gold leaf and beads on oil paint
This is another experiment using masking fluid on oil paint. They say it doesn’t work. They say masking fluid beads up on oil paint. I think they are misinformed about that.
I started with a red tinted canvas and painted the masking fluid on my Spirograph design blocking out a red line. Then painted the blues and greens over top of the masking fluid. I added quick drying medium to my paint but still had to wait a couple days for the it to dry before taking the masking fluid off . Then I put gold leaf on my red lines and put beads on the canvas.
I used 2 different sized lids to stamp the violet circles in the background. For the larger beads, I cut little slits in the canvas and pushed the beads half way in, then hot glued them on the back. I sewed the small beads onto the canvas.
The most difficult thing about using masking fluid on oil paint is opening the bottle. You have to press down on the lid and turn it. I hear a click but the lid doesn’t unscrew. After trying to open the bottle for a while, my hand gets tired and I get out some tools because I want to break the freaking lid. Then finally I can open it after much frustration. I mean, COME ON! Winsor Newton. Can’t they make a better lid?!
About the life form; It fell out of the sky into the ocean. Now it is reproducing and will probably choke out all life on Earth ! Are you scared? I just scared myself! hahahah
gold leaf on oil paint
This is my 3rd experiment with masking fluid on oil paint. I masked off the dark red border on the labyrinth and the gold leafed lines on the bird. The 24 carat gold leaf came out looking real warm on top of the dark red outline but it shows up a cool gold in my photo.
It’s a difficult, time consuming process making the masking fluid work on oil paint. I wouldn’t recommend other artists try it. It takes a lot of prep time and patience. I’m still working out the bugs. I’m not sure if it’s showing in this photo, but you can see the weave of the canvas through the dark red lines. If someone examines the paint closely, they’ll know I used some kind of stencil when they compare the thick textured paint to the lines.
I don’t have a lot of experience with gold leaf. It’s something I tried to do long ago and had the gold leaf all these years in my art supplies. I remember hearing you need a smooth surface for the leaf. That’s why I masked off the lines for the gold leaf. The paint can get thick and textured on the rest of the canvas, but should be smooth under the leaf.
The Distelfink is a folk art bird from PA. They mean good luck. Distelfink is PA Dutch for Thistle Finch. They’re native in Europe, not PA, but their images are all over Southeast PA. I’ve always enjoyed drawing them. And I enjoy the challenge of drawing geometric designs like the Greek key and Celtic knots. Making the labyrinth work out on the size I want is a math problem and takes me a while to figure out, even with the picture of a labyrinth in front of me. These are two designs I have used since I was a kid, so they’re a fall back design for my experiment.
So, while the weather isn’t good over the winter, this is what I’m working on. My ultimate plan is to make an icon with oil paint and gold leaf, using a portrait of Edgar Alan Poe. The more practice I get, the better my chances are of success with the icon for a show in the spring at the Poe museum.