Tag Archives: inspiration

silk scarf painting workshop #2 / inspiration

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I haven’t mastered it yet, but this is FUN! I’ll take the class again. The teacher, Meryl Ann is a great help and showed me how to correct a mistake.

The oil paint sticks work nicely on silk. The paint doesn’t affect the drape of the fabric. They cost around $10 each color, so it’s worth the class just for that one reason. She has a lot of colors. But I made a mess of it and you can’t lift the color off if you put it in the wrong place or smear it. The thing to do is cover it with another design, then the mistake isn’t noticeable.IMG_2155

This photo looks a little out of focus, but I’m not a real photographer, so I don’t care.

Now I want to make my own templates. I have some good ideas. There’s a product like glue you can use to draw on a piece of cardboard to make your own template.

Also, the ladies in the class are very supportive of each other. It’s nice to hang around with other artists because art is mostly a solitary activity and this is getting me in friendly company.

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sand sculptures from the Neptune Festival

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This one won two first prizes. It’s called “Worshippers of the Point” by Karlise Ile from Latvia.IMG_2113

In this photo you can see the little worshippers and one is going up the ramp to the goddess.IMG_2115

This one is a team effort by Sue McGrew and Kirk Rademaker  from Washington and California titled “Blackberry Blossom”. How did they do that multi layered intricate carving? IMG_2121

This is the other side of Blackberry Blossom. IMG_2116

This one is titled “150 % Organic” by Jakob Zimacek  and Jan Zelinka from the Czech Republic. It looks like the broccoli is going to eat the people.IMG_2117

This one is “Emerge” by Jonathan Bouchard and Jacinthe Trudel from Canada.IMG_2120

The other side of Emerge.

This is only a few of my favorites. They have 22 in all. What an inspiration! I always wished I could do sand castles like that!

Crab bag

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What was your first impression of this painting?

(a) Oh no! That finger could get a nasty pinch!

(b) This way to the crab.

(c) That artist picks crabs.

(d) God created crabs.

(e) other

My working title was god created crabs but this is one of those paintings better left untitled because it’s open for interpretation.

A long time ago I saw an unforgettable mural. I thought it was brilliant! It was at Colonial Beach VA. It was the hand of God as it looks on the Sistine Chapel pointing at a crab. The hand of God is easily recognizable as you remember it reaching to Adam. When I went back another time that building was gone along with the mural.

I looked up the fresco and all I could get was a tiny picture to work from. I thought it was too small for me to copy and I’d rather draw a hand myself than copy or trace the hand of God, which would be difficult anyway. So, that’s my hand. It doesn’t look strong enough to be the hand of God. I wondered if art viewers would make the connection.IMG_2107

It wasn’t easy sketching my hand. It kept moving. I worked on this sketch for around 2 hours but I took a couple breaks.

To get my sketch of the crab, I looked up Blue crabs and then tried to sketch it from memory. They’re always steamed when I see them and they’re red all over. I decided they look cute still alive and standing up, so my painting isn’t like the mural either with the hand or the crab’s pose. Lucky for me I had some practice sketching live ghost crabs a couple weeks ago.

Yes, it’s true. The Chesapeake Bay Blue Crab is the tastiest kind of crab in the world. I could pick for hours and eat my fill then pick more for people who don’t like to pick so they can have crab cakes. yummy

The side straps the bag was made with are sewed into the seam at the bottom. They’re made of some kind of black twisted polyester strings. I have another bag with similar cords for strings and sometimes they hurt my hands. On this bag, the cord was fraying out of the seam. I had to make it stronger and I wanted to cover the strings in some fabric that would be softer than those rough black strings. So, I used this little scrap of fabric that was left over from the quilt project, because it’s a good color match.

I’ll use this bag to carry my sketch book, water bottle and pencil box when I go out to draw.

Look what I bought!

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Normally I pooh pooh the zodiac because they often describe Capricorns as social climbers and I have no interest in society, but once I read that Capricorns can have a second childhood and I thought that sounds like fun. I’ll do it.

When I was a kid I had a hand me down bike that was my brothers news paper delivery bike. It had coaster breaks and no gears. I was all over town on it. This is the most popular kind of bike at Virginia Beach because who needs gears on flat land?

I should have bought some training wheels. (nah) It’s been a long time since I was on a bike, but they say you never forget how to ride. I did ok going around the parking lot at the bike shop but when I took it on the gravel road at Back Bay I couldn’t control  it. I was all over the place on the bumpy road. Luckily, there wasn’t a lot of people that afternoon and when a car or hikers or other bikers came down my path I stopped so I wouldn’t cause an accident with my zig zagging. I rode about 2.5 miles in then turned around and on the way back out I did a little better steering. Before I went home I stopped back in at Conte’s where I bought it and asked the helpful sales guy to adjust the handle bars down a little cause I’m kind of short. Maybe that will make it a little easier next time I go out.

