It was so nice out there today. The botanical garden had a lot of visitors when I went out to sketch this morning. I smelled the roses as I was walking in and remembered one I loved last year, the Crimson Bouquet. I wanted to find the brightest red because I’m from Lancaster Co. PA. the red rose town. York, on the other side of the Susquehanna is the white rose town.
I can’t tell if the background is working or not, but I wanted to do the minimum for it.
I’m looking forward to my art adventure in New Mexico in 2 months. I want to take all my art supplies with me on the trip but it’s not practical. I don’t know what kind of drawing or painting I’ll want to do when I see the Ghost Ranch. If I take a lot of art supplies I’ll have a bigger job unloading my trunk every night when I stop at a motel. I’m definitely taking my oil paint supplies and I’ll have to prime a couple canvases in Aug, but I’d also like to take my Inktense pencils and a watercolor sketchbook. In the meantime, if I can sketch a few flowers while standing in the shade this summer, that’s good practice. I might have better luck when I try to do a landscape with the Inktense pencils out West.
Do you think this art has a meaning? Sometimes I look for meaning in art and there is really no meaning. Could he be making fun of plein air artists that don’t “copy” nature? Anyway, thanks for the laughs, Hank Schmidt in der Beek and Fabian Schubert.
It’s not finished. I have the leaves sketched in charcoal but I might not fill them in. The flower is the fun part.
This is close to life size on a 9 x 12 paper. The tree is next to my apartment and I stood on my balcony to draw it. The blossoms are starting to fall down on my car.
I’m glad I did this pastel today because I put it off while I watched Lucifer on Netflix. The devil is a good looking British chap. Did I feel guilty about abandoning my art for a week while I binge watched Lucifer? Not at all. And I learned that you don’t go to hell unless you feel guilty. So, that means I should be ok.
I think I’ll go to Back Bay next and try watercolor again.
Last year I sketched waves with charcoal and chalk. This year I want to sketch them in color. I think the watercolor pencils have a grainier quality than regular watercolors. I’ll do some comparisons with the watercolors in tubes this year. It seems like I picked a difficult subject for Plein air painting because waves never stop moving. I’ll keep working on it but there are so many great views around here and I’m not on a deadline. I’ll try out my Inktense watercolor pencils drawing other scenes before I get the hang of painting of the ocean. It’s not just painting waves, it’s also that I want to paint the bubbles on the sand and that looks even more difficult.
Yesterday we had nice weather but it was too windy to stand on the beach at the water’s edge. I sat on the leeward side of a sand dune and it was great. It took me some time to plan my sketch with pencil and pick my colors from the charts I made. Then I realized I forgot to bring a piece of soap along. If you put soap on your paintbrush before you dip it in the masking fluid it saves the brush from getting gummed up and ruined. For this experiment I used my white oil paint stick on the sky as an alternative to masking fluid and used regular masking fluid to block out the white foam on the breakers.
After I got my sketch planned and picked the colored pencils I wanted to use I came home to paint this because I had enough sun. I’d buy a beach umbrella, but those things can be a hazard. I don’t need to stay out all day painting in plein air. I can go back any time. This could take months or even years, but eventually I’ll get it.
This is my third try to represent a wave, painting at home from memory with my Inktense watercolor pencils. It’s on the back of a flop experiment. That’s why it has some smudges showing in the sky. It’s another experiment, this time trying out masking fluid applied with my fan brush to mask out the white clouds, and white oil paint stick used to mask out white foam on the wave.
I’m guessing which colors from the set of pencils to use after finally finishing with the big project of testing each color pencil by making washes from the darkest concentration of the color to the most washed out lightest version of the color. That’s why I call that that exercise a gray scale. If black is 100% and white is 0% using gray, when you do a gray scale of a color you can estimate the value of the color. Some of the colors don’t get any darker than 30%. I have 3 pencils that go to black in the set, which is good.
Now I need to go back to the beach to see if the colors I picked are close to the colors of nature, or if I can make a better color.
It’s going to get unseasonably hot out there today. I’m not sure if I’ll go to the beach today or wait till tomorrow when it might be more comfortable weather. In the summer, if I don’t get up at the crack of dawn, it’s too hot to paint in plein air in the sun. In the winter, I have to wait until afternoon when it warms up enough to go out. That way I’m not suffering for art.
The time I spent goofing around at home with these pencils is going to help my chance of success when I seriously try to do a nice finished painting. You learn a lot through play. You can take a class and a good teacher can help immensely but you still have to work on your own for a long time to get anywhere with art, at least that’s my experience.
A month or so ago I bought this set of Inktense pencils on sale. There’s two trays in the box and each pencil has the color on the end. One day I was sitting on a sand dune trying to pick a color and they all fell out of the box. I tried to reorganize them but it looked like I have a lot of dark colors which are hard to tell apart from looking at the colored ends. I wondered if I had doubles of any color and how the lighter more water washed versions of these colors would look.
One reason my first attempt to use the pencils was a total flop is because I can’t pick my colors, so I knew I had to do this rather time consuming practice project. Just like back in my art school days, I started making gray scales with them starting with the dark colors.
I tried doing my gray scales on dry paper then putting water on top and also tried making the paper wet first and doing my gray scales into the wet paper. The look was the same to me.
