My model is made of bronze. This is just a start. I couldn’t draw small enough to fit the whole bird on the page so I want to transfer it to a larger paper and go back tomorrow if the nice weather holds out. When I go back I’ll make some corrections. I’ll finish the feathers more and draw white feathers on him. I should look up eagles to be sure because the sculpture doesn’t have the white feathers colored white.
There are so many beautiful bronze animals around here. This one is at Norfolk Botanical. I bet they’re all made by David Turner. I love that guy’s work. At Seashore State Park they have a beautiful red fox in bronze which I also want to draw.
I’m one of those artists who think there’s nothing more beautiful than nature and it should be represented in art as closely as possible to reality.
Can you see those two pelicans flying away? I had my Bob Ross moment there, drawing those happy little birds.
I think that guy knew I was sketching him. He kept turning in my direction. I was almost finished with my sketch and he left. Then some foreigners came out with a giant arch shaped kite. The guy had a harness strapped on his body holding the kite strings. It looked like the girl was doing most of the work trying to lift the kite up to catch the wind then going after it every time it came down. He was yelling instructions at her in Russian or something.
The kite was coming down a little too close for comfort to me so I packed up and left. That happens sometimes when you go out sketching in plein air, you gotta move for some reason.
I drove to PA because they had the cone for the hurricane hitting Virginia Beach. They told people in sections A to evacuate. I live in section C but I decided to leave to avoid power outages and so I wouldn’t have to worry about my car getting flooded. As soon as I got to PA I heard the hurricane was going to hit farther South than previously thought, so I came back to the beach and the lights are still on. It’s windy but not scary here. It looks like we got lucky this time. And I enjoyed the drive to PA and back. The scenery is beautiful and traffic was light and fast.
The place I love most in my home county, (Lancaster) is Middle Creek so I went up there and got this sketch. After I got my sketch and was ready to drive out I saw a huge pheasant in the tall grass by the side of the road. He was just poking around in there and didn’t fly off when I drove past him. I saw him close up. He was a beauty with big red spots around his eyes.
Middle Creek is great for seeing wildlife. In the Spring you can see 100,000 snow geese if you go at the right time and get through a traffic jam on that little country road.
Can you see the little mountain foothill in my sketch is hidden by fog?
I’m anxiously awaiting fall because I bet this little tree gets bright red. It’s my new favorite tree at Norfolk Botanical and I want to do a big painting of it this fall. My sketch book is too small. The tree is much wider and I can’t draw small enough to fit it on this paper.
I’ll go back with a full sized piece of pastel paper and my easel and try to draw it the size I want for my painting. Even though I’ll have to wait a couple months for the colors, I can start planning the painting and do a practice pastel. The tree is pretty and graceful all year round.
I was standing on the shady side so most of the leaves are in shadow, but you can see bright leaves on the other side of the tree showing through. That’s why the branches look so dark, because they’re shaded. When I paint it I’ll check the light at different times of day and decide what time it looks best. The path is small. If I take my easel and drawing board I can get it out of the way if a lot of visitors walk through easier than I’d be able to move my little oil painting set up. Maybe I can do my pastel in plein air and later mix my paint colors there too, but I’ll paint it at home so I can use a large canvas and tape my paintbrushes to a yard stick again. That made me feel as if I can paint loose like an Impressionist.
What luck! I just happened to walk through the Japanese garden and saw lotuses are blooming! Sometimes I’m too late to see them. This one was especially nice because there’s a reflection in the water. I’ll go back with my pastels.
A few months ago I started a painting of the beach. My underpainting wasn’t working so I painted over it with gray. I want to try again with a beach painting. In this sketch you can see the Chesapeake Bay Bridge Tunnel in the background. Left is heading South through the first tunnel.. This might be part of my beach painting if I can get a good plan worked out but the waves there are small and the beach is narrower than the ocean front so I might not paint sand or breakers. I could use my sketch of the wind surfer in the painting.
A lot of birds were on the pilings but I only drew the pelican. I need more sketches before I can make up my mind how to go about the painting.
Yesterday was too hot to draw outside so I went to the Chrysler Museum to sketch. I worked on it for a little over an hour and went back today and was there for another hour or so. I can’t tell if this looks like the marble bust or not.
I’d like to try to paint a portrait but I don’t want to pay a model. I could do a self portrait but I don’t enjoy looking at my reflection. So I’ll see if I can paint Diana like a fauve. If it comes out ugly she won’t be offended.
