Intuitive art is seamlessly created. It begins with a moment of inception, when something is seen, as if for the very first time and my mind takes a snapshot. It could be as simple as a flight of stairs that lead into an old brick building, or looking at an ice cream truck. Ordinary, every […]
It’s a water tower. Interesting info that was new to me has recently been disclosed by my daughter.
I’m planning an art project which will be a pastel still life featuring representations of celestial bodies and I was talking to her about how to represent the moon.
I drove past this a lot of times on my way to Atlanta, GA. and never realized, people call it the Moon over Gaffney. It’s funny. Millenials love to use emojis and the peach emoji represents a butt. A butt represents the moon. So people driving past the giant peach thought of a giant butt. It has been repainted.
One time I took Amtrak to Texas when my sister lived there and as the train was speeding through Georgia and I was staring out the window, I saw a bunch of bare butts on the hill next to the tracks. Some kids were “mooning” the train. I’ll never forget it. I was traveling alone and sitting there cracking up. I stood up to see if anyone else in my train car saw the kids mooning the train but no one else was laughing, so maybe they didn’t see the moons. We passed it so fast.
The giant peach goes to show how public art can mean different things to different people. I decided to draw a peach in my still life. Not every one will get the connection.
This project might take some time. It’s too hot outside for me to enjoy drawing in plein air. I’m only now in the planning stage of my next art project, and I like taking my sweet time doing art, which is not the modern way of doing art. The modern way is to make it look spontaneous. I refuse to conform to that nonsensical attitude. I’ll show my progress on the still life as soon as I get something down on paper. Meanwhile, here’s an inspiration, the giant peach / moon.
This is a classical theme explored by a lot of great artists. It tells the story of the Greek myth that lead to the Trojan war. Paris got roped into judging a beauty contest between the goddesses. I forget all the details, but one goddess offered him wealth if he named her the most beautiful. Then another goddess offered him wisdom. Then Venus offered him the love of the most beautiful woman in the world and he gave her the apple which was the prize. It happened that the most beautiful woman, Helen, was married to a king and she ran off with Paris. They made war over it. The gods and goddesses were all playing around with the mortals and taking sides in the war which made it much worse.
I’d also like to illustrate this story some day. If I could paint it I’d like to have three little girls having a tea party under a weeping cherry tree. They’re playing dress up and all wearing sheets wrapped like togas with wreaths of flowers in their hair. One girl could have her favorite books on the table with her hand on them. Another girl could have her jewelry box open and holding up some sparkly gems. The girl playing Venus would be holding her toga up which is falling down and reaching out for the apple. Paris could be leaning against the tree.
I had Chinese food the other day and my fortune cookie said “Your best work is yet to come.” This judgement of Paris inspiration has been in the back of my mind for so many years. I think I can do it. I just need some young models.
Meanwhile, I’ll keep practicing with other drawing and painting projects. I’m still healthy, there’s no hurry. I’ll do it before I die.
Bonus photo , daffodils. Looks like it might be an early spring here. I’m going back this week to sketch a Magnolia branch so I can use those studies of magnolia flowers I did last year in a finished pastel drawing.
The legos are making me want to buy a set. What a fun inspiration for kids of all ages!
This time I wanted to let the horizon line bleed. It was out of control because of the paper warping and I let it go. For a second I considered trying to stop it, then I said, let it bleed.
It was fun watercolor practice. I think I’ll do another horse. There are so many possibilities with how to go about watercolor, I’m just kind of playing around. Play is a good way to learn.
I have a song stuck in my head. A few days ago I watched” Bohemian Rhapsody” on HBO. It was good. I love Queen, and of course, Freddy Mercury. The movie had a short clip from the” I Want To Break Free” video where they’re dressed up in drag and Freddy comes in pushing a vacuum cleaner. I remember when it was on MTV. I thought it was brilliant and I loved the song. So I had to look it up on Spotify to get my fix. I Want To Break Free might be my favorite Queen song. Didn’t Freddy have an amazing voice? What a great inspiration he was.
ok that was fun. I had an inspiration to draw myself with white and silver oil paint sticks on watercolor paper then use the same blue watercolor all over top of the paint sticks to see if I could make a transparent effect. The oil paint sticks resist the watercolor. I hope it looks ghostly. If it’s working I might use the effect again some time.
As I was doing this, I wondered if there’s a face morphing program that an artist could use to make a ghostly look. I saw an app that could put your face on a hot dog! It was a scream! I think I remember the beginning of face morph programming. Was it when Michael Jackson did his video where he sang, doesn’t matter if you’re black or white? He had good looking people of different races and sexes blending into each other. Now you can do it too. Those guys who code computers have to be geniuses.
