Here’s a strappy young redbud for you, appropriately planted in the childrens garden. It looks like it had a growth spurt last year but didn’t fill in yet.
I filled in the background with pastel on this study because I had some smears that wouldn’t erase all the way, and also to make the light on the tree show up more on the light paper.
It’s fun to spot these redbuds when you’re driving. They’re out there by the side of the road all wild and crazy. They don’t get very big but they’re bright and cheery when they bloom. Then when the flowers are down they blend back into the underbrush and you can’t see them again until next spring.
Some other trees of interest are in the photos below.
This tree has roots that have been formed into a circular bench all the way around for people to sit on or kids to climb on. I wonder how they got the roots to take that shape.
Can you see in this photo how they criss-crossed the stems of these crepe myrtles to make xs? I like the window pane effect of it. And some of the trees look like they merged together into one at the places where the stems cross. Isn’t that a cool thing to do with crepe myrtles?
Loving a rhododendron. This week it’s the rhododendron. Next week it will be a red bud tree. I’m fickle like that.
It caught my eye because the flowers seemed to float over these graceful stems. The flowers were so bright with the dark green evergreens behind them. And the branches crossed to make odd shaped window frames with lines of sunlight and shadows.
The day I found it I tried to sketch the branches in my sketchbook. My sketch didn’t work but I wanted to try to draw it larger, because I find it more difficult to draw small. When I went back with this larger piece of sanded pastel paper the next day I sketched the branches with charcoal again and it looked better. I blobbed in violet to save places for my flowers and picked some colors for my background.
I simplified the background a lot. There’s more of these bushes, more trees of different kinds, more plants on the ground, a path, etc. All I wanted to see was the dark green behind my flowers and dried leaves on the ground with shadows, and a line of lighter green grass behind my rhododendron. Even though I simplified the background, it was still time consuming because I like to build up layers of pastel until the paper won’t hold any more color. I do an underdrawing and blend it down into the paper. Then I can put heavy coats of pastel on top of that. It takes a lot of time but a pastel can have a solid look if you fill in the tooth of the paper.
I was in the garden working on this 4 times for and hour or 2 each time, but then I worked on it for hours at home on 3 or 4 different days. So, over 20 hours in it, I guess.My hand was getting tired by the end.
The reason I’m excited about this drawing is because I didn’t know if it was working till the end when I drew the branches. To me, it looks feminine and strong. ( and I didn’t have to draw a vagina! ) hahahah ( sorry for mocking feminist art )
I hope you get the feeling of fresh spring air blowing through the branches and moving the flowers.
Let me tell you about a very strange encounter I had with dogs on the beach.
Dogs really love me. I don’t know why. I like dogs but I’m not trying to find dog friends. I can’t even count all the times dogs have run hundreds of yards ahead of their masters just to meet me. I always ignore them and continue walking. I don’t look at them or talk to them or pet them. They put their wet noses on my hand and go back to their owners. I guess dogs can tell I’m not afraid of them, but I think it’s bad manners of the owners to let their dogs run up to strangers on the beach, or anywhere.
The other day I pulled into a parking spot for the beach and saw a bunch of people with big breed dogs at the entrance to the beach. They were just milling around. There were a couple kids no taller than the dogs and the dogs weren’t barking or jumping. I thought it must be a meeting of the big dog club. A couple of the dogs were big enough for the kids to ride. If I had a dog that big I’d make him a harness and train him to lug my stuff.
I decided to walk through the dogs and people to get to the beach. As I went down the cement steps two of the dogs went with me. One x large black dog and another brown dog of retriever size followed me onto the sand. It was real windy so I put down my water bottle to zip up my coat. The dogs stood beside me on the sand and a man was calling the black dog named Zeus, but Zeus didn’t go to his owner. I still didn’t look at the dogs and I called up to the man, “He’s mine now!” The man said, “You can have him!” So, I turned toward the beach not looking at these two dogs who were walking beside me. The people stayed at the top of the stairs and yelled for their dogs and for me to wait. This is funny because I ignored the dogs and the people yelling and walked down to the water with the dogs following me. When I got to the water I turned around and sent the dogs back to their owners. I walked on alone for a little while, but it was too windy. I guess that’s why the other people didn’t go down on the beach after their dogs.
Does that seem weird to you?
I wonder why there isn’t a leash law around here. If you swear on the beach you can get fined $100, but people don’t train or leash their dogs. Some of those dogs are smarter than their masters. It would only be fair if I walked off with their dog and held it for ransom. Right? I could catch one every day.
This tree is so twisted, when I stopped drawing it I thought it looked a little crazy. Does it look crazy to you too, or is it just me? (anthropomorphizing trees again) When I got home and taped it to the wall, I said to myself, this looks like a neural network. OH NO! This is the INSIDE OF MY BRAIN!! No wonder I thought it looked a little crazy. hahahahah (insane laughter)
This is my interpretation of the tree, close, but not exactly what it looks like. A bunch of them were clumped together so I tried to draw only one. A lady stopped and talked with me for a while. I asked her if this is a live oak and she told me it’s a live sea oak. I’ll look for photos later to verify that. Or tell me if you know for sure about the name of the tree.
There’s some real pretty views from the boardwalk overlooks on the dunes. You can see a long gray blur of these trees all blending together stretching down the beach behind the dunes. I’ll draw the long view another time. They look soft from far away.
