Category Archives: oil painting

Magnolias / oil

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This came out dramatic looking because I painted my flowers on a dark background. I think it’s feminine and bold.

It was hard to get a decent photo since it’s shiny from my Maroger medium but I figured out if I stand to the side a little I can get a shot without glare.IMG_2502

It was time consuming and the only thing I could do to help make it easier was to thin my paint with a few drops of terpenoid and pick up a little scoop with my palette knife. I hold the palette knife in one hand and the brush in the other when I’m standing at my easel, then I’m not reaching to my palette all the time. It saves a lot of movement over the course of the painting which makes it more efficient even if it’s still slow.IMG_2501

This shot shows a web of branches to look through. They’re making negative shapes. I like to do a finished background where my eyes can go to rest on something interesting. It gives the painting depth and keeps the interest of the viewer longer because the eye goes to the background, then to the foreground again.

I’ve been working on this at home all day for a few days. I don’t know how many hours I have in it because I started sketching for this last year. The tree doesn’t look like this very long, if ever. It blooms suddenly as soon as it warms up for a few days. Then it gets cold again and the flowers turn brown and fall off. It might do better farther South.

Now I have to get back to everything I’ve been neglecting since I’ve been working on this.

Theory / Art is in the eye of the viewer.

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Is this art or not art? I can’t make the call. I’m letting the viewer decide and I’d like my blog to be a no b.s. zone. That means anyone can speak freely without worrying about hurting my feelings or getting into an argument with me. I won’t censor anyone either.IMG_2448

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It’s untitled because I don’t want to influence your decision. If I titled it “nonrepresentational” the viewer would look at it as a pure design. I could give it a title that would make the viewer think of some social or political issue. Then I’d be putting some meaning into your mind and it would be abstract.

What if I had some subject in the back of my mind when I did this but I don’t tell you what that idea was? You could take it to mean something of importance to you. Then you should title it and we can call it abstract.

I could give it a funny or catchy title to make people like it but I won’t do that because when I was in art school they told us it’s a sign of a weak painting if the title makes a difference. The painting should speak for itself. If the painting doesn’t speak for itself it’s weak.

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If anyone wants to critique it, I don’t care. My total lack of caring makes this kind of post modern. But really, blast it straight to h–l if you want to, or maybe you like it. To me it’s just another step out of thousands. I have no emotional attachment to it.IMG_2450

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Did you ever hear an art viewer say, “That’s not art, my 8 year old could do it.” Then the artist or art expert says, “Yes but your 8 year old didn’t do this.”

Doesn’t that sound like a lame argument? What a weak defense of a painting.

 

swamp painting in the swamp

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A lady walking on the trail behind me stopped to take this photo and emailed it to me. I think it’s better than my photos. My painting kind of blends in with the scene.

I’m so excited! It was nice out this morning and I made some good progress on it! I’m almost done! Just another week or so, after all this time! I think it was in Nov. I started drawing for the painting. And for so many years I wanted to capture the scene.

Ghost Ranch paintings by Gary Alsum

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Gary is from Loveland CO. These paintings are small, there’s a shine on the right. It’s still wet oil paint.

Darn it, my computer is telling me WordPress is taking up too much space. I hope I can keep posting until I get home and get this puppy to Best Buy where they will fix it for free.IMG_2368

I checked out of the Ghost Ranch and drove all day on a high desert plain. I had the open road for hours. It’s pretty much unpopulated from Santa Fe to Roswell.

I shopped in Roswell for ET souvenirs then decided to head east. Now I’m in Clovis New Mexico.

Got a new phone in Roswell, finally, after my old one died a week or so ago.

It’s hot with a strong dry wind out there. I enjoyed looking at the desert. Not many trees until I got almost here.

I missed my turn onto 60 into Texas by a couple blocks, not too bad for a long fast easy drive through a vast desert, to only be a couple blocks off the route. So, I got a room at the Holiday Inn Express. I remember Clovis is famous. They have a natural history museum with a fossil of a saber tooth tiger, and they also have a history of being a music town. Led Zeppelin played here and so did Buddy Holly to name a couple famous acts. I wonder if the music place or the museum is open on Mon.

Box Canyon @ Ghost Ranch / oil

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If I could describe the Ghost Ranch, I’d call it mystical.

I have to make this a fast post because it’s hard to stay connected.

A weird thing happened to my roomie and me. Half the time the lights don’t work in our cabin. Sometimes they flicker. Sue told the maintenance guy and he came right over. Naturally they worked then. He left and the lights went out 10 minutes later. I think it’s a bad circuit breaker, but are we haunted?

a view from the Ghost Ranch / oil

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Art camp is great! There’s so much to do and the energy is great! The food is good, the artists are friendly and there’s no drama! It’s so beautiful up here at the Ghost Ranch, I’m not going on the field trips. I want to stay right here.

I tried to make a post with more pictures but it didn’t fly.

