Sometimes I neglect everything else in life and paint for days. Other times I do things that need to be done and neglect painting. This is one joy in my amateur status. It’s not a job.
When a subject takes up most of the space on a painting the negative spaces become an important design element. The art viewer’s eye needs to find a place to rest so it doesn’t get tired and will look longer.
Making an interesting background keeps the art viewer’s attention on the painting with more contrast and texture but it’s not as bright so it recedes.
The veins in the paint let my imagination think the painting is part of nature. It’s an illusion I like to make.
I didn’t see a plaque in the garden with the name of this variety of azaleas. Maybe I overlooked it. If it was up to me to name it I’d call it Candy Cane.
I’m waiting for my paint to dry on the azalea painting before I can finish it with the last color, pink. If I put the pink on before the other paint is dry, it might lift some white or gray and that would make the pink less bright. A couple weeks ago I bought a tube of fast drying white at Jerry’s Artarama because I knew Titanium white dries slowly. When I opened the tube it was dry in the tube! And I didn’t save the receipt. bummer.
While I wait for the paint to dry on the azaleas I decided to sketch the rhododendrons which are starting to bloom. This is Inktense pencils.
There’s a real pretty path through the rhododendrons. It’s covered with moss and has a bench and spotty sunlight. I’d like to do a painting of the path but that might be a project for next year because it could be complicated and I need to figure out a good plan for it and do sketches first.
After I did the underpainting and waited for that to dry I went over this a couple more times, background, leaves, stems, and flowers. The gray is the shadows on the azaleas. At first I had a warm gray for shadows but after looking at it for a couple days I decided to make the shadows slightly darker and cool, so I put a cool gray glaze over the warm gray. It looks like neutral gray in this photo. I’m not sure if you can see the layers of paint but you can see some veins in the paint which I like making. It gives the painting more variety of brush strokes and direction in the petals.
This azalea is past blooming but I have my sketches to go by and I’m pretty sure I can finish it at home. I think it will work out with the pink looking as bright as possible. I did some color roughs. I might do another one. I’ll continue with glazing pinks next. Then it will be finished.
I wasn’t going to show it at this stage because it’s almost done, but I thought if I just post a close up of this one section it won’t spoil the surprise.
As I’m sketching the flowers, I pick up information that a photo won’t give you. It’s not always easy to see the petals as separate shapes. I’m sure a camera would blend them together. I might be the only one interested in drawing petals separately but it could help me decide which direction to drag my brush on the painting, where the edges are if I want to keep edges. I’ll probably simplify the painting but I need detailed drawings.
Another thing a photo won’t make you aware of is that the buds and flowers come in groups of three. The stems are in threes too. The stems don’t go straight vertical but have some curve. Some of the petals have smooth edges and some have zig zag edges.
Now I realize that other plein air artists don’t care about separate petals. They’d go to the garden and start right in with slapping down some paint and finish the painting in a day or maybe less. I need the sketching time to figure out a plan.
The more flowers I sketch the easier it gets. I might need more flower sketches but maybe these are enough.
The two big azalea bushes I was standing between are in a kind of U shape where I can step off the path and stand between the bushes to sketch. These are on the shady side. I looked at the sunny side of the bushes and the sun was too bright on my white paper. It was blinding! I use the white paper last because it’s not great for sketching in plein air. Also when looking at the side in the direct sun all the flowers were lit equally bright. When I sketched the shady side it was easier on the eyes. I didn’t feel like going back to the car for my sunglasses.
As I was standing there for around an hour and a half to fill each of these papers with flowers, some spotty light fell on a few flowers at a time and it was much nicer to see than the bright glare of direct light. I decided to do my painting with spotty light. I’ll have to fake it on the sunlight if I paint this at home, but that means I can put as much sunlight in as I want to, because if I go back to the garden to paint the flowers will be different and I don’t know exactly what time the sun fell on any flower to catch it at it’s best.
So, yeah, and hour and a half on each sketch paper. That means I have around six hours in it so far and haven’t started painting yet. That’s one reason I can’t get in with a plein air group. Also, I don’t want to pay to join a group, I mean $35 to get your name on an email list? But they don’t like this approach to painting. They don’t want to go back day after day and do a bunch of sketches. But it’s a whole different process and if I ever sell a painting I’ll ask a lot more for it than their fast one day paintings would go for. They want their art openings to be “cohesive” which means the artists must conform. If all the paintings for sale are asking $300 and someone enters a painting and they want $1000 for it, the juror would reject it because they don’t want an artist to think their painting is worth so much more that any of the others.
