dogs but I’m not trying to find dog friends. I can’t even count all the times dogs have run hundreds of yards ahead of their masters just to meet me. I always ignore them and continue walking. I don’t look at them or talk to them or pet them. They put their wet noses on my hand and go back to their owners. I guess dogs can tell I’m not afraid of them, but I think it’s bad manners of the owners to let their dogs run up to strangers on the beach, or anywhere.
The other day I pulled into a parking spot for the beach and saw a bunch of people with big breed dogs at the entrance to the beach. They were just milling around. There were a couple kids no taller than the dogs and the dogs weren’t barking or jumping. I thought it must be a meeting of the big dog club. A couple of the dogs were big enough for the kids to ride. If I had a dog that big I’d make him a harness and train him to lug my stuff.
I decided to walk through the dogs and people to get to the beach. As I went down the cement steps two of the dogs went with me. One x large black dog and another brown dog of retriever size followed me onto the sand. It was real windy so I put down my water bottle to zip up my coat. The dogs stood beside me on the sand and a man was calling the black dog named Zeus, but Zeus didn’t go to his owner. I still didn’t look at the dogs and I called up to the man, “He’s mine now!” The man said, “You can have him!” So, I turned toward the beach not looking at these two dogs who were walking beside me. The people stayed at the top of the stairs and yelled for their dogs and for me to wait. This is funny because I ignored the dogs and the people yelling and walked down to the water with the dogs following me. When I got to the water I turned around and sent the dogs back to their owners. I walked on alone for a little while, but it was too windy. I guess that’s why the other people didn’t go down on the beach after their dogs.
Does that seem weird to you?
I wonder why there isn’t a leash law around here. If you swear on the beach you can get fined $100, but people don’t train or leash their dogs. Some of those dogs are smarter than their masters. It would only be fair if I walked off with their dog and held it for ransom. Right? I could catch one every day.
It’s a Chinese lantern in the Lanterns Asia exhibit at Norfolk Botanical Garden. This was fun to sketch at the garden between rain showers and fun to finish in bright colors on a rainy day at home. It’s good practice for your plein air artist to draw subjects other than landscapes sometimes. And it rains a lot around here.
That black sanded Mi-Teintes paper is great because it holds so many layers of pastel. And the black adds drama to your subject. If you want to convey a mood, black paper could instantly make your subject scary or sad or elegant. I like to blend my 1st layer in with a blending stump and then put 2 more thick layers of pastel on top of that.
This is Roaring Dog lit up at night.
Here’s what the plaque says, “The Roaring Dog is a Chinese legend of the Erlang god which specialized in assisting the Erlang hunting and beheading a mythical demon. It fought against Sin Wukong in the journey to the Westlands assisted the Erlang god many times in fighting against other gods in the legend of Deification.”
When I was sketching it the tram went past and I heard the tour guide tell the passengers that the Chinese like dogs to look like lions. I thought how much fun it would be to make paper mache armor for a little dog and take it to the dog park and scare the big dogs! hahahaha
This is the size dog I have in mind for custom made armor. He’s showing off his new leonine hair cut and learning to drive. wait, no, scratch the driving part.
It’s called a Kylin. It’s part of a large display in Lanterns Asia at Norfolk Botanical Garden. Doesn’t the black paper make it look dramatic?
I went to the botanical garden to draw this during the day and wondered what it looked like lit up at night. When I went back at night I didn’t take my pastels because I thought it would look totally different than my pastel drawing, so instead I took my camera. It was a difference like night and day.
This is called “Kylin in Delight”. This is what the plaque says, “Kylin is a traditional beast with a calm temperament in ancient Chinese tales. The legend of the Han people said that the beast has a life span of 2000 years. Ancient people believed where there is Kylin there is favorable omen. Sometimes talented people are compared to Kylin.”
Here’s a photo of the head of the Kylin at night.
This photo of the rump of the Kylin shows how it’s body was made of little glass bottles filled with colored water. Pretty neat idea for a lantern, huh?
It’s real name is Roaring Dog. It’s in the Asia Lanterns show at Norfolk Botanical Garden. This thing is big enough to ride into battle. I did this sketch in daylight but I bet it’s real scary at night. I’m going to transfer this sketch to black pastel paper and go back at night when the lanterns are lit and add color. I’ll post more info on it when I get my pastel finished.
Does this make you want to armor your little hell hound?
It was so beautiful over there today, sunny, around 45 and not too windy. I thought it was very refreshing. And I had this overlook all to myself.
The Army helicopters were a distraction, as they’re loud, and I kept stopping to watch them fly over. I was reminded that this is a strategic spot, with military bases on the side of the Bay. Well, I think we’re pretty safe from invasion through this place, so, I’m not complaining about the helicopters.
It looks like Fairyland over there today with the ice melting on the swamp! The paths are clear, but the boardwalks still have melting snow on them. I saw a Great blue Heron walking on the ice and also heard a funny alto sounding chirp. ( if you know what I mean) I looked around and didn’t see any other birds, so maybe it was the heron making that sound.
I like this sketch more than the other one I did of the swamp. I might use this one for a painting. The bush on the right coming out of the knee has a lot of fine reddish branches that are all bright in the sun. And there’s a lot of Spanish moss dripping around the trees. I decided to do a close up landscape this time because when you’re in the swamp. you’re looking down at the water and cypress knees instead of looking up at the sky. Who needs sky. hahahahahah