It’s a Chinese lantern in the Lanterns Asia exhibit at Norfolk Botanical Garden. This was fun to sketch at the garden between rain showers and fun to finish in bright colors on a rainy day at home. It’s good practice for your plein air artist to draw subjects other than landscapes sometimes. And it rains a lot around here.
That black sanded Mi-Teintes paper is great because it holds so many layers of pastel. And the black adds drama to your subject. If you want to convey a mood, black paper could instantly make your subject scary or sad or elegant. I like to blend my 1st layer in with a blending stump and then put 2 more thick layers of pastel on top of that.
This is Roaring Dog lit up at night.
Here’s what the plaque says, “The Roaring Dog is a Chinese legend of the Erlang god which specialized in assisting the Erlang hunting and beheading a mythical demon. It fought against Sin Wukong in the journey to the Westlands assisted the Erlang god many times in fighting against other gods in the legend of Deification.”
When I was sketching it the tram went past and I heard the tour guide tell the passengers that the Chinese like dogs to look like lions. I thought how much fun it would be to make paper mache armor for a little dog and take it to the dog park and scare the big dogs! hahahaha
This is the size dog I have in mind for custom made armor. He’s showing off his new leonine hair cut and learning to drive. wait, no, scratch the driving part.
Life isn’t easy if you’re a pine tree on a sand dune. If a sensitive person saw this tree from far away, they might think it was dying, it looks so sad. It doesn’t have a lot of needles and the ones on top are an orange brown.
But when you get closer, you see how it’s filling in the leeward dip in the dunes with greener branches. It looks like the branches came back down to the dune and rerooted, which I heard some trees can do on sand. I didn’t test it for roots because I didn’t want to mess with it.
Then you notice it’s kind of graceful in the way it leans and twists. Is that how it is in the life of a human too? Can a hard life give a soul some kind of stark graceful beauty not seen in the lives of those that had it easy?
That’s my zen question for today. The beach makes me feel all zen. Can you feel the refreshingly cool breeze coming off the bay in my sketch?
It’s called a Kylin. It’s part of a large display in Lanterns Asia at Norfolk Botanical Garden. Doesn’t the black paper make it look dramatic?
I went to the botanical garden to draw this during the day and wondered what it looked like lit up at night. When I went back at night I didn’t take my pastels because I thought it would look totally different than my pastel drawing, so instead I took my camera. It was a difference like night and day.
This is called “Kylin in Delight”. This is what the plaque says, “Kylin is a traditional beast with a calm temperament in ancient Chinese tales. The legend of the Han people said that the beast has a life span of 2000 years. Ancient people believed where there is Kylin there is favorable omen. Sometimes talented people are compared to Kylin.”
Here’s a photo of the head of the Kylin at night.
This photo of the rump of the Kylin shows how it’s body was made of little glass bottles filled with colored water. Pretty neat idea for a lantern, huh?
It’s real name is Roaring Dog. It’s in the Asia Lanterns show at Norfolk Botanical Garden. This thing is big enough to ride into battle. I did this sketch in daylight but I bet it’s real scary at night. I’m going to transfer this sketch to black pastel paper and go back at night when the lanterns are lit and add color. I’ll post more info on it when I get my pastel finished.
Does this make you want to armor your little hell hound?
I’m still getting the hang of drawing waves. That’s my excuse for hanging around on the beach when it’s cloudy and a little windy in the mid 40s. I stood between 2 sand dunes and didn’t feel cold. The tide was high when I was there yesterday and today with bigger breakers and some curl in the waves. A beautiful mist was blowing off the top of the waves.
I spend a few minutes observing the waves. How many are breaking, building up or going back out. Can I remember the shapes they take in those steps? Then I start scribbling. I took a little break from sketching and observed again before I could continue and I thought, I’m studying wave anatomy. I have to be there. I’ll never understand it from a photo.
These studies are for the big plan I have to paint fog on the beach. My canvas is 19×38, too big to take out on the beach, so I’ll have to paint it at home. Especially since I’m planning on taping my paintbrushes onto yard sticks so I can stand back from the canvas like Matisse did. The size of the canvas, the wind on the beach, the yard sticks, make it seem like it might get messed up on the sand. I have my color rough from the beach in plein air, so my colors and values will be close to life if I mix them again at home. I’m almost finished with a full size sketch for my painting. If I can do another wave study or two, maybe I can combine the best parts of all my wave sketches into one scene. I really need to have my plan worked out in advance because this is a difficult challenge for me.
Do you remember the story about how Turner lashed himself to a mast on a boat in a storm and painted? Sketching on the beach in this weather is tame compared to Turner. He must have been a real thrill seeker. But if an artist is really there on the scene painting I get the feeling of the atmosphere or spirit or something intangible from it, like Turner had in his paintings. do you know what I mean? That’s what I want. It might take the rest of my life to achieve it.
Good news. friends! I got in a plein air group! Another artist forwarded the meet up email to me from The Artists’ Gallery in Virginia Beach to meet at McDonalds Garden Center this morning. They’re organizing the plein air group and it will be called PAL (plein air league). I was so happy to join!
McDonalds Garden Center was great to draw in. I took my charcoal and chalk to draw white orchids. I knew they have some nice ones. In fact, the whole place is like Spring, so very cheerful and sweet smelling.
Then some of the artists went to an Italian restaurant for lunch. I enjoyed talking to the artists and getting to know a few people who I’ll see again next month.
It was good for your plein air artist ( with limited social skills) to find acceptance! YEA on VA Beach!