I’ll try again with just this, but I have my doubts the computer will continue to work as hoped,

 

Taos Art Museum Fechin House

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This is the front of Fechin house. Nicolai Fechin was an artist and Russian. They have Russian themed things in the gift shop out back.IMG_2353

This is the back of the museum. It’s a privately owned house but they don’t live there. There’s also a studio in back and I peeked in. Some artists were taking a class.

They change their exhibits to include other Taos artists but Nicolai Fechin’s works are always on display.IMG_2352

This is Fechin’s “Indian Profile”. It’s larger than life, charcoal on paper. He did mainly portraits.IMG_2351

This is Nicolai Fechin’s self portrait. charcoal on paperIMG_2350

This is “Eva in Peasant Blouse” painted in 1933, oil on canvas.IMG_2349

This is the by other artist represented this month, Marjorie Eaton. “The Boy” charcoal on paper.

Marjorie Eaton / 1901 – 1986. She was born in California. Her dad was a doctor and her mom died when she was a baby, but her dad remarried and she loved her step mom. Marjorie’s step mom took her to Europe shopping for clothes.IMG_2348

Eaton came to Taos and was so inspired by the natives she became good friends with her models, and had an Indian boyfriend. I don’t know if they got married.

This is “Man in Cloak”, oil on paper mounted on board.IMG_2347

She painted this “Nude” at the San Francisco Art school in 1924. Marjorie was recognized for her talent and had an offer to study with Picasso, but the war happened and she didn’t get to go to Europe then.

She went to Mexico and loved it there. She became good friends with Diego Rivera and Freda Kahlo, among other famous artists of the time.

Darn it, my phone isn’t taking a charge. I’m heading up to the Ghost Ranch today where there might not be a signal anyway. If I can’t get it to charge this week out in the middle of nowhere, I’ll stop at a Verizon store before I head home.

Good things about having no roots

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The main thing is not getting attached to stuff. Every time I move I either give away or throw away paintings. I’m tired of this one so I put it in the lobby of my apartment. Let’s see if it gets picked up. If nobody wants it by tonight I’ll pitch it. If it gets taken I’ll put another one there next week.

I’m leaving an expensive new “luxury” apt. It’s overpriced. When I signed the lease they had a security guard in the parking lot at night. Then when they had most of the apts. filled they let the guard go. Then cars got broken into. Not mine. The false fire alarms here were so annoying. It’s not only one apt, it’s the whole building and it happened about 15 times in a year and a half. Good thing I’m healthy, but I was a little worried it would scare my Mom or give a friend a heart attack when they came to visit. Then when it was time to renew the lease they wanted to raise the rent $78. I handed in my notice to vacate and started looking at other apts. Then I got an email saying they would only go up $45. I wrote back no thanks. Then I got an email saying they would go up $20. I said no. Then they said they would keep the rent the same. I said I’m out of here. I’m so glad I’m free.

I’m so glad I make all my own decisions and don’t have to listen to any drama.

I’m the freest damn yankee in VA.

Chinese Paperbush / oil

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Do you ever get the feeling a painting is speaking to you? Because I think this painting has something to say, but I can’t interpret it. It’s talking too fast.

First it’s saying something about music, then it’s something about my life. Then it’s telling me something about blooming in the winter, refreshing cool air.  Something else about an altered state of consciousness that an artist gets into when they’re painting. It’s easier than you think it will be. What else?

What does it look like to you, dear reader? Is it only a representation of a pretty bush or does it have a message that you can see?

I went back to the garden 3 times since my last post to work on this in Plein air. I don’t know if you can see all the changes I made on it.

Mums / a pointillism experiment / oil paint

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Pointillism is a scientific style of painting. I never saw a class offered on it but I wanted to try. I read a few articles and they don’t give much information so I had to make my best guess. I’ll give you my questions and if I got it wrong please tell me.

The first thing I could get from my research was that Seurat used the paint straight out of the tube without mixing colors on the pallet. Did he thin the paint with turp or not? I guessed not. Then I saw my dots forming peaks. Did Seurat have peaks on his dots? How large are the dots supposed to be? Can the dots overlap? Can the paint mix  on the canvas when the dots overlap?

One article said Seurat had 11 colors and white. It didn’t say what the colors were. I bought a tube of veridian green  for this painting. I never buy tubes of green because I have a few yellows and a few blues so I can mix the green I need. But to try to stay true to the no mixing colors on the pallet rule, I bought the green. Then I broke the no mixing  rule when I added white to cobalt blue and then I added white to the green. I didn’t use gray because I know modern artists don’t like gray and Seurat probably never used it.IMG_2124

One of the articles said there should be an underpainting. I usually tint my canvas before I do my underpainting, but this time I did my underpainting on a white canvas.

It’s important to keep color theory in mind in pointillism. I took a class long ago in color theory and remember some things like using complimentary colors and using tints of equal value to create the visual mix of gray or the visual mixing of colors that vibrate, and how colors look different on top of other colors.

Is this experiment a success or a failure? I don’t know, but this is my first attempt at pointillism and I’ll try again some time in the future.