This is my 2nd try sketching daylilies. I think it came out better than the drawing from last week, so next time I’m going to take my pastels and do them in color. They say the heat and humidity will ease up in a couple days. That will make it easier for me to concentrate longer.
These flowers are a bright peachy pink! So bright! So pretty!
They change every day and even in a couple hours are moving to follow the sun, so I won’t be able to use this sketch. Some of the flowers I drew today will be wilted and some new buds will be opening.
I got a mosquito bite. I’m their favorite flavor, O+
This time I cut 3″ off the length of the shirt and cut the fringe 3″ before sewing on the beads. I like this length and it’s more practical with the shorter fringe because it doesn’t get tangled.
The shorts are a polyester linen blend so they’re cooler than my denim shorts, but I had to resew my seams to make it fit right. I used the same pattern that was ok before, but this time it seemed too baggy. Now I want to resew the blue ones I made and then take them apart so I can draw my pattern to fit exactly next time. It will be a big job.
Sewing is more difficult than painting. I don’t understand why “craft” gets less respect than “art”. They’re the same to me. Art and craft both require practice, patience, skill etc. so I wonder why sewing isn’t seen in the same way as an oil painting or a sculpture. No one would doubt YSL is an artist, but is the seamstress who makes her own clothes also considered an artist? I would say yes. The sewing ladies are artists too. And if you have enough dexterity and patience to sew you can also do any kind of painting you like. The more you practice and experiment the better you get at it. Good teachers help. I was lucky to have good sewing teachers and art teachers. When I made that tie dye shirt, I wanted to try to do a flowery motif. I was thinking of making flowers on top of the shirt and green foliage on the lower part, kind of like the YSL dress. This one is my 2nd try to get the flower look with tie dye. The 1st one didn’t come out. I’ll probably throw it away.
I’m ruthless with the things I make. Sometimes I throw away a whole year’s worth of paintings if I decide not to show them again, and I’ll throw away any tie dye that doesn’t look good to me. If I wasn’t that way with my “creations” my apt. would be too crowded.
I’ll try another tie dye.
Meanwhile, here’s some roses for your inspiration.
It’s a great show of American Impressionists titled “The Artist’s Garden”. I drove to Norfolk yesterday to see it. The show ends in the beginning of Sept.
It’s exciting to see old Impressionism. There’s a lot of variations in the different artist’s styles. These artists had academic training. You can see it in the beautifully drawn female figures. An artist doesn’t get this kind of results by tracing a photo. This took years of figure drawing practice.
I wanted to see if the old Impressionists used glazes, and yes, I see layers of glazes in a lot of the paintings. Modern Impressionists don’t use glazes. This painting shows a lot of variation in the way the paint was applied. Some is glazes and some parts are painted thick.
The old Impressionists didn’t have a formula. I doubt this was finished in one day. They had inspiration. They were daring and groundbreaking. Modern Impressionists are in a big hurry to finish paintings because they think it makes them look “prolific”. They have a good level of successful paintings that are marketable because they have a formula, which they might call “streamlining” a painting, or “simplifying” or something like that. That’s why all modern Impressionists work looks the same. Modern Impressionists are on some kind of art treadmill. I want to paint like this guy, Curran.
I liked this view in the garden but only a few little pansies were blooming when I did the painting. So I looked at the Blue Bells in Lewis Ginter Botanical Garden and faked in the Blue Bells on this painting. This year I’m faking in a huge Wisteria on the other side of the wall.
It seems like it’s taking a long time for me to finish the new painting of Poe’s garden, but as a plein air painter, I wait for the sun to come out and go there to work on it. That only gives me one or two days a week. Then I only stay for a couple hours at a time because the light changes and my concentration fades.
Now I’m waiting for them to turn on the water in the fountain that I’m painting this year. Water is always a challenge for me to paint. I hope it works out. The paintings are due on April 18th for the show opening in the end of April. They’ll have “Unhappy Hour” that night.