Tag Archives: inspiration

Blue Horse, Red Sky, Yellow Grass watercolor

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This time I wanted to let the horizon line bleed. It was out of control because of the paper warping and I let it go. For a second I considered trying to stop it, then I said, let it bleed.

It was fun watercolor practice. I think I’ll do another horse. There are so many possibilities with how to go about watercolor, I’m just kind of playing around. Play is a good way to learn.

I have a song stuck in my head. A few days ago I watched” Bohemian Rhapsody” on HBO. It was good. I love Queen, and of course, Freddy Mercury. The movie had a short clip from the” I Want To Break Free” video where they’re dressed up in drag and Freddy comes in pushing a vacuum cleaner. I remember when it was on MTV. I thought it was brilliant and I loved the song. So I had to look it up on Spotify to get my fix. I Want To Break Free might be my favorite Queen song. Didn’t Freddy have an amazing voice? What a great inspiration he was.

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self portrait as ghost / mixed media

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ok that was fun. I  had an inspiration to draw myself with white and silver oil paint sticks on watercolor paper then use the same blue watercolor all over top of the paint sticks to see if I could make a transparent effect. The oil paint sticks resist the watercolor. I hope it looks ghostly. If it’s working I might use the effect again some time.

As I was doing this, I wondered if there’s a face morphing program that an artist could use to make a ghostly look. I saw an app that could put your face on a hot dog! It was a scream! I think I remember the beginning of face morph programming. Was it when Michael Jackson did his video where he sang, doesn’t matter if you’re black or white? He had good looking people of different races and sexes blending into each other. Now you can do it too. Those guys who code computers have to be geniuses.

Do computer programs have an imagination? Would they give you a ghost if they weren’t programmed to have a ghost as an option? I think they are limited to what the programmer could put in which isn’t the whole brain of an artist. They have a limited number of choices to work with for the creative process, where my brain has limited experience, but more than an app. As always, feel free to opine.

Magnolia in the Wind / with some thoughts about inspiration

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This flower is too sexy for my blog. Too sexy for my blog.  Too sexy OMG.

Oh well, I draws em like I sees em.

Inspiration. Where does it come from? I can only talk from my own experience here, so feel free to opine, as always.

I think it comes from outside myself. It’s nature or other art, or a good teacher, or music, literature, everywhere you see something that grabs you. When I was young and worked full time and exercised every day and had a house, husband and kid, I wasn’t into drawing and painting. I still had a lot of ideas but when you’re young and you have a lot of obligations and distractions it’s easy to put art on a back burner. I always knew if I lived long enough a time would come when I could concentrate on art. To me art and craft are the same thing. Back then I was inspired to take a pottery class or two. I was inspired to make gingerbread houses and carve pumpkins among other things. Is the inspiration to sew or cook something special less than the inspiration to paint? I say it’s all the same. If I don’t feel like painting it’s because I’m on something else.

I had a lot of stress back in those days but I don’t think stress kills inspiration in my case. It’s that there’s only 24 hours in a day and I like to sleep too. There were a few years when my mind was in a turmoil. Art gave me the chance to” live in the moment”. It’s a good break for your mind if you’re under stress. I think all that advise you read about living in the moment and giving up the past, whatever is eating you, is too idealistic. It’s not like you have switches in your brain where you can just turn off thinking about that bad thing. When you can spend a lot of time alone you have to go back over it again and again until you figure it out. Then you can get some peace of mind. There’s a lesson to be learned from whatever your mind is fixated on. You have to face it. Masking the problem with pills won’t stop it from coming back. Plus the meds could suck the spirit out of your work, if you’re an artist, by numbing your brain.

The main thing about inspiration is that it requires time alone to work for me. It helps to eliminate some things from your life if you’re a very busy person.

About this drawing: It was so windy that flower was blowing all over the place. I drew a moving target. It was real good practice because after drawing so many magnolias I had to work faster and observe then sketch and observe again when the flower blew back. I had to work faster and it wasn’t too bad because charcoal doesn’t show up on this paper anyway, so, just skip it. With flowers, if you get it wrong no one knows.

 

Magnolias / pastel

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These flowers are so big when they open that only one will fit on this size sketchbook paper. If the weather holds up I’ll go back with more paper next time.