It looks like they’re calling for more hot weather and chance of rain this week, but next Thurs. it’s supposed to cool down again, and after Labor Day it will be less crowded so I’ll get in some riding practice in Sept.

My goal is to go to the end of the Back Bay road to False Cape. I’ve never seen False Cape. They have already closed the one side of Back Bay for the migrating birds. They could have left the trail open until the birds get here, but oh well. I hope they let the other trail open all year and I also hope I will be able to see the Snow Geese and Tundra Swans because they are so beautiful. And I will eventually capture the beauty of Back Bay in drawings and paintings.

 

Lotuses / oil / some tips on composition I remember from art school

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They said the mind seeks balance but we shouldn’t make a balanced composition because when the viewer’s eye sees balance it’s instantly bored and moves on to the next thing.

The way to create imbalance is with focal points. An odd number of focal points is more interesting than an even number because the viewer’s eye will keep going around the canvas. If there’s only one focal point the viewer’s eye will go to it and stop right there. Also, don’t put a focal point dead center on the canvas. That makes a static composition.

Focal points can be created in different ways by using contrast such as complimentary colors or value contrasts, or by making sharp detail on an otherwise blurry painting.

I find composition to be a difficult part of painting and cutting my shapes out of paper and arranging them like Matisse helped me plan this painting. I’m getting a lot of inspiring ideas from Matisse this summer.

About this painting : The path through the Japanese garden is too narrow for me to stand up my easel. I’d have been blocking the other visitors so I took a few pastels and did my sketches on my small sketchbook because I don’t need my easel to hold it and I can easily back out of the way if people want to walk through. I did the painting at home using Matisse’s method of taping my paintbrush onto a yardstick and standing back from the canvas to paint. I’ve tried the brush on a stick method a few times and it still seems awkward. It’s hard to control the brush. I have to hover the brush over the canvas and when I make contact with the canvas in the right general area I want to paint, I kind of roll it. After I get the general shape I’m trying to do, I can get some brush strokes on it. I want to keep practicing this brush on a stick thing. Maybe it will get easier if I practice.

background for painting of lotuses / stealing ideas from Matisse

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The paint is thick so I’ll have to wait till later this week to paint the flowers. I’m not sure what Matisse’s oil painting technique was. He liked to put his paintbrush on the end of a long pole and stand way back from his canvas so I’m practicing that. It’s hard to control the brush. I think the practice is supposed to make the artist “loosen up”.

The other times I tried to paint with my brush on a yardstick I didn’t use medium. I painted on a dry tinted canvas and I’m not used to the brush having so much drag on the canvas. That, plus the brush on a stick made it a strange experience. I guessed Matisse probably didn’t paint in the couch like I was taught to do, so I didn’t use my Maroget medium. Painting in the couch is when you paint a thin layer of medium on the dry canvas and paint your colors on top of the medium. It makes a slick surface for your brush and it’s easy to use glazes or paint with thick texture. This time I decided to use my Maroget medium and paint in the couch to make it a little easier to control my brush on a stick. To use medium or not to use medium, that is the question.

I doubt if I’ll be able to stay true to any one style. There’s so many that I like and I only steal the good ideas. Plus, I don’t have all the info on Matisse’s technique. It doesn’t matter. Rules don’t apply to me.IMG_2090

These are my sketches for the lotus painting. The eight smaller papers are my pastel sketches from the Japanese garden at Norfolk botanical where I hung around on eight different days for a couple hours. The three larger papers are my enlargements of my leaf sketches done by taping a sharpie on a yardstick like Matisse. You can see my scribbles where the sharpie went off on it’s own.

Then I cut out the leaf shapes and arranged them on my canvas different ways to decide the composition. That’s something Matisse enjoyed doing. He cut shapes out of colored paper and arranged them. The arranging part is where I got hung up for a while.

I have to sketch my flowers again on tracing paper and figure out how many I can fit on the painting. I don’t want to crowd them because they’re not crowded in nature. Maybe only three on my 18 x 24 canvas. I did a lot of sketches I won’t use and will never frame but that’s ok. It isn’t about the finished piece, it’s about the process. The questions answered, the new experience, the practice. Know what I mean?

pastel studies of lotus flowers

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The weather was so nice this morning. I stayed in the garden for a couple hours and wasn’t even hot!

