This would be easy if I knew what I was doing. But it’s driving me insane!! The weather isn’t cooperating either, so it’s taking weeks just to make a little progress.
I thought about how to paint a big bright winter sky. Winter skies have the brightest colors of the year, I think, with the orange sunlight coming through the atmosphere on a long slant. From this view, the sun would set close to the center of my painting, which isn’t good. When I was in art school one of our teachers said, “Never paint a blazing sunset.” I’m not sure if he said that because a bright red sun is what they called “the red circle trick” at the Academy. It’s bad for a composition because the eye goes to the red circle and stops there. It makes a static composition. The eye doesn’t go around the painting to any other focal points. That’s how the stores get you to go to the sale items, by placing a red circle over them. Or maybe his objection to painting a blazing sunset was that it’s impossible to duplicate the beauty of the colors. Or maybe he thought it was a cliché, because I remember he said never paint a barn. He said barns are a cliche and it’s true. A lot of jurors will reject a barn painting no matter how beautiful the painting is, just because they’re tired of barns. I’ve painted barns anyway.
So, an afternoon sky is what I’m shooting for here, and I glazed over it on 3 or 4 different days, trying to make a good blend from orange to blue. Then if I see the kind of clouds I like, I’ll have a background of sky ready.
Meanwhile, one day when I had a glaze down on my sky, I sketched in the Port Authority with gray paint. It’s just a skinny strip of land going way out there with rigs far away and some closer. My paint lines weren’t straight or even enough since I did them freehand outside, but I planned to use masking fluid on this painting. When my gray paint was dry I went over the rigs with the masking fluid and sharpened up my lines. Then continued to do sky glazes on top of the masked off rigs.
This close up shows my layers of sky glazes on top of the masked off rigs and strip of land. I’d really like to take the masking fluid off it today because it’s raining and snowing here again. The paint is dry and I’m tired of waiting for nice clouds to add. After I take the masking fluid off, I’ll go over the rigs again. This masking fluid step, if it does work out, was to sharpen up my drawing a little, since it seems easier to paint a straight skinny line with masking fluid than with oil paint. I hope you can see what I’m trying to get with this experiment.
And I have another experiment started, which will be dry in a few days. I could call this sky finished. Forget about winter clouds. It would be great to finally finish it after looking at it unfinished for weeks and waiting for good weather, or for my paint to dry.
If you think you have the patience to try this technique, I’ll post instructions for masking fluid on oil paint soon. I’d like to see what another artist would do with it. But, waiting for oil paint to dry does take patience sometimes.