What luck! I just happened to walk through the Japanese garden and saw lotuses are blooming! Sometimes I’m too late to see them. This one was especially nice because there’s a reflection in the water. I’ll go back with my pastels.
A few months ago I started a painting of the beach. My underpainting wasn’t working so I painted over it with gray. I want to try again with a beach painting. In this sketch you can see the Chesapeake Bay Bridge Tunnel in the background. Left is heading South through the first tunnel.. This might be part of my beach painting if I can get a good plan worked out but the waves there are small and the beach is narrower than the ocean front so I might not paint sand or breakers. I could use my sketch of the wind surfer in the painting.
A lot of birds were on the pilings but I only drew the pelican. I need more sketches before I can make up my mind how to go about the painting.
Yesterday was too hot to draw outside so I went to the Chrysler Museum to sketch. I worked on it for a little over an hour and went back today and was there for another hour or so. I can’t tell if this looks like the marble bust or not.
I’d like to try to paint a portrait but I don’t want to pay a model. I could do a self portrait but I don’t enjoy looking at my reflection. So I’ll see if I can paint Diana like a fauve. If it comes out ugly she won’t be offended.
I don’t care too much if I mess it up. I’ll do my best, but no guarantees. I have practically no ego for an artist. Should I blame my parents for that or thank them?
My art school was a trade school but I learned to draw and paint in the traditional ways. That doesn’t mean I don’t like modern art. Is it really important to stick to a certain style? I don’t think so, but there are people who tell an artist to pick a medium or style and stick to it. I heard a juror say, “Don’t mix two different styles.” I didn’t ask for the reason and I don’t know the styles well enough to know if I’m doing that, but I thought she was talking to me.
I like looking at photography even though I don’t do it. I like a lot of modern art even though my attempts to do it don’t usually work out. Most artists try different things and go through their phases. Matisse, who I always liked, tried fauvism so I want to try it too. I’ll use this sketch.
I went to First Landing State Park to sketch on the beach and saw this guy learning how to wind surf. He was going back and forth in the shallow water close to shore flipping the sail back and stepping over the lower corner of it, so first he was facing the shore then he was facing open water. A few times he tipped over and went in the drink. As he was moving around a lot, I tried to remember the pose, sketch a little and wait for him to go back to a similar pose.
Now I want to enlarge it to around six feet and make a stencil like Banksy and spray paint it on a building. Doesn’t that sound like fun? I could rebrand myself and do graffiti. I could call myself “Momsy” hahahahahah . nah.
As an artist, I get a lot of brilliant ideas that I never do. 😉
The name of this variety of lilies is Chicks Dig It. Isn’t that a fun name?! I scouted the garden for lilies budding a couple weeks ago and saw the plaque with this name on it and thought it would be real pretty. Every day or so I’d check on it to see if it was blooming and today it is! My sketch has a few smears, it doesn’t matter. These flowers are only my reference for a painting.
I had to stand in the sun to sketch but that’s ok, I got there earlier and took breaks to sit in the shade. This is the lily I want to do in my painting. Now I have to sketch leaves and buds and a few more flowers but I’m almost ready to plan my flower layout. Finally making a decision on the type of lily is a big step in the project. I can fit maybe 7 or 9 flowers on the canvas that I have tinted and I want to put in a lot of buds too.
I like the wilted flowers they call “deadheads”. Gardeners are so quick to pull off deadheads. They probably don’t like me to paint them but I like the shapes they make so if there’s any for me to sketch I’ll try to get them in my painting too. I feel like if I’m going to paint flowers, leaves and buds why not paint the deadheads too?
I love my kneeded erasers. I have one in my hand all the time when I’m sketching with charcoal or pastel. It makes blending less tiring on my hand than a blending stump. To start with, I blob in a color in the general place and size I want my flower to be. Then I use my eraser to push that first layer of color into the paper. As I’m working on the general shape of the flower I’m erasing the extra pastel to define the edges of the petals and adding more color where the petals need to be larger, continuing to blend it down with my eraser. Then I go over the flower with a darker color to put in some shading. Then go back with a lighter color to add the light sides of the petals.
Yesterday it wasn’t supposed to rain until afternoon and I went over to the garden to draw. The sun came out for a little while and I thought I had enough time to finish a sketch before it rained. I didn’t get this sketch finished because it started raining before 11.
That’s ok. This is only flower drawing practice, like a color rough. When I do a finished piece I’ll have to do my background first and put the flowers on top of leaves. Since these flowers don’t look the same two days in a row I might have to work on the painting at home. If I do a painting at home the more sketches of flowers I have the better.
