Tag Archives: Jerry’s Artarama

plein air painting from a couple years ago and scary thing that was a false alarm but weird

The painting is long to fit in the window at Jerry’s Artarama. They asked artists to paint on canvases to fit in the store windows to block the view of the merchandise racks from the outside of the store. This was in front of a rack of paper so I thought it would be safe because they’d have to move a lot of paper to take it out of the window. It was in the window for a couple years and I wanted to get it back and rework the water but didn’t ask because I knew it would be difficult to get it out of there.

So, today I went there to buy some things and my painting was replaced by a tiger. I asked where my painting was and the guys didn’t know. The girl that arranges the windows would be out for a couple days. I gave them my phone number but expressed my concern about it with out acting too alarmed because I’m really cool in weird situations, but I was afraid it was stolen. The manager didn’t even remember the painting and he worked there for a year!

He went around the whole place looking for it and finally spotted it in a window behind shopping carts. You could only see the sky. The rest was blocked. No one would ever notice it. I was so relieved to see it. I took it home, never to be on display again! They still have some empty windows but instead they hid it.

Every time you put a painting out there you run the risk of losing it. Now, if I want to throw it away that’s one thing, but if it goes missing that would be kind of upsetting. I used to worry when entering shows in those huge sprawling non profits with back doors and no one’s watching that someone would walk out with one of mine. It did happen to a guy and the newspaper did a report on it. That artist said it was worth the loss for the publicity and sales he got afterwards but I know if it happens to me it wouldn’t make the news.

I wonder why the store didn’t just call me or email me and say it was time to pick it up? That I could understand. But hide it behind carts? Next to the front door where it was easy to slide out? Makes no sense. That also reminds me of the non profits because they liked to mainly reject my paintings but when they got hung they were in the hallway, or way up high, or next to the bathroom, or in a corner or some place I had to hunt for them, like behind a sculpture.

I’m really glad I got this one back.

It’s the view from the beach side at First Landing State Park looking out over the Chesapeake Bay at the bridge tunnel. This is a close up.

omg. I just looked at the back of the painting and someone had put a price on it of $40. This is looking more like a plan to rob me. That’s another weird thing because someone tried to rob me earlier this year and made off with a bunch of my art and I got it all back, except one thing I can remember which they didn’t return. That thing was a drying rack I made from stretcher strips and button twine. It’s possible they kept more of my art and I just don’t remember what I had because it was all my good stuff from so many years, since I regularly cull my collection and toss the old stuff I don’t want.

Now I feel like someone up there is watching out for me because I only went to the store because a fellow blogger told me to buy a different kind of palette knife.

So, Thanks to God!

Norfolk Port Authority / oil / feat oysters

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Does this look convincing to you? I can’t tell. I’ve looked at it too long, and I had a devil of a time trying to figure out how to paint this.  I was never there when it looked like this. I winged it on the sky, by observing bright sunsets from my balcony and mixing colors. I went over my sky again and again until I thought it was ok. Then I had no idea how to paint the water. I can’t even remember how many layers of paint I totally wiped off because later I thought,” meh. that’s not good.” I sometimes waited for my paint to dry and started over. In all, I figure this took me about 2 months to paint, so considering how much paint and time is in it, if it doesn’t look good, it’s an epic failure. (no halfass failures for me)  But if it worked out, I finally did 2 things I’ve wanted to do for years, a panoramic view and a bright winter sky.

This painting is going to the window of Jerry’s Artarama when it dries. I love Jerry’s for giving the free space to me and other artists, and not taking a commission if there’s a sale. Thanks for supporting artists, Jerry.IMG_1976

When I mixed my colors I sat on this bulkhead at the Hermitage, where you can see this beautiful view of the Port Authority. All along it are tons of oysters. My daughter, Sarah told me the Chesapeake Bay Foundation gives baby oysters to people who live next to the water. They come on a clump in a mesh bag. You drop it in the water and they grow up. They are natures little water filters. Sarah doubted they would be good to eat, but she told me the water is much less polluted than it was 20 years ago, so maybe. But, I’ll buy my oysters at the store, because they look real sharp. If I wanted to climb down there and get some, it wouldn’t be easy, and probably verboten anyway.

I have a plan. / Port Authority Norfolk

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A couple days ago I bought some supplies at Jerry’s Artarama. They had a sign about putting your art in the store window, so I asked about it. They want to hide the back of the display racks facing out the windows, so they are making canvases in the sizes to fit the windows. You buy an odd size canvas from them, but they will put the painting in the window and not ask any commission if someone wants to buy it. I decided to give it a try. An artist has to take advantage of free space. I’m glad Jerry’s Artarama is doing it.

So I got this 19 x 38 canvas, and thought it might be fun to use it for a panoramic scene. The place that came to mind was the view from the Hermitage Museum in Norfolk. It’s the Port Authority all the way across the Elizabeth River.

Imagine the canvas covered by sky and river with a thin strip of land breaking it up far away. The strip of land has rigs they use to load and unload ships. They’re moving giant  ships in and out every day and they have huge stacks of cargo containers too. I’ll have to paint the rigs small because they’re far away, but they’re quite large constructions.  I might use my secret masking fluid on oil paint technique for this.

That’a my charcoal sketch taped to the canvas. Since I sketched it in plein air and it wasn’t too difficult to get my drawing close to natural visual perspective, I’m pretty sure I can make it work when I paint it.

We’ve had a few cloudy rainy days which is boring for your plein air artist because there’s no shadows. I have 2 other paintings planned, but it’s good for me to go out and sketch even if it is cloudy and chilly. They are predicting more of the same dreary weather for a couple days. As soon as the sun comes out I’m going to work on my painting at Pleasure House Point. I don’t care how cold it is or if it’s windy. I’m going out to paint.

When I was at the Hermitage doing this sketch it was kind of gray blue over there in the sky and water. It makes me feel like tinting this canvas with a peachy color because that’s the complimentary color of the cold steel gray I saw out there today. Won’t that be funny to paint this scene on a peach tinted canvas? Wouldn’t it be great if I could get the bright winter sunset colors in the sky and water? Maybe I could let some of the peach tint show through. I don’t know, it’s just an idea at this point.

It might take me a few weeks to finish this, because I’m going to wait for a real pretty winter sky after I get my land and rigs roughed in on the peach color.