Tag Archives: fun

Unicorn Tangs Telling Jokes / mixed media

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1st fish : What did the fish say when it swam into a wall?

2nd fish : I give up.

1st fish : DamnIMG_2207

2nd fish : Two goldfish were in a tank and one says, “You man the guns, I’ll drive.”

 

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jellyfish / mixed media

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In the aquarium they’re graceful, delicate and so beautiful but they don’t look  good when they wash up on the sand. In fact they look scary and gross on the beach and you might want to stay out of the water if you see them.img_2191

My models move, but slowly, so I thought it would be easier to sketch them with oil paint sticks since that medium forces me to draw faster and looser.

I sketched them on watercolor paper then painted the blue background with watercolor. The oil paint sticks resist the watercolor from going into the paper. It was almost like drawing blindfolded because I couldn’t see the white oil paint stick on the white paper even if I looked at the paper. I could see a little shine from the oil paint stick but it was dark in the aquarium so I moved back away from the jellies exhibit to see what I had and really couldn’t see it until I put the blue background on the paper over the white oil paint stick. I could see the pink sketch as I was drawing.

They have hair like tentacles which I couldn’t draw with my thick clunky oil paint sticks but I like the texture of the paint sticks on the watercolor paper.

The aquarium has a real laid back atmosphere and zen sound effects. They have some great marshy overlooks outside on a nice trail. It gets crowded in the summer but I can sketch more for a couple months without getting in the way of others.

I’m excited because in March I’m moving again. This time within a mile of the oceanfront and only 3 miles from the aquarium. I’ll be able to bike over to the aquarium because the road has a wide sidewalk the whole way. I’ll be able to walk to the ocean, the Neptune Festival, shopping, dining, etc. I’ll be much closer to Back Bay too, but it will take longer to drive to the botanical garden.

alternative media for plein air sketching / watercolor pencils

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It’s fun to try different media and techniques. This is a close up of my first attempt using Aquarelle watercolor pencils, which were recommended to me by my blogging friend, Vivienne Lingard. I’m looking for something that would be easier to transport than oil paint and the supplies I need for oils. I tried oil paint sticks and they’re bright but clunky to draw with. Pastels can be heavy to take out in Plein air, but sometimes I pick a few to take along if I can guess what colors I’ll need, so I don’t have to lug my whole box of pastels down a path. There’s also a wide variety of markers I could use in plein air. And my old favorite, charcoal and chalk.img_2189

I sketched a few Chinese Paperbush flowers from memory for my watercolor pencil  experiment since I’m not finished with that painting and I want more practice drawing the flowers.

I have very little experience with watercolors, so this will take practice.

This winter weather is keeping me at home too much. I think I’ll check out the Virginia Beach Aquarium and find some bright fish to draw if they don’t object to colored pencils.

dragons on silk scarf / oil paint sticks

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Dragon one says to dragon two, “Gurrrl, how you doin?”

Dragon two says, “I’m good. How you doin?”

Dragon one says, “I’m fine. Lets go torch that big flock of sheep.”

Dragon two says, “Lets torch the castle instead. We can get their gold.”

Dragon one says ,”Good idea. Lets go.”IMG_2170

These are the new templates I made using my concoction of corn starch and Elmers glue piped out of a cake decorating bag onto foam  core. The foam core warped as it dried. I’ll try to find something that won’t warp for my next experimental template.

portraits of ladies / blind drawing exercise / mixed media

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A lot of contemporary artists do this blind drawing exercise so I wanted to give it a try.  I did double blind because I picked my colors blindfolded too.

Before I blindfolded myself I arranged my work table with a pile of my watercolors and a jar of water next to them, piles of oil pastels in groups of dark medium and light and a jar of terpenoid next to them, a pile of paint brushes and my paper. For my first experiment I put some watercolor on the palette which I could feel but then I couldn’t tell if my brush was going into the paint because I was blindfolded and I didn’t cheat by looking.  I stuck my finger into the paint. So, for my next experiment I picked up my random color of paint and opened the tube and dabbed it directly onto the paper in several places then dipped my brush into the water, which I could feel for.

It was fun! The first few blind paintings didn’t work at all and I wanted to keep trying. I did six and I’ll show you the two best two.

The thing I like about the one above, is the eye seems to have floated off her face to the right. IMG_2163

Her dad was a glass maker.

The funny thing about this one is, I did draw eyes nose and mouth, but they got lost somewhere and her head looks transparent.

So this is my latest attempt to be contemporary, though technically, all artists alive and working today are contemporary. But art style labels don’t always apply.

Did this exercise improve my drawing? Even though I goofed around with it most of the day, I’d say, no. It was fun, but it won’t help my drawing improve. So, what is the real point of this exercise? To make modern art easier for someone who draws and paints in an old style? If either of these looks like real contemporary art, then the exercise did that for me.

Also, sometimes if you’re working on a project and getting nowhere, you can play around one day with this blind drawing exercise and take a break from the thing that’s not going well. Then go back to the other project mentally refreshed.

Ghost crabs / charcoal/ with unscientific observations

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I can’t decide. Are they like heads with legs coming out the sides and no bodies? Or are they like bodies with no heads and eyes on top? Anyway, they have a ton of personality.

