I was sitting on top of the hill there at the War Memorial to work on this painting. It’s more comfortable to stand up at an easel, but I was in plain sight of 1000s of commuters on 2 busy roads. Also, people working in tall buildings could see me there in the sun on the hill. Sitting down makes me feel less obtrusive in the scene.
When I did my 1st charcoal sketch for this painting, I drew a pile of logs in the river, then later decided to eliminate them from the painting. But, in reality, the logs are there in the river providing a habitat for all kinds of wildlife.
You can see the Southside floodwall and the pilings from the old bridges that got destroyed. Plus the Manchester Bridge and railroad bridge.
Do you like that wisteria? I made that up. hahahahhaha They have a small vine on the other side of the wall. It’s not blooming yet.
The entries for this show, “Poe’s Enchanted Garden” are due this week, so I have to stop working on this painting and let it dry. I still want to make changes because I can see a lot of mistakes in my linear perspective that I could fix. Sometimes I just have to say, I’ll try again next year, and I hope no one will notice my mistakes. Opening night is April 23, 6:30 PM. They’re having “Unhappy Hour”.
Too many people talk about fear of failure. Maybe it was the way their parents raised them to think they can’t make mistakes. I don’t get it. But when I look at this painting, I can’t tell if it’s a success or a failure. A lot of times my paintings get rejected. They’ll probably hang this one, I guess. As an artist, you have to get over fear of failure and just don’t care too much. Apathy helps you in the art world, even though it’s a bad attitude.
I liked this view in the garden but only a few little pansies were blooming when I did the painting. So I looked at the Blue Bells in Lewis Ginter Botanical Garden and faked in the Blue Bells on this painting. This year I’m faking in a huge Wisteria on the other side of the wall.
It seems like it’s taking a long time for me to finish the new painting of Poe’s garden, but as a plein air painter, I wait for the sun to come out and go there to work on it. That only gives me one or two days a week. Then I only stay for a couple hours at a time because the light changes and my concentration fades.
Now I’m waiting for them to turn on the water in the fountain that I’m painting this year. Water is always a challenge for me to paint. I hope it works out. The paintings are due on April 18th for the show opening in the end of April. They’ll have “Unhappy Hour” that night.