Tag Archives: charcoal

fishing pier and wave sketch / charcoal and chalk

If I had a bigger paper I could have done more waves. Then I could draw them all the way up to the dry sand.

Some guys were on the pier fishing but all I could see of them from my spot sitting on the sand was the tops of their heads, so, no guys fishing will be in a painting of this unless they’re on the sand.

A few people were catching rays today. It was sunny and warm with a nice breeze from the South. Near perfect weather.

An old couple walked past me barefoot. They beat my record for late season barefoot. I’m not taking my shoes off between Nov. and March.

I saw some pelicans dive into the water and some surfers.

That is today’s beach report.

wave sketch from fishing pier looking north / charcoal and chalk

Weird thing happened on the pier. If you’re easily grossed out read no further.

It was cool and windy. Some people were walking on the beach so I zipped my windbreaker up to my chin and decided to try to sketch. The wind was coming from the North. I was doing ok with the sketch, resting my sketchbook on the railing, then suddenly a drop of water flew onto my paper and I wondered where did that come from. Then I realized the cold wind was making my nose run and snot actually flew out of my nose without me knowing! So I just left it there. hahaha. Did you think I was a high class dame? I don’t even care about the snot. It dried up on my way home.

This story is to let you know how gross plein air drawing and painting can be. All year long sand, leaves and dirt get in my paintings. In the summer bug spray and sweat get in my drawings. And there’s snot in the winter, evidently.

wave study from fishing pier / charcoal and chalk

The weather hasn’t been great for your plein air artist. I’d really like to go back to the swamp and finish my big painting. I only need about 2 more hours to do it but the sun hasn’t been out much this week. Sometimes I get up early and it’s sunny so I check the weather channel and it says it’ll be cloudy at 10. So, forget about it. I don’t want to lug my stuff out there and only have an hour of sun. I need the sun shining on the Spanish moss to get the right shades of gray mixed. Then sometimes it’s cloudy in the morning and clears up in the afternoon but that’s too late. Sometimes it’s cloudy and rainy all day. I guess the rain won’t hurt because it was getting too dry around here. Today is cloudy and cool but I wanted to get out and scout another view. This weekend it’s going to be cloudy and rainy. My next chance looks like Mon.

I was happy to see the parking meters wrapped up for the winter because I didn’t explore this little park before and was kind of worried about getting a parking ticket if I didn’t pay. Guess I can go back for free over the winter. I liked the view of the waves from up on the fishing pier. I want to go back and sketch looking North too. This is looking South. And the pier is a good thing to sketch from the beach. Every time I go out to sketch I find so many more subjects. No one was fishing today but if I can paint the pier from the beach then I can go back and add some little fishermen later if I want to. I could use the practice painting little figures in a scene. I have more inspiration than energy. And don’t forget the pretty white thorn bushes. Got to draw those things too!

flooded path / charcoal and chalk

Most people don’t like the king tides but I do because the path is extra pretty when it’s flooded. It’s cool and sunny but the wind is the main thing today. I thought it might be too windy to take the large canvas out but I wanted to sketch. I can hold this 11 x 14 sketchbook in one hand to draw and I don’t need my easel. The wind is pushing the water in causing the king tide with coastal flooding. And there was some rain upstream yesterday.

I stood in the middle of the path at the edge of the water to sketch. Only one guy went past me. There’s a small path on the left. I call those little paths rabbit trails but they are drier. The wind is supposed to continue all weekend but the path probably won’t stay flooded long.

Oct. 30 I walked barefoot through the flooded parts of the path. I knew it would be the last time I do that this year unless I actually buy some waders. I might.

Now I can’t decide which painting to do next. I really like this view. Should I go back to the pretty cypress tree and hog the overlook or should I hog this path? hahahah Nah, I’d move if anyone needed to go through.

cypress limb with Spanish moss / charcoal and chalk

This is a quick sketch that I did so I could decide what size canvas to buy for the painting. I scouted the scene yesterday. It’s a nice wooden overlook over the swamp off a side path with less foot traffic. I took a whole sheet of charcoal paper on my drawing board because I knew I want to go large with the painting. 18″x24″ isn’t big enough. I bought a 30″ x 30″ canvas for it.

The Spanish moss is pretty with the sunlight shining through it. I drew all of it with chalk but it’s not all lit at once by the spotty light coming through. The treetops are getting some fall color. We didn’t have frost yet. I hope the cypress trees get orange.

Once I was driving down a country road close to Claremont looking for a place to park next to the road with a view of the swamp and there were no parking places. I was kind of lost and found myself on Burnt Cypress Road and I’m saying to myself, “Where are the burnt cypress trees?” Then I went around a curve and there next to the swamp with a dark hill behind them were the brightest red trees I ever saw. The trunks and foliage all looked like they were on fire! I was there on the right day at the right time to see it. I stopped and looked but didn’t take a picture and couldn’t paint it. I want to go back some time.

Anyway, I’m going to go whole hog on this painting. It could take a while. People already think I’m nuts out there all alone painting. Most plein air painters work small and in groups but I’ll be going with the large canvas and haul my art supplies in my beach cart. I like to take a lot of stuff out with me when I paint. Most plein air artists only take a few colors and brushes and I don’t know if a pochade box will hold a 30 x 30 canvas, I doubt it. Whole hog means I’m not going to skip steps. I’m following the old tradition for this one. Except I want to take my yardsticks and tape my brushes to them like Matisse, because that’s fun. That might make the painting have a more modern look.

