Do you like that wisteria? I made that up. hahahahhaha They have a small vine on the other side of the wall. It’s not blooming yet.
The entries for this show, “Poe’s Enchanted Garden” are due this week, so I have to stop working on this painting and let it dry. I still want to make changes because I can see a lot of mistakes in my linear perspective that I could fix. Sometimes I just have to say, I’ll try again next year, and I hope no one will notice my mistakes. Opening night is April 23, 6:30 PM. They’re having “Unhappy Hour”.
Too many people talk about fear of failure. Maybe it was the way their parents raised them to think they can’t make mistakes. I don’t get it. But when I look at this painting, I can’t tell if it’s a success or a failure. A lot of times my paintings get rejected. They’ll probably hang this one, I guess. As an artist, you have to get over fear of failure and just don’t care too much. Apathy helps you in the art world, even though it’s a bad attitude.
I liked this view in the garden but only a few little pansies were blooming when I did the painting. So I looked at the Blue Bells in Lewis Ginter Botanical Garden and faked in the Blue Bells on this painting. This year I’m faking in a huge Wisteria on the other side of the wall.
It seems like it’s taking a long time for me to finish the new painting of Poe’s garden, but as a plein air painter, I wait for the sun to come out and go there to work on it. That only gives me one or two days a week. Then I only stay for a couple hours at a time because the light changes and my concentration fades.
Now I’m waiting for them to turn on the water in the fountain that I’m painting this year. Water is always a challenge for me to paint. I hope it works out. The paintings are due on April 18th for the show opening in the end of April. They’ll have “Unhappy Hour” that night.
The Winter weather is a bummer even in our normally mild VA. I hung out at the museum last week and worked on a drawing of a horse. The VMFA has a great new exhibit of etchings by Bracquemond, so I got a shot of my favorite one for you.
When I was in art school I took a print making class and learned the process of etching. It’s more difficult than drawing with a pencil because you can’t erase. My etching from art school looked kind of weak, I must admit. Strong drawing skill is a necessity if you want to do an etching.
This artist is a master. I hope you can see it clearly on your computer because I was amazed by the depth showing. The detail is so fine. The textures go from sharp to fuzzy. How did he do it?
People stop and talk to me when I go out to draw and paint in plein air. One guy reminded me that the Richmond Battlefield National Park at Cold Harbor is only a small part of the line of battle. They have a great map with lights in the visitor center showing troupe movements. It was complicated.
When I walked the trail through the Union trench one day , I thought the shadows looked good to show the walls of the trench at 2:00. At noon there’s a shadow going the long way down the trench.
It’s a narrow path through there so I didn’t take my easel in because I didn’t want to block someone else walking through. Sometimes an artist has to hold the sketchbook in one hand to draw and not use an easel. You get used to it.