Tag Archives: dunes

panoramic dune paintings with close ups

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left

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center

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right

Finally finished! time to celebrate!

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This is a close up of the small piece of ocean you can see from there. I always see a texture on the ocean. This could be white caps or sparkles. I’ll let the viewer decide if it looks like either one of those. Maybe from far away. Also, you can see the texture of the grass I made with the Inktense pencils.

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This is the leaf texture I made with masking fluid to save the lighter leaf colors and use a dark green to darken the shadows. The grass texture in the shade was made with my modified fan brush and masking fluid.

I enjoy making textures. Masking fluid is a great product for that.

Some things I can use from my old school training are how to make a feeling of light by working on my shadows. If you use the full range of values from black to white and put the darkest shadows in under some lighter contrasting shapes, leaves, the viewer gets the feeling of sunlight, and depth. Could you walk in there and get out of the sun? Maybe, but you’ll need bug spray.

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This shows a sand slide. The smoother sand is the part that slid down and the top inch or two of the rougher sand is the part of the dune where it broke. I hope you can see what I mean.

I like the way that the dunes mimic the ocean with their wavy shapes and their rising and falling with peaks and breakers, if you can imagine it.

dune painting and wildlife report from VA Beach

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When I was driving down the Sandbridge Rd. this morning a deer crossed the road in front of my car. I saw it from far away, a doe, as it walked across the ditch. It didn’t jump, just walked. Then as I was driving down the Back Bay rd. a big sand crab crossed the road.

A couple days ago I had to come to a stop on that road for a big turtle.

One day last week I was walking down the gravel road to my overlook and I saw something brown in the grass next to the road, not moving, and I wondered what it was. It was a big rabbit and not your ordinary wild rabbit but one with real pretty tortoise shell  colored  fur. As I got closer it didn’t move but kept on eating the grass. I walked by it only 3′ away and it didn’t run.

There is a bumper crop of dragon flies down there and one flew right into my neck! You can see hundreds of them buzzing all around this scene.

It was hot when I got there at 7:30 but there was a nice breeze which made it more tolerable. Now it’s hot as hell out there.

I’m almost finished with my dune painting triptych. This is the center section, finished.

dune paintings debriefing

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This morning I worked on the top part of the dunes adding some Inktense pencil to draw some grass. I also put a second glaze on the sand in the light areas and the shadows. The foliage on the bottom of the paper needs more work. The sky and sea are finished.

I can’t tell if I messed it up or not. I can’t fix it so I have to continue. An old dude (birdwatcher)  is watching my progress almost every day. He asked me if I sell my paintings and I said no. The first few times I saw him he didn’t talk much then once he talked a lot. If I don’t tell him I’m not sure if it’s working he’ll think it’s great. Anyway, I don’t really fear failure and if it is a failure let it be epic. That’s my attitude.

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This is the left panel of the triptych with one layer of glazes. To make my shady sand color I painted a thin glaze of gray with burnt umber. Then today I used a blue gray glaze  on top of the first layer. And I went over the light sandy color again today before scribbling in the dark green Inktense pencil lines. I think the two glazes in the shadows of the dune looks like a good gray now. The viewer’s  eye can see both  the blue and the brown glazes mixing together. The viewer might not actually notice the two glazes but it makes more interesting shadows.

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This is the center section of the triptych with one layer of glazes.

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This is the right section of my panorama with one layer of glazes.

The funny thing about painting a triptych is that even though I want the paintings to be hung in order and close together so it looks like a panorama, there’s no guarantee it will get hung that way, so just in case some idiot curator can’t hang it right, each piece should be strong enough on it’s own.

Now, you may say, “Chris, why are you so hard on curators?”

I’ll give you  a couple examples.

Years ago, I drew my skull of a bull with pastel, the skull facing left, center and right to be a triptych. The 3 pastels were strong, colorful, bold and kind of moody. I entered a national contest in Boulder CO. and all 3 were accepted! I was looking forward to it because I thought my pastels would dominate the show. I got plane tickets and made reservations for my Mom to go with me to Boulder for the opening. We got there a day early and I rented a car and wanted to find my way to the venue in the day so I wouldn’t get lost at night. I went in to get a sneak peek at the show and only one of my pastels was hanging. I might add that it was a big job packing all 3 in one big box and shipping them out there. I asked the person in charge of hanging the show where the other two of the triptych were since 3 pieces got accepted and were so large it would be hard to miss 2 of them all in the same box. The lady said they had migrant workers unpacking the boxes and they must have missed the other two. I had labeled it extra large, 3 pastels on the box. They had to send someone up to their storage unit in Fort Collins to bring my other two pastels down to Boulder and then they weren’t hung together as a triptych but spread around the show. I guessed they weren’t expecting me to show up from Virginia. This is why if you enter a show in another state you have to go, or your painting might not get hung at all.

 

One time in Richmond I entered a triptych in a show with a Richmond city theme. I did oils on smaller canvases of the skyline and the river. I guess they didn’t have enough entries for the show because they spread my 3 paintings out over a 12′ wall, so the effect of a panorama was lost. For a triptych the paintings should be hung with only a couple inches between them.

ok, enough of my complaining. This triptych might never get entered so, no more of that aggravation.

 

Dune painting color rough and dune pix

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I painted this at home and took it to the beach to compare it to real life. I didn’t paint nearly enough greenery but you might not notice it’s missing until you see the photos below. The dead trees need sunlight and I just painted them solid gray here. I was trying to make it easier for myself, now I know I have to paint the light on the trees. I guess I’ll have to go there to work on my big paintings after all. I miss too much working from my charcoal sketches at home. Plus, painting at home is boring when you get used to painting in plein air. One good thing about the dunes is that the foliage doesn’t change much over months so I can still take my time finishing my big panorama plan.