I want to do one more sketch in plein air then I can paint at home. I’m getting set up to try again painting with my brush taped to a yardstick like Matisse. First I need to do charcoal sketches of my flowers and leaves larger with my charcoal on a stick. After I get some larger looser sketches I’ll be able to plan a composition of flowers, buds and leaves.IMG_2088

This lotus is wilting. They move a lot in the wind and sun. They’re never the same from one day to the next.

Diana Fauve / oil

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It seems a little ironic that my first subject to try fauvism is Diana because she’s the goddess of the hunt and fauve means wild animal.

Matisse said you should use color to express emotion and I thought he!!, I’m not emotional. Then I remembered the plaque at the museum said Diana represents the feminine ideals of independence and chastity so I thought about those things when I was working on it and picked colors I like to work with.IMG_2078

Yesterday when I got home from sketching at the museum I knew my sketch wasn’t right. I wanted to correct it but not go back to the museum so I taped my sketch to the wall and taped a piece of charcoal to a yardstick so I could stand back and do it again. The first try I taped a sharpie to the yardstick and that sketch looked real bad. Almost human. So I tried charcoal and got this sketch which looked better than the sketch from the museum. You can see places where my charcoal on a stick went somewhere on it’s own.

I tried two more but this one was the best so I used it for my painting. I’ll do the charcoal on a stick practice again. I’m pretty sure Matisse did it thousands of times. It’s good to stand back from what you’re working on and you can’t really focus on any certain little thing too well. It seems like you have to draw a bunch of lines and pick the one you want. IMG_2081.jpg

Here’s a few fauve portraits for you. The one on the left is Matisse, Madame Matisse. Then portrait of Matisse by Andre Derain. Then portrait of Derain by Maurice Vlaminck. On the right is portrait of Vlaminck bu Andre Derain.

It looks like your sketch doesn’t have to be 100% accurate. That’s a nice thing about fauvism. I don’t know if mine fits in with this fauvism thing but it was kind of fun and easy to do. I’ll probably do another one from a marble bust.

An interesting story about Matisse is that he cofounded an art school with some other artists but he didn’t want to be paid because he didn’t want it to be an obligation. He went on Sat. and did the critiques. He must have been a harsh critic because another teacher said it took him all week to build up the confidence of the students and on Sat. Matisse would destroy it.

On the first day of school the students were so excited to do fauvism they hung all their bright fauve paintings in the room and when Matisse came in he was mad and told them to take all that garbage down. Then he made them sketch busts! The students were not happy.

unfinished flowers / trying to paint like Matisse

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This is a strange experience, trying to paint like Matisse. Picture my paint brush taped to a yardstick and I’m standing back. My brush is out of control weaving around in the general area of my canvas. Finally I get it close to where I want it and roll it a little. I’m making blips and leaving them there. It’s an experiment and I don’t know if I’m getting it or not. But it’s a challenge too and after I finish this painting I want to try again. Have you ever tried painting with an extended brush? And if you have, do you have any tips or insights about it?

I’m breaking my training. No medium so far but I might use it on the next step. I used cadmium red and cadmium yellow for the first coat on the flowers because they’re more opaque colors. Normally I’d have started with a darker red. The paint went on thick and I usually do glazes. I’ll have to wait a few days for this to dry because I want to go over it one more time and try to do some shading and detail. The detail, if I can do it, will probably not hit the flowers where I want it to, so that will be a different thing for me.IMG_2076

This book by Time Life says Matisse has a piece of charcoal taped to bamboo. I’d like to use bamboo too. I wonder if they sell it or maybe I could find something else so I can get even farther back from my painting. I’m afraid to go out and pick some bamboo because there might be a spider in it! IMG_2074

This photo shows my sketches taped up next to my painting. I traced my sketches and rearranged them on the canvas a few times to try to make a n interesting composition. Now I need them on the wall so I can see the flowers separately.

wind surfer on the bay / charcoal

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I went to First Landing State Park to sketch on the beach and saw this guy learning how to wind surf. He was going back and forth in the shallow water close to shore flipping the sail back and stepping over the lower corner of it, so first he was facing the shore then he was facing open water. A few times he tipped over and went in the drink. As he was moving around a lot, I tried to remember the pose, sketch a little and wait for him to go back to a similar pose.

Now I want to enlarge it to around six feet and make a stencil like Banksy and spray paint it on a building. Doesn’t that sound like fun? I could rebrand myself and do graffiti. I could call myself “Momsy” hahahahahah . nah.

As an artist, I get a lot of brilliant ideas that I never do. 😉