Then I realized I have to number them or I still won’t know what pencil makes what color. If I cut up my strips of color and tape them to the pencils the lid won’t fit on the box so I just put a piece of tape over a few pencils at a time and numbered them in case they get mixed up again. I can get a few pencils off the tape and try them out in Plein air and number my combinations then put the pencil back under the tape. I also left white strips between the colors because the water really brightens up the colors which all look gray when drawing on a dry paper. That way if they get mixed up I have spaces to match colors to pencils.
So, this is my plan. Take the whole set out with my colored strips to try to match the colors I see in nature and make notes of which pencils I used to get those colors. I haven’t even done half of the set and my hand got tired of holding the pencils. I’m left handed so I switched to holding the pencils with my right hand and it worked ok for this experiment. The sooner I can get all these pencils categorized the sooner I can get back out and try my hand at painting with them.
In the long run this exercise will give me a better chance of success in my next try on painting a scene. The thing I’m really hoping for is to put them in the basket of my bike and go farther off the beaten path than I could go with my oil paint supplies which are bulkier and heavier than the set of pencils. If I can get some good color roughs with my watercolor pencils then I can do a larger oil painting at home. I want to paint that black water but I’ll never get a big canvas that far down the dirt road. I can’t drive there in my car but I can bike it.
A couple days ago when it stopped raining I went down to Back Bay just to check it out and as soon as I started walking it rained again. I got soaked. I said I’d go back when it stopped raining. Then yesterday it was sunny and warm and dry but the wind was whipping. I took a bike ride anyway. I did good with the wind and even on a gravel road but the wind definitely made it more difficult. There were gusts that made me walk it a few times. And riding into the wind coming back made me too tired to sketch the beauty by the road.
I’d like to do a painting of the dark water with the almost white sedge. I stopped a few times to look at it and found a some places I could sketch on less windy days.
The water is almost black. It’s the mud on the bottom. I thought to myself, mud is beautiful. I could see layers of violet, brown red and blue to make it. Then with the contrast of the delicate grass growing in the mud and shining so brightly in the sun, it’s bleak and beautiful. Then in the background you might see trees far away or more water.
When I got back to the parking lot I sat in the car to sketch this view over the bay. Darn it, I got a little too much sun. I’ll have to stay in today which is disappointing because I want to practice drawing and painting water.
This flower is too sexy for my blog. Too sexy for my blog. Too sexy OMG.
Oh well, I draws em like I sees em.
Inspiration. Where does it come from? I can only talk from my own experience here, so feel free to opine, as always.
I think it comes from outside myself. It’s nature or other art, or a good teacher, or music, literature, everywhere you see something that grabs you. When I was young and worked full time and exercised every day and had a house, husband and kid, I wasn’t into drawing and painting. I still had a lot of ideas but when you’re young and you have a lot of obligations and distractions it’s easy to put art on a back burner. I always knew if I lived long enough a time would come when I could concentrate on art. To me art and craft are the same thing. Back then I was inspired to take a pottery class or two. I was inspired to make gingerbread houses and carve pumpkins among other things. Is the inspiration to sew or cook something special less than the inspiration to paint? I say it’s all the same. If I don’t feel like painting it’s because I’m on something else.
I had a lot of stress back in those days but I don’t think stress kills inspiration in my case. It’s that there’s only 24 hours in a day and I like to sleep too. There were a few years when my mind was in a turmoil. Art gave me the chance to” live in the moment”. It’s a good break for your mind if you’re under stress. I think all that advise you read about living in the moment and giving up the past, whatever is eating you, is too idealistic. It’s not like you have switches in your brain where you can just turn off thinking about that bad thing. When you can spend a lot of time alone you have to go back over it again and again until you figure it out. Then you can get some peace of mind. There’s a lesson to be learned from whatever your mind is fixated on. You have to face it. Masking the problem with pills won’t stop it from coming back. Plus the meds could suck the spirit out of your work, if you’re an artist, by numbing your brain.
The main thing about inspiration is that it requires time alone to work for me. It helps to eliminate some things from your life if you’re a very busy person.
About this drawing: It was so windy that flower was blowing all over the place. I drew a moving target. It was real good practice because after drawing so many magnolias I had to work faster and observe then sketch and observe again when the flower blew back. I had to work faster and it wasn’t too bad because charcoal doesn’t show up on this paper anyway, so, just skip it. With flowers, if you get it wrong no one knows.
These flowers are huge. I’m sketching them life size on 9 x 12″ paper and they’re running off the edges. When I do a painting of this next year I’ll have to paint them smaller but drawing large is easier than painting small. These are for practice.
Vine charcoal doesn’t work well on this dark paper so I have to skip that step and block in the general shapes with pastel and chalk. The more flowers I draw the easier it’s getting but these sketches still took around two hours each. For my painting I need about three times the number of magnolia studies I have. Then I can eliminate the ones I don’t like. The tree has some buds so I might be able to get a couple more sketches in before they all turn brown and fall off. I’ll have to go back next year and do more.
Last time I saw this tree all the flowers turned yellow overnight. It still had a lot of buds. Now all the second buds are open and it looks like the cold didn’t damage them. The tree is more beautiful than before. I hope I can get more sketches before they wilt. But it’s pretty even when they get yellow.
My next apartment is on the other side of town from the botanical garden so I want to get flowers sketched until I move. Then I’ll be hanging around at the ocean front more. I’ll still go to the garden but not as often.