I traced my flowers from the sketch papers and cut them out to arrange them on the paper I tinted for this painting. This step will help me decide if I need to draw more flowers or if this is enough. I want to have some flowers in the background too. If I can come up with a good arrangement then I’ll try to decide how much sunlight to put into the painting and where. I decided I want the spotty light to make the composition more than the flower shapes. If I can make a good composition with the flowers and light, I hope the viewer’s eye will move around the whole painting.
This will be a busy week at the botanical garden because of the holiday and the weather is improving. Norfolk was on the edge of a freeze warning so I wondered if it would affect the azaleas which are starting to bloom but they look fine today.
I’m undecided how to paint them but I’ll get more sketches and paint at home. I have a good spot to sketch off the main path. I just don’t want to hang around if it gets crowded so I’m going when they open in the morning.
These are close to life size on my 11 x 14 paper which is the size I can stand and hold in one hand to sketch without using my easel.
I took my numbered color swatches that correspond with my Inkense pencils to make color notes. That’s my little color notes on the sketch. I might use my Inktense pencils for this or maybe oils with my brushes on a yardstick, which is fun.
The variegated ones are my favorites. oops, I smeared my charcoal. That’s ok, I need a lot more sketches but I can start planning my painting by starting to arrange them on a larger paper.
In wildlife news:
Crows, A crow was harassing me at the botanical garden when I painted the redbud last week, caw caw cawing over my head for a long time. Finally I thought he wants to steal something shiny from me and I covered my paintbrushes and everything else with any shine and he went away.
Canada geese. I pulled into a shopping center to get lunch and saw a goose sleeping in the parking lot. I wondered if he was sick, hoped he didn’t get hit by a car. Then I got my Kentucky fried chicken and parked to eat it. I saw the other goose sitting on a nest under a tree on one of the cement islands with mulch in the parking lot. 4 crows were constantly harassing the goose on the nest. The goose didn’t seem concerned about the cars but that would be bad with the crows harassing the geese all day. And they will have to walk a long way when the eggs hatch because there’s no pond anywhere near there. The babies will have to cross busy streets if the crows don’t manage to steal the eggs first. what a bad spot for a nest! I noticed some human had left a plastic bowl near the nest, probably with food or water.
Ospreys. I was happy to see the nesting pair back on top of the light pole out back. It’s over a little league field. The teams are back to playing their regular schedule. Sometimes it gets loud out there but it’s mostly quiet.
The colors don’t show up in the photo exactly as they are but you get the idea.
The flowers are thick paint and I used my modified fan brush again to add texture. You can see the difference between my background glazes which are thin and the flowers which are thick. That’s the traditional way of painting. If you use both thin and thick paint it helps give the illusion of depth and the viewer’s eye has something to compare. The viewer might not realize it but the painting might keep their attention longer with that contrast of paint thickness and texture.
You can see the thick paint of the dead leaves on the ground, the thin paint of my background glazes and the thick paint of the flowers compared to the solid lines of the branches.
We had some not good for plein air weather and I wanted to start the background for my painting at home but was undecided how to start. Every day I made up a new plan. Then I changed my mind again before I started. I wanted to wing it on the background because the real life background for this tree is too complicated and not a good composition from this side of the tree.
In my case it’s better to put a painting on hold until I have some kind of plan. Some artists would slap in a solid background or something fast and easy because the painting is all about the redbud anyway. They don’t like to overthink a painting. What’s the alternative to overthinking? Mindlessness? It seems like overthinking might give my painting a better chance of success. My mind runs constantly. I can’t stop it so I’m not fighting it. If I wanted to stop overthinking I might need to take some drugs for that.
I don’t like what I have here but I think I can save it. I didn’t paint the tree yet. I painted the background colors up next to my charcoal lines on gray blue pastel paper.
It’s going to rain today but I went over to the botanical garden to have a look at the tree and didn’t take my art supplies. I know I need to lighten up the background bushes and I’m dying to kill that orange mulch color. I was glad to see I still have time before it’s in full bloom. A lot of pretty trees are blooming around here. I don’t like to rush a painting, overthinking and all, but nature waits for no one. I want to paint the background first. That will help the tree seem to come forward in the painting. Looks like tomorrow will be good to paint in plein air. I should be able to finish this when it blooms right on time.
Both trees are showing signs of life with tiny buds except the buds aren’t the same on both trees.
I only sketched the main branches for these trees but there are a lot of tiny branches with buds. First I need to paint the background and I’m not crazy about the background that’s there in real life. It’s part of the children’s garden with more trees, a pond, paths, mulch, some grass and then some big magnolias which are green, and brown trees that have no leaves yet. That’s too complicated for this painting.
