When I started this project I wanted to paint something fast and easy. I had no idea what I was getting myself into. It turned out to be difficult and time consuming but I really wanted to finish it before I start on the next thing. Isn’t that the way it goes with art projects! The more you do the more you see needs to be done before you can call it finished. It was tempting to just quit but I wanted to see if I could fix it so that I liked it, make it bold, not wishy washy like it was at first.
It looks browner in the photos than it does in real life. If I take the pix outside in natural light the yellow looks too green in the photo but if I take the photo inside the background looks too brown and it’s really greener. I don’t know how a pro photographer would light it to get the closest colors to what I actually painted.
I think the contrast between the Inktense pencils in the background and the brush strokes of the leaves and flowers is a good contrast in textures.
And I got some sharp edges on the leaves and fuzzy edges on the flowers. so that might give the art viewer’s eye something to compare and keep their attention longer than a painting without those contrasts.
I was undecided if I should post this. On the one hand, the painting might work but on the other hand, I don’t know exactly how to proceed and it might be a huge waste of time. But if any bloggers with more water media experience want to give me a tip, it might help
I did my sketch in plein air then started blobbing in some yellow flowers without drawing them on the paper in plein air. I thought I didn’t need to draw the flowers a second time. I painted on dry watercolor paper. I drew in the stems and leaves that day with pencil but came home and put a thin layer of green down on dry paper for the leaves.
I took a few watercolor classes long ago but never mastered it. I remember a few things, like, start out light and go darker.
I wanted to paint dune grass around the goldenrod but that took some time since I went over the whole background one section at a time between the leaves. I first made the paper wet in a few areas at a time, then drew lines with the Inktense pencils to make grass. Then I rewet the grass areas to blend the Inktense lines down a little. That’s 3 times over each little area. I broke that job up over a day and took frequent breaks to do other things.
Last time I was there, a bunch of guys were fishing and people were walking past me. I was sitting on the sand next to the path. I’d like to continue working on this in plein air but it might be busy there today because the weather is so nice. I picked some goldenrod to help me visualize the next step so I can finish this at home.
On the painting above, I left some blank lighter areas in the flowers. Those spaces are going to be the shaded parts of the flowers if it works. I need to go darker there. I tried to pick some colors with my color charts when I was there, but I don’t know… And I think the leaves need to go darker. Then, last but not least, I want to go over the yellow flowers in the sun again and try to define them a little. You can see from the photo, my flowers in the painting don’t look like the ones in the glass.
It was really nice over there today, sunny, not too hot with a light breeze. The tide was way out and boats were going out through Lynnhaven Inlet and guys were fishing. I just sat down on the sand and was enjoying the view for a minute and a man with a beagle stopped and asked me if I was ok since I was sitting in the shade with my back next to the dock and he expected to see people catching rays. I said I’m fine that I was planning to sketch but didn’t start yet. Then he talked a little while.
There are two views I’d like to paint from this spot, the sand bar at low tide with boats beached on the sand and people out on the sand bar playing around, and the other view I want to paint is the bridge going over the inlet. There are at least 6 or 7 views that I’ll paint at Pleasure House Point eventually. Today it was just a goldenrod sketch.
They’re calling for rain tomorrow. I might be able to paint this at home from my sketch. The goldenrod looked like straight cadmium yellow and the greens are the same greens I use all the time.
The recent tidal flood left a lot of debris washed up in front of the goldenrod. It’s a messy looking weed but that’s ok. I don’t have to paint all the dirty stuff around it. I’d like to do a fall still life, maybe next year, because I have so many plans in mind for this fall, but I think goldenrod would be good for the still life, so it’s a good thing to get some practice on the subject.
It’s a great show of American Impressionists titled “The Artist’s Garden”. I drove to Norfolk yesterday to see it. The show ends in the beginning of Sept.
It’s exciting to see old Impressionism. There’s a lot of variations in the different artist’s styles. These artists had academic training. You can see it in the beautifully drawn female figures. An artist doesn’t get this kind of results by tracing a photo. This took years of figure drawing practice.
I wanted to see if the old Impressionists used glazes, and yes, I see layers of glazes in a lot of the paintings. Modern Impressionists don’t use glazes. This painting shows a lot of variation in the way the paint was applied. Some is glazes and some parts are painted thick.
The old Impressionists didn’t have a formula. I doubt this was finished in one day. They had inspiration. They were daring and groundbreaking. Modern Impressionists are in a big hurry to finish paintings because they think it makes them look “prolific”. They have a good level of successful paintings that are marketable because they have a formula, which they might call “streamlining” a painting, or “simplifying” or something like that. That’s why all modern Impressionists work looks the same. Modern Impressionists are on some kind of art treadmill. I want to paint like this guy, Curran.