If I do a painting of this tree I’ll only do a few branches not the whole tree. Maybe next year. I’ll put a piece of glassine paper over this sketch to save it. Most of the time I just put the sketch back in my sketchbook and they get smeared.

There’s also some lichens I want to sketch before it gets crowded at Seashore St. Park. I love their texture.

And I have a great plan to produce a video of a conceptual art piece on the beach. It’s still too cold for that but I’m excited about this movie I want to make. It’s a secret. You will freak out. My daughter said she’ll help me with it.

Orchid with buds / mixed media

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I drew this much larger than life so I could do the detail of the red veins in the petals but it’s showing up on my computer screen close to the actual size of the orchid.

The flowers are oil paint sticks and the background and the yellow inside the petals is watercolor. I also used my yellow paint stick in the petals.IMG_2202

This is my charcoal sketch from the day before. The bud opened up a lot in one day. I erased this sketch when I went over it with the paint sticks, so I redrew the flower on the left using the paint sticks. I didn’t need to do it again with charcoal because it’s easier the second time.

There are a few more orchids I’d like to draw. I’m not sure if I’ll do it this year or wait till next year because one lady working in there said, “Oh, you’re back.” She didn’t sound happy about it and I ignored her, but now I feel like I should try to find times when she’s not there if I draw in the greenhouse again.

I love gardeners despite that important lady. Gardeners grow my inspiration.

silk scarf painting workshop #2 / inspiration

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I haven’t mastered it yet, but this is FUN! I’ll take the class again. The teacher, Meryl Ann is a great help and showed me how to correct a mistake.

The oil paint sticks work nicely on silk. The paint doesn’t affect the drape of the fabric. They cost around $10 each color, so it’s worth the class just for that one reason. She has a lot of colors. But I made a mess of it and you can’t lift the color off if you put it in the wrong place or smear it. The thing to do is cover it with another design, then the mistake isn’t noticeable.IMG_2155

This photo looks a little out of focus, but I’m not a real photographer, so I don’t care.

Now I want to make my own templates. I have some good ideas. There’s a product like glue you can use to draw on a piece of cardboard to make your own template.

Also, the ladies in the class are very supportive of each other. It’s nice to hang around with other artists because art is mostly a solitary activity and this is getting me in friendly company.

sand sculptures from the Neptune Festival

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This one won two first prizes. It’s called “Worshippers of the Point” by Karlise Ile from Latvia.IMG_2113

In this photo you can see the little worshippers and one is going up the ramp to the goddess.IMG_2115

This one is a team effort by Sue McGrew and Kirk Rademaker  from Washington and California titled “Blackberry Blossom”. How did they do that multi layered intricate carving? IMG_2121

This is the other side of Blackberry Blossom. IMG_2116

This one is titled “150 % Organic” by Jakob Zimacek  and Jan Zelinka from the Czech Republic. It looks like the broccoli is going to eat the people.IMG_2117

This one is “Emerge” by Jonathan Bouchard and Jacinthe Trudel from Canada.IMG_2120

The other side of Emerge.

This is only a few of my favorites. They have 22 in all. What an inspiration! I always wished I could do sand castles like that!

Crab bag

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What was your first impression of this painting?

(a) Oh no! That finger could get a nasty pinch!

(b) This way to the crab.

(c) That artist picks crabs.

(d) God created crabs.

(e) other

My working title was god created crabs but this is one of those paintings better left untitled because it’s open for interpretation.

A long time ago I saw an unforgettable mural. I thought it was brilliant! It was at Colonial Beach VA. It was the hand of God as it looks on the Sistine Chapel pointing at a crab. The hand of God is easily recognizable as you remember it reaching to Adam. When I went back another time that building was gone along with the mural.

I looked up the fresco and all I could get was a tiny picture to work from. I thought it was too small for me to copy and I’d rather draw a hand myself than copy or trace the hand of God, which would be difficult anyway. So, that’s my hand. It doesn’t look strong enough to be the hand of God. I wondered if art viewers would make the connection.IMG_2107

It wasn’t easy sketching my hand. It kept moving. I worked on this sketch for around 2 hours but I took a couple breaks.