We have had some nice weather and it might not be bad tomorrow either but cooler. Then clouds and rain are coming in this week. I can get started on these two tree paintings at home. I don’t know if it will take 1 or 2 or 3 weeks for them to bloom. Things change fast at this time of year. I’ll have to keep checking up on them.
I wonder why perfectionism is so unpopular these days.
Sometimes I see a piece of art, any type of art, and I think that is just sublime. I couldn’t do better. I can’t find any fault with that. That looks like perfection to me. It’s a treat for your eyes. That was no accident. If the artist didn’t work on that particular piece for a long time then they are showing you the end result of years of practice.
Art experts don’t like to see evidence of hard work. They call it “labored over” like labor isn’t part of life. It’s to be avoided. There is no such thing as a labor of love to those people.
If an artist is insecure maybe the person saying, ” don’t continue to work on this painting, stop now before you overwork it.” The expert is trying to make the artist feel better about themself. If the artist is saying, “I’m not good enough,” that isn’t relevant in the art world. You can be a real jerk, it doesn’t matter. You can still do art that is uplifting and people might love your art. I’m not good enough also doesn’t make sense to me because imperfection is accepted, even prized. The artists I’m talking about only need more practice till they feel good enough.
You don’t get there by giving up if you think you can fix a painting and make it better by continuing to work on it. If you don’t want to do that right now, it’s ok to put it off till next week, next year or any other time when you think you can do better.
I’ll agree no one is perfect. Perfection is an ideal. Why not shoot for the ideal? Even if you never get there trying is better than copping out. Art might be the only chance we have to get close to perfection.
If you want to keep going over it again and again don’t let anyone stop you. If you get on a good path and want to keep doing the same thing in different variations until you have had enough then you have to do that and don’t let anyone say, “you’re not done with that yet?”
I wanted to give the look of wind on the water breaking up the reflections.
This was the hardest part. Whew! Glad that’s over.
Next painting might be easier. That little man, I had to try 3 times before I got this.
Here’s a little focal point in the background.
That’s not too much wasted paint considering that there’s probably a half cup of it or more on the painting. I put plastic wrap on my leftovers and might be able to use them next week.
These are the palette knives I used in this painting on my palette with left over globs of paint.
The large one on the left was good for scraping the first blue on the sky. The second from the left is the one I use most of the time. It’s great for mixing paint colors and I often use it to scoop up a glob of paint to transfer it to the canvas. The second from the right is the one I used to paint most of this and the one on the right was recommended to me by my blogging friend, Alli. Check her out! Her paintings are beautiful and peaceful!
It was a stroke of luck that Alli told me to buy another knife because I was having a problem painting the figure, then when I went to the art supply store I noticed my painting that was in their window was missing and the manager found it and I took it home. But it almost got stolen. If I didn’t go to the store that day, by this week that painting would be gone. Just my intuition. But intuition is one of the benefits of leading the life of a hermit. Eventually you get some. And you can’t ignore it.
I can’t remember if this is from a photo or if I did it in plein air.
I remember the scene though. It’s at Middle Creek Wildlife Preserve in Lancaster Co. PA.
I was searching through my flat files for another pastel. I remembered a time when I was in PA and took some photos and used them for reference to do pastels. I took them to show a gallery owner to ask her if I could get them hung in the gallery if I framed them. She liked plein air paintings and she asked me if I used photos. I said yes. She told me to stop that. My friend was mad at her but I knew she was right because that was drummed into my head in art school. Yes, I was kind of brainwashed back then. No using a photo for a reference. I broke the rule in school and some times after that too, but I can tell that drawing from eye to hand in plein air has made an improvement in my paintings that wouldn’t have happened if I continued to copy photos.
06 was the year I got back into art after over 20 years of not drawing. Life can stop me from drawing with a demanding job, taking care of a husband and kid, being too tired in general to concentrate on art.
This was around the time I started working in plein air so I can’t remember if this is one of the gallery rejected ones or if this is one of the first I did in plein air.
It’s raining today. I need to try to paint my little man for the Pleasure House Point painting on scrap paper a couple times and see if I can do it because he’s only 2.25 inches tall on my palette knife painting and it’s kind of a hang up stopping me from finishing the new one. So, to procrastinate a little longer on the difficult project, I went through some old paintings looking for one that I showed to my dentist back then and he made a comment I thought was funny . It was a flock of geese at Middle Creek.He said I drew 2 birds going for the same worm. I laughed and I thought maybe the doc had 2 girlfriends. I didn’t ask. I’ll get back on the palette knife painting today! For sure!