Most people seem afraid to go out on the overlook when they see me there. Today I was taking a break and I saw a family come down and stop half way. I said, “You can come on down, I had my shots.” So they did. Sometimes people see I’m left handed and avoid me, I think. That’s a sure sign that I’m crazy and unpredictable, right? Since when did I care what people think? So, yardsticks with brushes taped on. I’m going for it.

Oh yeah, I’m sane though. 100%

beach goldenrod / charcoal and chalk

It was really nice over there today, sunny, not too hot with a light breeze. The tide was way out and boats were going out through Lynnhaven Inlet and guys were fishing. I just sat down on the sand and was enjoying the view for a minute and a man with a beagle stopped and asked me if I was ok since I was sitting in the shade with my back next to the dock and he expected to see people catching rays. I said I’m fine that I was planning to sketch but didn’t start yet. Then he talked a little while.

There are two views I’d like to paint from this spot, the sand bar at low tide with boats beached on the sand and people out on the sand bar playing around, and the other view I want to paint is the bridge going over the inlet. There are at least 6 or 7 views that I’ll paint at Pleasure House Point eventually. Today it was just a goldenrod sketch.

They’re calling for rain tomorrow. I might be able to paint this at home from my sketch. The goldenrod looked like straight cadmium yellow and the greens are the same greens I use all the time.

The recent tidal flood left a lot of debris washed up in front of the goldenrod. It’s a messy looking weed but that’s ok. I don’t have to paint all the dirty stuff around it. I’d like to do a fall still life, maybe next year, because I have so many plans in mind for this fall, but I think goldenrod would be good for the still life, so it’s a good thing to get some practice on the subject.

flooded path / charcoal and chalk

The sandy path is on the left, water on the right and in front.

I like this scene for my next painting.

I took my 11 x 14 sketchbook and charcoal because I didn’t know if it was still flooded there and I wanted to sketch the flooded meadow but that has dried up again. I considered trying to sketch goldenrod but when I got this far on the path the water was over a foot deep so I sat on the sand to draw this. I was up off the path slightly. When I last saw it the water looked 3 feet deep there. That’s where the tidal water floods the path every day, but sometimes you can walk across and not get your feet wet.

2 ladies came through with 4 little kids and 2 babies. One of the babies isn’t born yet and the other lady carried a baby in a sling. The smallest kid was a little girl that looked about 3 years old and when she stepped in the water she fell down and got drenched but she didn’t cry. Her Mom said, “This is the same water you play in all the time.” Then they all waded across, a couple of them stepped on the cinder blocks which were submerged, and a couple of them walked straight through. They’re not afraid. They reminded me of myself when I was a kid and played around by the creek a lot. I fell in and got muddy every year. That’s how your plein air artist spent her carefree childhood, down at the creek, catching crayfish and making mud pies, getting stung by stinging nettles and slapping mud on the rash because mud stops the sting. Jewel leaf also stops the sting but mud is quicker, and mud is fun, but jewel leaf is pretty when you make it wet. It looks shiny and silvery. And now I’m getting old and still hanging around by the creek, only a different creek.

dune and bay sketch / charcoal and chalk

Today I walked all the way through the campground with my sketchbook charcoal and water bottle to see the view from the farthest yurt, #1. I was glad I waited until this afternoon because I think they had some rain over there this morning. There were puddles and the big chairs at the yurt were wet. I mainly wanted to get some exercise because it’s going to rain tomorrow and Sun.

Sketching is progress even if I never use the sketch for a painting. I can’t get too much practice. It would be a long haul to take paint that far from the car even with my beach cart. I’d still like to hang around all the yurts when they’re not occupied and do more sketching this fall. That’s the Chesapeake Bay Bridge Tunnel on the horizon.

I think I’ll try to paint Lynnhaven Inlet next but I wasn’t ready to start on another big project today. Maybe Mon.

wind swept trees second sketch

This time I had a larger paper and liked my sketch more than the first try. I might be able to use this one for a painting since my tree feels less squished and more more wind blown.

There was a nice breeze and a few guys kite surfing. They’re just tiny tiny figures out there. I was thinking about putting a kite in the painting. I’ll have to move him in more off the edge of the scene. He’s so small on the paper I’m not sure I could paint him with Inktense pencils or watercolor. I might use oils for this.

There are some buildings in the background on the left. This photo cuts off the buildings a little. It also cuts off some dune foliage that is in the tall grass. I was thinking of leaving the buildings and other foliage out of the picture, move the tree a little to the left so the kite surfer has more room. The dune grass blowing in the wind is shiny and soft looking, so that will make a nice contrast in color and texture to the pine tree. You can see a little of the sandy beach in the background too.

I need to get out there a little earlier if I use oil paints because it could take some time to mix colors. I’ll do an underpainting, maybe start tomorrow.

That’s my plan, all worked out and ready to start on the painting. I had to do the second sketch to make those decisions.

windswept pine tree on sand dune / charcoal and chalk

It’s really nice out today. I knew where I wanted to go but not what I wanted to draw, so I took my 11 x 14 sketchbook. I walked on a sandy path over a dune to the beach. I usually bypass that path for the easier path. This tree is in between dunes. You can see the sky and bay behind it with shoreline. The dunes on this side are covered with pretty soft looking dune grasses but you can see sand too.

This might make a good subject for a palette knife painting because of the pine needle texture. I could use a larger canvas.