To get my sketch of the crab, I looked up Blue crabs and then tried to sketch it from memory. They’re always steamed when I see them and they’re red all over. I decided they look cute still alive and standing up, so my painting isn’t like the mural either with the hand or the crab’s pose. Lucky for me I had some practice sketching live ghost crabs a couple weeks ago.

Yes, it’s true. The Chesapeake Bay Blue Crab is the tastiest kind of crab in the world. I could pick for hours and eat my fill then pick more for people who don’t like to pick so they can have crab cakes. yummy

The side straps the bag was made with are sewed into the seam at the bottom. They’re made of some kind of black twisted polyester strings. I have another bag with similar cords for strings and sometimes they hurt my hands. On this bag, the cord was fraying out of the seam. I had to make it stronger and I wanted to cover the strings in some fabric that would be softer than those rough black strings. So, I used this little scrap of fabric that was left over from the quilt project, because it’s a good color match.

I’ll use this bag to carry my sketch book, water bottle and pencil box when I go out to draw.

Look what I bought!

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Normally I pooh pooh the zodiac because they often describe Capricorns as social climbers and I have no interest in society, but once I read that Capricorns can have a second childhood and I thought that sounds like fun. I’ll do it.

When I was a kid I had a hand me down bike that was my brothers news paper delivery bike. It had coaster breaks and no gears. I was all over town on it. This is the most popular kind of bike at Virginia Beach because who needs gears on flat land?

I should have bought some training wheels. (nah) It’s been a long time since I was on a bike, but they say you never forget how to ride. I did ok going around the parking lot at the bike shop but when I took it on the gravel road at Back Bay I couldn’t control  it. I was all over the place on the bumpy road. Luckily, there wasn’t a lot of people that afternoon and when a car or hikers or other bikers came down my path I stopped so I wouldn’t cause an accident with my zig zagging. I rode about 2.5 miles in then turned around and on the way back out I did a little better steering. Before I went home I stopped back in at Conte’s where I bought it and asked the helpful sales guy to adjust the handle bars down a little cause I’m kind of short. Maybe that will make it a little easier next time I go out.

It looks like they’re calling for more hot weather and chance of rain this week, but next Thurs. it’s supposed to cool down again, and after Labor Day it will be less crowded so I’ll get in some riding practice in Sept.

My goal is to go to the end of the Back Bay road to False Cape. I’ve never seen False Cape. They have already closed the one side of Back Bay for the migrating birds. They could have left the trail open until the birds get here, but oh well. I hope they let the other trail open all year and I also hope I will be able to see the Snow Geese and Tundra Swans because they are so beautiful. And I will eventually capture the beauty of Back Bay in drawings and paintings.

 

Lotuses / oil / some tips on composition I remember from art school

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They said the mind seeks balance but we shouldn’t make a balanced composition because when the viewer’s eye sees balance it’s instantly bored and moves on to the next thing.

The way to create imbalance is with focal points. An odd number of focal points is more interesting than an even number because the viewer’s eye will keep going around the canvas. If there’s only one focal point the viewer’s eye will go to it and stop right there. Also, don’t put a focal point dead center on the canvas. That makes a static composition.

Focal points can be created in different ways by using contrast such as complimentary colors or value contrasts, or by making sharp detail on an otherwise blurry painting.

I find composition to be a difficult part of painting and cutting my shapes out of paper and arranging them like Matisse helped me plan this painting. I’m getting a lot of inspiring ideas from Matisse this summer.

About this painting : The path through the Japanese garden is too narrow for me to stand up my easel. I’d have been blocking the other visitors so I took a few pastels and did my sketches on my small sketchbook because I don’t need my easel to hold it and I can easily back out of the way if people want to walk through. I did the painting at home using Matisse’s method of taping my paintbrush onto a yardstick and standing back from the canvas to paint. I’ve tried the brush on a stick method a few times and it still seems awkward. It’s hard to control the brush. I have to hover the brush over the canvas and when I make contact with the canvas in the right general area I want to paint, I kind of roll it. After I get the general shape I’m trying to do, I can get some brush strokes on it. I want to keep practicing this brush on a stick thing. Maybe it will get easier if I practice.