Last week I walked barefoot on the beach at First Landing State Park a lot, maybe too much because my right foot got stiff. I soaked my foot in water with epsom salt and it’s ok now but I’ll probably stay off the sand for a few more days.

One day I took my sketchbook along and at the end of the beach close to the Fort Story fence I saw a bunch of holes the crabs made. Some were large holes for big crabs. I sat still on the sand for a while and a few crabs came out of their holes pushing sand out and making piles next to their holes. They looked at me. They must have 360* vision with their eyes on top. When I moved they were in their holes like a flash. I saw a couple big ones. They were probably 3 or 4 inches from tip to tip, running back and forth at the edge of the gently lapping waves of the bay. I wished I had a sardine to lure the others out of their holes to pose for me. They don’t stand still long so I did a couple sketches from memory. I think it might be a good drawing exercise to observe them then sketch them from memory.

I sat there for about 1/2 hour and got these sketches then a lady walking on the sand scared them all back into their holes, so I gave up on sketching. I’ll go back another time soon because I want to do a painting of the bay with the Chesapeake Bay Bridge Tunnel on the horizon.

My New Dog Bites / pastel / after Roaring Dog / with photos

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It’s a Chinese lantern in the Lanterns Asia exhibit at Norfolk Botanical Garden. This was fun to sketch at the garden between rain showers and fun to finish in bright colors on a rainy day at home. It’s good practice for your plein air artist to draw subjects other than landscapes sometimes. And it rains a lot around here.

That black sanded Mi-Teintes  paper is great because it holds so many layers of pastel. And the black adds drama to your subject. If you want to convey a mood, black paper could instantly make your subject scary or sad or elegant. I like to blend my 1st layer in with a blending stump and then put 2 more thick layers of pastel on top of that. IMG_2004

This is Roaring Dog lit up at night.

Here’s what the plaque says, “The Roaring Dog is a Chinese legend of the Erlang god which specialized in assisting the Erlang hunting and beheading a mythical demon. It fought against Sin Wukong in the journey to the Westlands assisted the Erlang god many times in fighting against other gods in the legend of Deification.”

When I was sketching it the tram went past and I heard the tour guide tell the passengers that the Chinese like dogs to look like lions. I thought how much fun it would be to make paper mache armor for a little dog and take it to the dog park and scare the big dogs! hahahahaimages (7)

This is the size dog I have in mind for custom made armor. He’s showing off his new leonine hair cut and learning to drive. wait, no, scratch the driving part.

Ocean Waves / charcoal and chalk

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I’ve been hanging around on the beach sketching. Here’s the plan for my next big project. I’m going to use a technique of Matisse. I’ve always loved his work and recently read an article that reminded me of a fun project I tried in high school.

A few days ago when I went to the beach it was so foggy I could hardly see the waves 50 ft. away. Looking in this direction I could see the fence all blurry in the fog. Looking the other direction down the beach nothing was visible except gray mist. It was eerie. It was soft and muted. That atmosphere was inspiring. So now I want to try to represent fog. I want to make a real smooth painting using glazes. That last painting I finished of the Port Authority was fun working on a larger canvas and trying to get a panoramic view. So, I’m going to try to do the beach in the fog next, and do it big. It will be mostly gray, but I enjoy mixing my grays. I think they look pearly.

The thing about Matisse is that he sometimes put his paint brushes on a long stick so he could stand way back from his canvas. I did that long ago and it was fun. Also it’s good to stand back from your canvas so you can see it better. Now, I don’t know if I’ll be able to make a smooth painting if I tape my paintbrushes to yardsticks but I’ll try. It will eliminate the detail from the painting, so it will look more Impressionistic, but I’ll still use my glazes since getting the values right will help get the illusion of fog. I know I won’t get it right on the first try. Impressionists don’t use glazes, so I don’t know how they would represent fog. My painting won’t look anything like a Matisse either.

I can’t start a project like this without a solid plan for the waves, even though they will be covered with fog. I still need more practice drawing waves. I can’t go by a photo because of a teacher I had in art school. ( I’ll update my about page soon and tell that story since it had a big influence on me. ) That means, I’ll be going to the beach a few more times to sketch. And I’ll need to do a smaller paint rough before I start on a big canvas. This could take months because I’ll have to wait for foggy weather. We should have more fog soon, but not all the time, so I’ll also start on another painting and have two in progress, the fog and the swamp.IMG_1985

 

I did another tie dye t shirt

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This one came out more colorful on the back. I’ll take 3″ off the length and cut a 4″ fringe then bead it on the bottom.

See those orange circles surrounded by blue? I did a little experiment. I put rubber bands over beads inside the shirt. Then I put orange dye on the little bead bumps I made. and then put squares of plastic wrap on top of the orange dye with more rubber bands so the blue dye wouldn’t flow into the orange. Then I scrunched up the rest of the shirt and banded it up and used the ice dye technique to add color to the rest of the shirt.

That was fun. I bought another t shirt. I might try to do more contrasting circles using beads and plastic wrap. I’m excited about how bright my shirts are coming out.