Tag Archives: Diana

Diana fauve / try try again

IMG_2083

That painting I did last week was sooooo bad. How bad was it? Matisse rolled over. I tossed it.

They don’t give any information about technique in my Matisse book. It’s trial and error here. At least no one will ever say I fear failure. I’m learning something about fauvism by trying to copy the style. This is what I got so far.

Fauve means wild animal so my painting should be bold. Last week I was hesitant so I daubed. Matisse would h8 that. This time I was more deliberate with my brush strokes.

In fauvism you’re supposed to convey an emotion with your color choices. I hope I can do that. Imagine Diana, goddess of the hunt. She represents the feminine ideals of independence and chastity. She can kill her own food so she doesn’t need to rely on some god to bring dinner home and she’s better off without being in a relationship with some god because those guys cause all kinds of mischief fooling around with mortals and chasing nymphs etc. She’s alert and at peace with nature. She’s strong.  I hope I can capture her attitude.

Trying to paint in a style I’m not used to is challenging. I’ll try again. If you know anything about it please advise me. Thanks for the likes on that last post which was a really horrible painting. I appreciate the support.

Advertisements

Diana Fauve / oil

IMG_2080

It seems a little ironic that my first subject to try fauvism is Diana because she’s the goddess of the hunt and fauve means wild animal.

Matisse said you should use color to express emotion and I thought he!!, I’m not emotional. Then I remembered the plaque at the museum said Diana represents the feminine ideals of independence and chastity so I thought about those things when I was working on it and picked colors I like to work with.IMG_2078

Yesterday when I got home from sketching at the museum I knew my sketch wasn’t right. I wanted to correct it but not go back to the museum so I taped my sketch to the wall and taped a piece of charcoal to a yardstick so I could stand back and do it again. The first try I taped a sharpie to the yardstick and that sketch looked real bad. Almost human. So I tried charcoal and got this sketch which looked better than the sketch from the museum. You can see places where my charcoal on a stick went somewhere on it’s own.

I tried two more but this one was the best so I used it for my painting. I’ll do the charcoal on a stick practice again. I’m pretty sure Matisse did it thousands of times. It’s good to stand back from what you’re working on and you can’t really focus on any certain little thing too well. It seems like you have to draw a bunch of lines and pick the one you want. IMG_2081.jpg

Here’s a few fauve portraits for you. The one on the left is Matisse, Madame Matisse. Then portrait of Matisse by Andre Derain. Then portrait of Derain by Maurice Vlaminck. On the right is portrait of Vlaminck bu Andre Derain.

It looks like your sketch doesn’t have to be 100% accurate. That’s a nice thing about fauvism. I don’t know if mine fits in with this fauvism thing but it was kind of fun and easy to do. I’ll probably do another one from a marble bust.

An interesting story about Matisse is that he cofounded an art school with some other artists but he didn’t want to be paid because he didn’t want it to be an obligation. He went on Sat. and did the critiques. He must have been a harsh critic because another teacher said it took him all week to build up the confidence of the students and on Sat. Matisse would destroy it.

On the first day of school the students were so excited to do fauvism they hung all their bright fauve paintings in the room and when Matisse came in he was mad and told them to take all that garbage down. Then he made them sketch busts! The students were not happy.

Diana after Powers / charcoal

IMG_2077

Yesterday was too hot to draw outside so I went to the Chrysler Museum to sketch. I worked on it for a little over an hour and went back today and was there  for another hour or so. I can’t tell if this looks like the marble bust or not.

I’d like to try to paint a portrait but I don’t want to pay a model. I could do a self portrait but I don’t enjoy looking at my reflection. So I’ll see if I can paint Diana like a fauve. If it comes out ugly she won’t be offended.

I don’t care too much if I mess it up. I’ll do my best, but no guarantees. I have practically no ego for an artist. Should I blame my parents for that or thank them?

My art school was a trade school but I learned to draw and paint in the traditional ways. That doesn’t mean I don’t like modern art.  Is it really important to stick to a certain style? I don’t think so, but there are people who tell an artist to pick a medium or style and stick to it. I heard a juror say, “Don’t mix two different styles.” I didn’t ask for the reason and I don’t know the styles well enough to know if I’m doing that, but I thought she was talking to me.

I like looking at photography even though I don’t do it. I like a lot of modern art even though my attempts to do it don’t usually work out. Most artists try different things and go through their phases. Matisse, who I always liked, tried fauvism so I want to try it too. I’ll use this sketch.