I don’t care too much if I mess it up. I’ll do my best, but no guarantees. I have practically no ego for an artist. Should I blame my parents for that or thank them?
My art school was a trade school but I learned to draw and paint in the traditional ways. That doesn’t mean I don’t like modern art. Is it really important to stick to a certain style? I don’t think so, but there are people who tell an artist to pick a medium or style and stick to it. I heard a juror say, “Don’t mix two different styles.” I didn’t ask for the reason and I don’t know the styles well enough to know if I’m doing that, but I thought she was talking to me.
I like looking at photography even though I don’t do it. I like a lot of modern art even though my attempts to do it don’t usually work out. Most artists try different things and go through their phases. Matisse, who I always liked, tried fauvism so I want to try it too. I’ll use this sketch.
I went to First Landing State Park to sketch on the beach and saw this guy learning how to wind surf. He was going back and forth in the shallow water close to shore flipping the sail back and stepping over the lower corner of it, so first he was facing the shore then he was facing open water. A few times he tipped over and went in the drink. As he was moving around a lot, I tried to remember the pose, sketch a little and wait for him to go back to a similar pose.
Now I want to enlarge it to around six feet and make a stencil like Banksy and spray paint it on a building. Doesn’t that sound like fun? I could rebrand myself and do graffiti. I could call myself “Momsy” hahahahahah . nah.
As an artist, I get a lot of brilliant ideas that I never do. 😉
The name of this variety of lilies is Chicks Dig It. Isn’t that a fun name?! I scouted the garden for lilies budding a couple weeks ago and saw the plaque with this name on it and thought it would be real pretty. Every day or so I’d check on it to see if it was blooming and today it is! My sketch has a few smears, it doesn’t matter. These flowers are only my reference for a painting.
I had to stand in the sun to sketch but that’s ok, I got there earlier and took breaks to sit in the shade. This is the lily I want to do in my painting. Now I have to sketch leaves and buds and a few more flowers but I’m almost ready to plan my flower layout. Finally making a decision on the type of lily is a big step in the project. I can fit maybe 7 or 9 flowers on the canvas that I have tinted and I want to put in a lot of buds too.
I like the wilted flowers they call “deadheads”. Gardeners are so quick to pull off deadheads. They probably don’t like me to paint them but I like the shapes they make so if there’s any for me to sketch I’ll try to get them in my painting too. I feel like if I’m going to paint flowers, leaves and buds why not paint the deadheads too?
I love my kneeded erasers. I have one in my hand all the time when I’m sketching with charcoal or pastel. It makes blending less tiring on my hand than a blending stump. To start with, I blob in a color in the general place and size I want my flower to be. Then I use my eraser to push that first layer of color into the paper. As I’m working on the general shape of the flower I’m erasing the extra pastel to define the edges of the petals and adding more color where the petals need to be larger, continuing to blend it down with my eraser. Then I go over the flower with a darker color to put in some shading. Then go back with a lighter color to add the light sides of the petals.
Yesterday it wasn’t supposed to rain until afternoon and I went over to the garden to draw. The sun came out for a little while and I thought I had enough time to finish a sketch before it rained. I didn’t get this sketch finished because it started raining before 11.
That’s ok. This is only flower drawing practice, like a color rough. When I do a finished piece I’ll have to do my background first and put the flowers on top of leaves. Since these flowers don’t look the same two days in a row I might have to work on the painting at home. If I do a painting at home the more sketches of flowers I have the better.
I still haven’t decided which variety of lilies I want to use for my painting so I need to do more sketches first. The more the better so I can get a plan worked out and arrange them for a good composition.
Isn’t she beautiful? She’s made of marble and you can find her at the Chrysler Museum, Norfolk VA.
Continuing with my portrait practice, I went to the museum because it was raining. I have all my practice portraits of the famous dead artists taped on the wall and I don’t like any of them. They’re all going out with the garbage. I’ll keep this one. This gives me some hope that I’m getting a little better at portraiture. Why did my sketches of the dead artists come out stiff looking compared to this? I think it’s because this time I had a more graceful model.
The myth of Ariadne goes like this: She was the daughter of King Minos. She helped her lover Theseus escape from the labyrinth then they ran away together to the island of Naxos but Theseus abandons her there. The plaque says Ives made her looking down because she had a broken heart but not for long. Bacchus, the god of wine sees her on Naxos and immediately falls in love with her and they are happily wed.
Durn, my photo looks fuzzy. I’m not a real pro with a camera, as you can see. I’m including this pic so you can see for yourself if I got a likeness.