They’re standing in the hot sun on the edge of the pond. The 1st few days I worked on this painting, it was rainy and cloudy, which kept it from getting too hot. Now the weather seems to be going back to the hot and humid. I like to work on my painting in the morning before it gets too hot outside. I can find some shade to sit in and mix my colors, then I usually stand in the sun with the plants to paint. It helps me see if I have my colors and values close to what’s natural in sunlight. I’ll stand up to paint because it’s more comfortable than painting sitting down. After 45 minutes or so, I take a little break and look away from my painting for a few minutes. I can go back to it and get my concentration back for another 30 – 45 minutes. But when the temperature goes up to 85 or so, I’m done.
Now I’m looking for a place to sit and stand in the shade for my next painting.
The Pitcher Plants are my favorites in the garden! I’ll never get tired of drawing them.
I’m planning to do a painting with 3 plants and call it “The Trio”. I got inspired by a Rembrandt by that name.
This particular Rembrandt was on loan to the VMFA last year with 2 others. They are small paintings. He did his Trio painting of singers. It was so great to see it! So I got a sketch started of Rembrandt’s Trio in graphite standing in front of it in the museum.. In fact, I had it to myself. I STOLE Rembrandts composition! hahahahahah I don’t see what’s wrong with stealing something great from the masters if you can do it. But then, the 2nd time I went back to steal a little better from Rembrandt, a guard did actually tell me to stop drawing. Drawing wasn’t allowed. I probably can’t show you my sketch of Rembrandt’s Trio. I know photography isn’t allowed in all the exhibits, but drawing? oh well, I got the inspiration. I studied the Rembrandt for hours too.
I’m pretty sure Rembrandt did charcoal studies before he did a painting. This is my 2nd try on a sketch for my Trio painting. The 1st sketch didn’t work.
I love to see the wisteria blooming wild by the side of the road when I’m driving in the country. Sometimes it gets so thick it can choke out trees. This is an old vine at Lewis Ginter Botanical Garden on a stone wall.
First I drew it with charcoal on the paper, then used oil pastel for the wall and as an underdrawing for the Wisteria. The oil pastel alone looked a little weak for the flowers, so I used oil paint and put a second layer on to bring the flowers off the wall visually, by using the contrast of the more solid paint against the more sketchy pastel.
I’m glad I finally got a sketch of the Wisteria, because I’ve been wanting to draw it for years.