Tag Archives: Chinese Paperbush

Chinese Paperbush / oil

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Do you ever get the feeling a painting is speaking to you? Because I think this painting has something to say, but I can’t interpret it. It’s talking too fast.

First it’s saying something about music, then it’s something about my life. Then it’s telling me something about blooming in the winter, refreshing cool air. ┬áSomething else about an altered state of consciousness that an artist gets into when they’re painting. It’s easier than you think it will be. What else?

What does it look like to you, dear reader? Is it only a representation of a pretty bush or does it have a message that you can see?

I went back to the garden 3 times since my last post to work on this in Plein air. I don’t know if you can see all the changes I made on it.

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sketches and plans for my unfinished painting of the Chinese Paperbush

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Did I draw too many flowers? Or not enough? Do I even know what I’m doing? Those are the questions I’ve been asking myself as I stand outside in the arboretum sketching flowers for my painting of the Chinese Paperbush on 40*F days.

I’m dressed for the weather so 40* is ok for me to be out a couple hours on a sunny day, but I’m not sure I’ll be able to use these sketches. When I paint the flowers on my canvas they’ll be smaller. Am I wasting a lot of time in the rather nippy fresh air?

Half the time I think I can paint the flowers at home instead of taking my oil paints, easel, canvas etc over there. Then the other half of the time I think I have to take all my stuff and at least get started on it in plein air and maybe I can finish it at home, because I think painting the flowers might be time consuming.

It’s not that I’m really stuck with this difficult painting, I’m still working on it, but I’m not exactly sure how to proceed and I don’t want to mess it up since I already have a lot of time in it. When I was in art school so long ago, they told us if you don’t have a good plan worked out for your painting, do more sketches. I’m going back to my training on this one.IMG_2186

I worked on the branches at home for a few hours but I still want to go over them again after I get the flowers on the bush. The branches should be a warmer color. It’s almost a glow. I hope I can get that orange winter sunlit effect. I’ll do a glaze.

I want to go over the ground again too, maybe with a palette knife, and define the shadows more.

So, for art viewers who are interested in the process, here’s where I have to make some decisions. Some paintings don’t require as much planning.

Chinese Paperbush blooming / pastel study

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For some odd reason, dirt was falling out of the tree behind me. I was glad I had my hat on but I couldn’t keep my paper clean. That’s Mother Nature for you, dropping mud on your head. How does she do it? ­čśë

Finally, I can finish my painting of the Paperbush. I’ve waited all year for it to bloom. A few years ago in the winter I followed a sweet smell to a Paperbush in Richmond. At the time I was working on a painting and didn’t want to start on the Paperbush. I thought I could do it the next year, but the next year I searched for the bush and it was gone, sacrificed for a big landscaping project. I was sad. Then I moved to the beach and was so happy to see another Paperbush in the arboretum next door, but once again, I had another big project in the works. So, this year I planned to paint the bush and it feels like a long time in the planning and now it’s going to get done.

I’ll practice sketching the flowers again tomorrow if the weather holds out, then I can finish the painting. Today I sketched the flowers close to life size but I’ll have to paint them smaller and won’t be able to get in much detail. That’s ok, if I practice drawing them life size it will be easier to paint the basic shapes later.

Chinese Paperbush / unfinished

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The bush will bloom soon. I saw it last year at the VA. Tech Arboretum right across the parking lot from my apartment, but I had another painting started at the time, so I planned to paint it this winter. The arboretum is convenient ┬ánow, but I’m planning on moving again. I’m excited to try capturing this pretty bush while I have the opportunity.

There’s not many people walking in the arboretum. I ┬átook my yard sticks along and taped my paint brushes to the sticks so I could stand back and paint ala Matisse. If anyone saw me do that they might think I was crazy. It actually made it a little easier to paint that way than it was to sketch it with charcoal from a normal ┬ádistance . I felt secluded from view between trees, too.

I need to go back tomorrow if it’s sunny and work on the bush again. The light didn’t last long but it was brightly lit for an hour.

To do the background, I went to the arboretum with my paints, pallet and pallet knife and mixed the colors in Plein air then came home and painted it from memory, with my paint brushes taped to yard sticks. I really am starting to enjoy the extended brushes.

It only took a couple days for my background ┬áto dry. This is the traditional way of painting except for the extended brushes and thick paint in the background. I used my Maroger medium today, covering the whole canvas with plain medium and painting my branches into the medium, which is called, “painting in the couch”. The medium “couches” the paint. The old masters used some variation of Maroger medium and they also painted in the couch. It makes the canvas slick, so the paint flows nicely.

If you like the smell of oil paint you will love the smell of Maroger medium. If the idea of inhaling toxic fumes scares you, then Maroger medium is not for you. It has lead when properly made but there are different recipes. The lead in the medium won’t hurt you unless you eat it. Cooking up a batch of Maroger medium indoors could poison you. I love the stuff. It’s great for painting in plein air. When I paint at home I run my can fan, which is an industrial strength air scrubber. If my hands get sticky I just stop and wash my hands. I remember hearing stories about a guy who got lead poisoning in PA. cooking Maroger medium but mainly people at the Adamstown hat factory. That’s where the saying, “mad as a hatter” came from, lead poisoning. I feel saner than ever before in my life, so, it won’t make you sick if you use it safely.

Chinese Paperbush / charcoal and chalk

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A few days ago I was out on my balcony looking down at the arboretum and I thought I saw a bush with white flowers. I said, “Holy cow! something’s blooming down there in the beginning of Feb.!” Then I couldn’t spot it the next day because it was raining. This morning I saw it again, so I took my sketchbook down there and found the bush. I saw the plaque saying it’s a Chinese Paperbush and remembered seeing one once before at Lewis Ginter Botanical Garden. When I went back to Lewis Ginter the next time looking for the bush I couldn’t find it. Now I’m so happy that they have one right downstairs! I don’t even have to drive anywhere if I paint it.

It’s so pretty, when the sun shines on it the bark is gold in the light, and the flowers are bright white with dark green evergreens behind it. I have a lot of plans for paintings and one almost finished, so should I start another?

omg! There is so much inspiration when you move to the beach! I can’t keep up with it!