Do computer programs have an imagination? Would they give you a ghost if they weren’t programmed to have a ghost as an option? I think they are limited to what the programmer could put in which isn’t the whole brain of an artist. They have a limited number of choices to work with for the creative process, where my brain has limited experience, but more than an app. As always, feel free to opine.
This flower is too sexy for my blog. Too sexy for my blog. Too sexy OMG.
Oh well, I draws em like I sees em.
Inspiration. Where does it come from? I can only talk from my own experience here, so feel free to opine, as always.
I think it comes from outside myself. It’s nature or other art, or a good teacher, or music, literature, everywhere you see something that grabs you. When I was young and worked full time and exercised every day and had a house, husband and kid, I wasn’t into drawing and painting. I still had a lot of ideas but when you’re young and you have a lot of obligations and distractions it’s easy to put art on a back burner. I always knew if I lived long enough a time would come when I could concentrate on art. To me art and craft are the same thing. Back then I was inspired to take a pottery class or two. I was inspired to make gingerbread houses and carve pumpkins among other things. Is the inspiration to sew or cook something special less than the inspiration to paint? I say it’s all the same. If I don’t feel like painting it’s because I’m on something else.
I had a lot of stress back in those days but I don’t think stress kills inspiration in my case. It’s that there’s only 24 hours in a day and I like to sleep too. There were a few years when my mind was in a turmoil. Art gave me the chance to” live in the moment”. It’s a good break for your mind if you’re under stress. I think all that advise you read about living in the moment and giving up the past, whatever is eating you, is too idealistic. It’s not like you have switches in your brain where you can just turn off thinking about that bad thing. When you can spend a lot of time alone you have to go back over it again and again until you figure it out. Then you can get some peace of mind. There’s a lesson to be learned from whatever your mind is fixated on. You have to face it. Masking the problem with pills won’t stop it from coming back. Plus the meds could suck the spirit out of your work, if you’re an artist, by numbing your brain.
The main thing about inspiration is that it requires time alone to work for me. It helps to eliminate some things from your life if you’re a very busy person.
About this drawing: It was so windy that flower was blowing all over the place. I drew a moving target. It was real good practice because after drawing so many magnolias I had to work faster and observe then sketch and observe again when the flower blew back. I had to work faster and it wasn’t too bad because charcoal doesn’t show up on this paper anyway, so, just skip it. With flowers, if you get it wrong no one knows.
These flowers are so big when they open that only one will fit on this size sketchbook paper. If the weather holds up I’ll go back with more paper next time.
If I do a painting of this tree I’ll only do a few branches not the whole tree. Maybe next year. I’ll put a piece of glassine paper over this sketch to save it. Most of the time I just put the sketch back in my sketchbook and they get smeared.
There’s also some lichens I want to sketch before it gets crowded at Seashore St. Park. I love their texture.
And I have a great plan to produce a video of a conceptual art piece on the beach. It’s still too cold for that but I’m excited about this movie I want to make. It’s a secret. You will freak out. My daughter said she’ll help me with it.
I drew this much larger than life so I could do the detail of the red veins in the petals but it’s showing up on my computer screen close to the actual size of the orchid.
The flowers are oil paint sticks and the background and the yellow inside the petals is watercolor. I also used my yellow paint stick in the petals.
This is my charcoal sketch from the day before. The bud opened up a lot in one day. I erased this sketch when I went over it with the paint sticks, so I redrew the flower on the left using the paint sticks. I didn’t need to do it again with charcoal because it’s easier the second time.
There are a few more orchids I’d like to draw. I’m not sure if I’ll do it this year or wait till next year because one lady working in there said, “Oh, you’re back.” She didn’t sound happy about it and I ignored her, but now I feel like I should try to find times when she’s not there if I draw in the greenhouse again.
I love gardeners despite that important lady. Gardeners grow my inspiration.
I haven’t mastered it yet, but this is FUN! I’ll take the class again. The teacher, Meryl Ann is a great help and showed me how to correct a mistake.
The oil paint sticks work nicely on silk. The paint doesn’t affect the drape of the fabric. They cost around $10 each color, so it’s worth the class just for that one reason. She has a lot of colors. But I made a mess of it and you can’t lift the color off if you put it in the wrong place or smear it. The thing to do is cover it with another design, then the mistake isn’t noticeable.
This photo looks a little out of focus, but I’m not a real photographer, so I don’t care.
Now I want to make my own templates. I have some good ideas. There’s a product like glue you can use to draw on a piece of cardboard to make your own template.
Also, the ladies in the class are very supportive of each other. It’s nice to hang around with other artists because art is mostly a solitary activity and this is getting me in friendly company.