Yesterday I slept too late for the best light. It was 9 when I got to the overlook. I decided not to take all my plein air supplies with me because I knew it would be crowded. I only took my color rough from the day before, my color charts and a pencil to make notes.
When I compared my rough to nature the first thing I noticed is that there’s not enough greenery. Otherwise, not too bad, I thought. So I decided to do another color sketch. Also, the ocean wasn’t sparkly at 9 like it is at 8 so that solves the problem of painting the sparkles. That wasn’t working out in my trials and I decided to forget about it until some time in the future. I might have to use oils to paint the sparkly water.
I came to another important decision. I decided to paint the panoramic scene at home. I might mess up the paper outside and can’t fix it with watercolors like I can fix a mistake with oil paint. There’s less chance of the paper picking up a smudge in the wrong place if I paint it at home as opposed to lugging all my stuff out there in my beach cart. After I get more experience with watercolors I’ll know exactly what I need to take along to paint in plein air and it will be a lighter load than taking oil paints.
If I do another rough sketch of a different area of the panorama and it looks ok compared to nature I’ll feel like I can paint it at home with more confidence. Just one more rough. I think I almost have it all worked out. I want to try to paint the thicker foliage first. This is a challenge and I want it to come out right. That’s why I’m doing so much preliminary work, the sketches, the color roughs, taking my time when making the decisions, etc.
It’s nice to have the luxury of taking my time when doing something difficult, and it’s nice to go there and walk even if I’m not working on an art project.
I don’t know if you can see it well enough in this photo. As I was working on these separate pieces of sketch paper I was putting the others in my bag loosely and the charcoal and chalk was rubbing off inside the bag. No big deal, these are only sketches that I’ll never frame. They got messed up with sweaty fingerprints too. This is 4 pieces of sketch paper each 11″ x 14″ with a 4″ piece of a gray paper added to either side because I need 64″ across for my panorama but I ran out of the tan paper.
The watercolor papers are 15″ x 22.5″ so if I deduct a few inches from 3 x 22.5″ because I’ll staple them to boards, then when it’s all finished I’ll have to trim off the staple holes, I’m figuring roughly 64″. I’ll transfer this to the watercolor paper tomorrow and I might have to redraw at the beach a little before I start painting, but the hardest part of the planning stage is under control now.
I made some notes of colors I think I’ll need. And I want to do a couple practices for that little triangle of ocean showing between the dunes on the left. The ocean looks gray and it has sparkles. It’s far away but still sparkly.
The chance of rain goes up over the next few days. I’m hoping for a blue sky with light clouds. That will be the first step in the painting. If the weather cooperates, it might not take long to paint my 3 pieces of the triptych, or it could take weeks.
That’s the ocean in the background.
I bought two big sheets of watercolor paper for my dunes now that I have a few sketches I can use. I’m planning a triptych. I want to show more sky in the watercolors than is showing in my sketches and it would be great if I could make the three paintings of the triptych look connected. The watercolor paper is larger than my sketchbook so I’ll be able to extend my sketches on both sides a little.
I’ll have to haul my watercolors supplies down a path but not real far, I/4 mile or so, I guess. I can use my beach cart. I’m not sure if I can take all three pieces out with the paper stretched on boards, or if it would be better to work on one at the beach and the other two at home. The three watercolors will be a big job for me. I’m not sure how to paint that little bit of ocean and I’ll have to decide how to do the sky.
The bugs were after me this morning. Now I’ll have to start taking bug spray along too.
This plan seems like a lot of work but I think it will be worth it. Just hanging around there is worth the drive.
There’s not much shade down there but I found some and sat in it to sketch. It was uncomfortable but better than standing in the sun. By the time I got to my overlook at 10 this morning I already had enough sun.
Yesterday was cloudy and cool. Then, on my way home at 11:30 today I passed a long line of cars waiting to get into the public parking lot at Sandbridge. If I had to wait in that line I’d just turn around and go somewhere else.
The past two times I walked on the beach at Back Bay the waves were small. That’s why I’m getting into the dunes even though I really need the practice drawing and painting waves.
I’d also like to sketch more at Pleasure House Point, so depending on the weather I might go back over there. It’s closer than Back Bay. I need to check the tide charts again.
I’ll try to get out earlier so it’s not so hot and I can sketch the better views in the better light.
This is weird, I went back to the old wordpress editor for this post because I couldn’t find the place to click to add media on the new one. I had a post made up but somehow I lost it and couldn’t get it back. This makes my 3rd try here.
I’m going to do a few sketches at Back Bay and get some sand dunes then decide which one to do a watercolor from.
This will be a short post because I’ve already worked on it too long.
charcoal and chalk
There are so many nice places to get off the main trail and sketch. The fishermen have beaten little paths all around. If you’re concerned about social distancing you can step back easily when a group of people walk past you.
I enjoyed being there so much this morning. It was sunny and windy. I had to take my hat off because I was afraid I’d lose it.