 

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Gosh darn it, my computer’s acting up again. I thought these would never load.

 

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I bought  a sunflower at the farm stand on Sandbridge Rd. And I got some scallops, a stuffed clam and a tomato. I might try to sketch the sunflower later. The lady told me it would last 7 to 10 days if I don’t put more than an inch or so of water in every day. Too much water rots the stem.

This is a busy week at the beach but I got out this morning before it got too hot and crowded with heavy traffic.

Dune painting update

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This is a color rough for my panoramic dune paintings in the works. Some other color dots are in the sky. I don’t know where it came from. I tried to lift it but couldn’t. Oh well, it’s only a rough. I’ll be mad if I mess up the sky on my good paper. Good thing I did the rough, now I know I have to figure out a way to wrap my papers to take them out to the beach.

It’s a big job. first I had to buy 3 pieces of plywood and cut them to fit half sheets of watercolor paper. I used my son in law’s battery powered saw. That went ok but stapling the paper to the boards was a problem because the staples I ordered weren’t the Duo Fast brand like I asked for and gave the stock number for. They got stuck in the stapler and I had to pry them out with a pliers. I had to use the staples I had which were too long and stuck out the back of the boards. I covered them by taping cotton cord on the back over the points so I wouldn’t scratch myself.

Then transferring my sketches to the paper took a long time. My hand gets tired holding a pencil to draw. Charcoal doesn’t make my hand tired but pencil is best on watercolor paper. That part of the job took days because I had to rest my hand.

We had a whole week of rain and I didn’t care. I also had to try to mix some colors and do a few color roughs at home before I go back to the beach and paint on my good paper.

This is my 4th try on the ocean. I want to make it sparkly, can’t tell if that’s working. It’s my 3rd try on sky and second try on dune colors. First I used yellow ochre for the dune color but thought it was too yellow so I tried again with burnt umber. This looks better but I need to take this along to the beach and compare it to nature.

Hopefully, tomorrow I can get out of here early and go back to the overlook. The light is best early and it’s easier to be there before it gets hot.

I knew this would be a big difficult job for me so I had to take my time and figure everything out first, do the drawings in detail, transfer everything, do my color roughs, mix colors at home, work out as many bugs as I can before I try to paint on the stretched papers. It doesn’t matter how long it takes to finish it. If I do all that first there’s a better chance it will work out. If I can’t concentrate on it I’ll just put it off until I can and the weather improves.

the path to the beach

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That’s the ocean in the background.

I bought two big sheets of watercolor paper for my dunes now that I have a few sketches I can use. I’m planning a triptych. I want to show more sky in the watercolors than is showing in my sketches and it would be great if I could make the three paintings of the triptych  look connected. The watercolor paper is larger than my sketchbook so I’ll be able to extend my sketches on both sides a little.

I’ll have to haul my watercolors supplies down a path but not real far, I/4 mile or so, I guess. I can use my beach cart. I’m not sure if I can take all three pieces out with the paper stretched on boards, or if it would be better to work on one at the beach and the other two at home. The three watercolors will be a big job for me. I’m not sure how to paint that little bit of ocean and I’ll have to decide how to do the sky.

The bugs were after me this morning. Now I’ll have to start taking bug spray along too.

This plan seems like a lot of work but I think it will be worth it. Just hanging around there is worth the drive.

sketch of dunes / charcoal and chalk

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The earlier I can get to Back Bay the better when it’s hot. Today I got to my overlook around 8:30 and it was great! Not many people were there either.

I could get at least two more sketches from this one spot. It’s pretty 360* around and a place where I can see a little ocean between dunes. I could do a series of dune paintings in a row to give the panoramic feel of it.

Walking on the beach is nice exercise after sketching. The dunes get my heart rate up for a few minutes. The waves were small again this morning. In another week or so the tides will be all different from this week and I might be able to do some wave studies.

Between Two Dunes / charcoal and chalk

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There’s not much shade down there but I found some and sat in it to sketch. It was uncomfortable but better than standing in the sun. By the time I got to my overlook at 10 this morning I already had enough sun.

Yesterday was cloudy and cool. Then, on my way home at 11:30 today I passed a long line of cars waiting to get into the public parking lot at Sandbridge. If I had to wait in that line I’d just turn around and go somewhere else.

The past two times I walked on the beach at Back Bay the waves were small. That’s why I’m getting into the dunes even though I really need the practice drawing and painting waves.

I’d also like to sketch more at Pleasure House Point, so depending on the weather I might go back over there. It’s closer than Back Bay. I need to check the tide charts again.

I’ll try to get out earlier so it’s not so hot and I can sketch the better views in the better light.

watercolor fun time / dunes

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They gave all of us Plein air artists a great swag bag at the Ghost Ranch with a lot of art supplies. The thing I wanted to try first is this little color sample test palette  with 6  dry colors from QoR Modern Watercolors made by Golden. I was just playing around and made the colors bleed because it’s kind of fun to see what you get when they mix and also to watch the bleed.

That’s Mars Orange Deep on the dunes with Indanthrone Blue in the shadows and Manganese Blue in the sky. The blues don’t show up right in this photo because I took it in the yellowish light over my work table. They’re both good blues in real life.

They are some real nice bright colors and I might buy tubes of them in the future.

It rained today and it might rain tomorrow. That’s ok. It’s been dry here for 3 weeks. I started my watercolor at the Pleasure House Point marsh, but didn’t get very far with it yesterday. I will finish that thing some time soon. Not exactly sure how to proceed.  At least I had good weather for my vacation. I’m glad I made it home before the bad weather moved in out west.