This is my 2nd try sketching daylilies. I think it came out better than the drawing from last week, so next time I’m going to take my pastels and do them in color. They say the heat and humidity will ease up in a couple days. That will make it easier for me to concentrate longer.
These flowers are a bright peachy pink! So bright! So pretty!
They change every day and even in a couple hours are moving to follow the sun, so I won’t be able to use this sketch. Some of the flowers I drew today will be wilted and some new buds will be opening.
I got a mosquito bite. I’m their favorite flavor, O+
The canna is yellow (the tall stalk like plants) and the coleus is dark blackish red (the shorter plants in the fore ground).
I had a look at the lotuses standing in the sun and decided to find some flowers where I could sit in the shade to draw. It’s not as hot as yesterday, but sweat was still dripping off my hair after walking slowly around the garden. After cooling off on a shaded bench for a while I was ok to draw. And there was a little breeze that was nice. I haven’t been out to draw for a while and I enjoyed it very much.
A lady I know liked this sketch and asked me if I was going to do something with it. I told her I’ll just put it on my blog. Sometimes I do a lot of charcoal sketches before I get something that I want to paint.
The thing I enjoy about drawing and painting in plein air is not in knocking out a painting in a few hours, it’s hanging around in a beautiful place for as many days as I feel like being there. In fact, the painting is secondary in my mind. I’m so thankful I’m not on some kind of art treadmill where I’m under pressure to do fast unfinished paintings for some arbitrary time limit rule some person made up. That would destroy the zen like experience of it. And one of my main reasons for not fitting into the art scene. I don’t care if fast unfinished paintings are in style. I don’t care if all the other plein air painters out there take hundreds of photos then trace their best one onto a canvas and go back and hurry fill it in like it was a coloring book. I don’t have to do that.
I’m not interested in taking a class to see if I can paint fast. I’m not interested in taking a drug to make me keep painting all day either, because a drug is the only way I could ever get that kind of energy. So, there you have it friends, apathy to the art world in a nutshell. hahahahahahhaha
Hmmm. My photo is a little fuzzy.
This one is my daughter’s favorite.
Evening gown. Autumn-Winter 1983 haute couture collection. Paris pink silk satin bodice with large bow and black silk velvet skirt.
This one is my favorite. I might try to steal it some day.
Daytime dress Autumn – Winter 1967 Saint Laurent rive gauche collection. Yellow cotton pique dress: sleeves and hem trimmed with red guipure (a kind of lace). Archives Anouschka Paris
Sexy piecing, huh?
Evening gown. Homage to Tom Wesselmann Autumn – Winter 1966 haute couture collection. Purple wool jersey with pink wool jersey piecing.
Evening gown Autumn = Winter 1997 haute couture xollection. Bodice embvroidered with silk organza, sequins, and raffia in a poppy and leaves pattern: red silk pleated skirt with red silk satin ribbon tie belt. Embroidery by Lesage.
omg. He stole my idea! hahahahah
When I saw a photo of this it reminded me of a pine cone. When you see it in person it’s kind of elegant. I guess YSL can make a pine cone look elegant. Sarah said maybe he got his inspiration from nature.
Short evening ensemble. Spring – Summer 1967 haute couture collection. Fringed raffia coat, neckline embroidered with brown wooden beads: ivory silk dress embroidered with wooden beads. Embroidery by Lanel
This is a really great show if you’re interested in fashion design. And the only East coast venue is the VMFA.