When I left there today I decided to run by Jerry’s Artarama and see if I could buy a piece of watercolor paper. The store is open but you can’t go in. People are calling in their orders or ordering online, then you can pick it up at the door or they will deliver it to you. So, I didn’t have to wait very long and the sales lady brought the paper out to me.
Modern problems require modern solutions, right?
I’d like to try to paint this scene in watercolor as my next project.
I like this one more than my sketch from yesterday. Tomorrow is going to be nice again then a couple days of rainy weather. I could find another view and do another sketch before I make up my mind which view to paint.
I hope they open VA up real soon because I thought I had a big piece of watercolor paper and all I have is smaller sketchbooks. I guess I could order the paper from somewhere but I’d rather go to the store and buy it.
Meanwhile, I could prime a canvas, maybe do it in oil paint. Which medium to use… often the first decision to make out of hundreds when planning a painting. I really need the watercolor practice.
Today I broke one of my own rules. I stepped into the tall grass to sketch. I didn’t spray with Deet first either.So far I don’t feel bug bit so maybe I got away with it today.
That guy standing out there in the sedge made me think nothing would bite me. He might be wearing waders. I couldn’t tell. I just scribbled him in before he moved.
If I paint this scene I’ll have to look at the tide tables so I can catch it at low tide so the oysters won’t be under water.
This is the view from the window at the end of the hall on the 6th floor in this hotel where I’ve taken up temporary residence. (facing South) It’s charcoal and chalk. I worked on the sketches off and on for 3 days. It was cold and windy so I ducked back into my room to warm up and then went back to it later.
I’d like to paint the scene but I don’t know how long I’ll be here. I might be able to find an apartment this week. The ones I called last week don’t have availability until May. Not that I’d feel bad about staying here a whole month, but this isn’t a residence hotel, I should move on.
I might have time to finish this in pastel. There’s a bridge I want to sketch first. The bridge scene would be great for a nocturn. It’s something I’ve always wanted to try. The lights reflecting on the water at night are real pretty.
This is the same view as seen by my camera. I don’t think the photo does it justice. I’m posting it so you can compare my naked eye perspective to the camera’s perspective. I don’t need a photo that’s half parking lot. Big yawn! haha
I must have stayed at this hotel long ago but forgot this was the one with the view I wanted to capture. I remembered it has a great location when I was faced with the prospect of being locked down. Then when I got here I said to myself, “OH YEAH!”
The bridge is out the room’s window. (facing West) I don’t have to go out at all to draw it.
The boardwalk is open. Guys are out surfing. A lot of people are out getting exercise but traffic is light.
You can find all of my cypress knee models in the photos below.
This is my latest place to hang around sketching. Look how tiny the knees are in this picture. I could never see them well enough to draw them if I had to copy a photo. Maybe if I was a better photographer…
You can see the pollen on the water but it’s not swirling so nicely any more since it rained. A slight breeze is keeping the pollen moving and changing designs all the time.
. This is the tree I drew last but it was cloudy that day. If you compare this photo to my sketch you’ll see I didn’t draw all of the sticks around the base of the tree.
I think this tree is pretty because it has Spanish moss in the branches and another kind of moss is going up the trunk.
This photo shows a knee I didn’t sketch and pollen clumping up at the water’s edge.
Next week I might go back to the botanical garden to draw. I’m missing some spring flowers. The knees will be the same all year.
This spring I have a new attitude. Every day I feel so lucky. I’m so thankful for my good health and every day I’m glad I ain’t dead yet. I used to take it all for granted. Does that mean I’m getting old or is this the new “normal”?
It seems so ironic to me that I’ve lived like a hermit for years and finally got used to it. Now, I wish I could help the society that rejected me. I can’t hurt it because there’s no one around for me to infect even if I was an unknowing carrier of a deadly virus, but I’m sure I’m not. Society rejected me. We don’t need to go into all that. That’s why I’m an artist. It’s ironic because once I took a personality test that said I’m an extrovert and here I am reclusive. I don’t see myself as an introvert or an extrovert but dead center between the two. I like people, I’m just not trying to be with them. That’s working out for me now.
ok. enough philosophizing, back to the important job of moving.
The wisteria is growing on the trees next to the end of the highway. One side of the parking lot has a few spaces where you can see it so I sat in my car to sketch this. It’s raining but I had to get out of here for a few minutes. Plus, these are my last few days here and I might not get another chance to sketch this clump of wisteria.
Now I can’t wait to get out of here. This morning there was a fire in one of the apartments undergoing renovations. The renovations are loud, then the smoke alarm will wake the dead, sirens and fire trucks.
Some guys were coming over to get a sofa I’m giving away and couldn’t get in for a little while. So now that’s gone and I have room for more boxes.
Normally I’m as cool as a cucumber but I think a little case of nerves in showing up in this sketch. Good thing I did the sketch. I got the nerves on the paper, now I can get back to packing. That’s how art therapy works for me.