I still haven’t decided which variety of lilies I want to use for my painting so I need to do more sketches first. The more the better so I can get a plan worked out and arrange them for a good composition.
Isn’t she beautiful? She’s made of marble and you can find her at the Chrysler Museum, Norfolk VA.
Continuing with my portrait practice, I went to the museum because it was raining. I have all my practice portraits of the famous dead artists taped on the wall and I don’t like any of them. They’re all going out with the garbage. I’ll keep this one. This gives me some hope that I’m getting a little better at portraiture. Why did my sketches of the dead artists come out stiff looking compared to this? I think it’s because this time I had a more graceful model.
The myth of Ariadne goes like this: She was the daughter of King Minos. She helped her lover Theseus escape from the labyrinth then they ran away together to the island of Naxos but Theseus abandons her there. The plaque says Ives made her looking down because she had a broken heart but not for long. Bacchus, the god of wine sees her on Naxos and immediately falls in love with her and they are happily wed.
Durn, my photo looks fuzzy. I’m not a real pro with a camera, as you can see. I’m including this pic so you can see for yourself if I got a likeness.
It’s a throwback to the age of the dinosaurs isn’t it?
My model is a bronze sculpture.
Yesterday I got a start on my sketch but after working on it for a half hour or so I saw that I drew it too far to the left on my paper. I didn’t want his beak to crowd the edge so I decided to transfer my sketch to the other side of the paper and try again.
I worked on it for another hour or so and was starting to get hungry and lose my concentration. I took a break and went back to work on it a little more. Then a lady spoke to me and I jumped. She was very apologetic for startling me but I told her no prob. I was in the zone but I can go back. That happens sometimes when you draw in plain air. If it would annoy you too much to have your concentration broken, then plain air isn’t for you. I kind of enjoy talking to people who are interested, so no big deal if they scare me. I’m not on any schedule for finishing the sketch.
Drawing this pelican made me see the beak has an extra section down the center. And from far away the head looks like a squid to me. Can you see that shape in the head? I’ve seen live ones before but I can’t remember where. If I find a good spot with a nice background for this bird I might do a painting and enter it in the Audubon contest. (some day)
My model is made of bronze. He’s at Norfolk Botanical Garden where I found a whole bunch of bronze birds and animals.
It was nice out this morning, not too hot and humid. I found a great place to stand and draw under a magnolia that is starting to bloom. When the weather gets warm I look for a shady place to sketch. There was a little breeze and the otter was in the sun.
It’s only drawing practice. I might never use this sketch in a painting, but if I ever want an otter for a painting I have one.
When I started drawing this statue I thought she looks high. She’s smiling and her eyes are half closed. Then I saw she has grape leaves in her hair. She must be drunk!
This is my model. She’s in a large formal garden at Norfolk Botanical. I’m still doing portrait practice by sketching statues because they’re free and they don’t move. My friends and family don’t want to pose long enough for me to get a finished drawing. At least if I do find a free live model some time in the future, the time I’ve spent sketching statues will help me get a likeness.
After sketching a bunch of statues of male artists, it was nice to draw a pretty girl. I’ll go back to the sculpture garden with the famous dead guys again and do more of them but I took a little break from them.
This is another pretty girl in the same formal garden. Unfortunately, her nose is broken which will make it more of a challenge to draw her. I’ll have to use the magic of art to fix her nose after I get a little better at portraiture.
About ten years ago I practiced figure drawing and portraiture in Hollywood Cemetery in Richmond. I got the inspiration to draw the stone angels and was working on that for about six weeks when a good friend died suddenly and I was totally shattered. I hung around in the cemetery a lot for a couple years and drew most of the angels. It was the best therapy for me. Every day I was reminded that I’m still alive because I was standing over all these dead people. Hollywood Cemetery is very special. I’m not superstitious. I never saw a ghost, but the cemetery was my refuge from the world and it made a better artist out of me. And it helped me recover in some weird way, when my life went down the tubes back then.
After spending a lot of time sketching in the cemetery I wanted to draw some angels that were broken. I figured out how to draw a missing hand on a broken angel by copying a hand of another angel to fit. I felt like I kind of fixed the broken one when I could do that, and I knew my drawing skill was improving. That’s why I want to try again by putting a nose on this broken statue’s face.
I was very happy to find all these statues at Norfolk Botanical so I can continue to what I started ten years ago.
I’ll give you a hint. Italian neoclassical sculptor.
This is one of our dead guy’s masterpieces.
The plein air report for today- Flies were biting my legs. It must be that time of year I have to pack bug spray with me. Then it started raining. So, that’s my excuse for not finishing this sketch.
Previously on “Who’s the dead guy?”