As I’m sketching the flowers, I pick up information that a photo won’t give you. It’s not always easy to see the petals as separate shapes. I’m sure a camera would blend them together. I might be the only one interested in drawing petals separately but it could help me decide which direction to drag my brush on the painting, where the edges are if I want to keep edges. I’ll probably simplify the painting but I need detailed drawings.
Another thing a photo won’t make you aware of is that the buds and flowers come in groups of three. The stems are in threes too. The stems don’t go straight vertical but have some curve. Some of the petals have smooth edges and some have zig zag edges.
Now I realize that other plein air artists don’t care about separate petals. They’d go to the garden and start right in with slapping down some paint and finish the painting in a day or maybe less. I need the sketching time to figure out a plan.
The more flowers I sketch the easier it gets. I might need more flower sketches but maybe these are enough.
The two big azalea bushes I was standing between are in a kind of U shape where I can step off the path and stand between the bushes to sketch. These are on the shady side. I looked at the sunny side of the bushes and the sun was too bright on my white paper. It was blinding! I use the white paper last because it’s not great for sketching in plein air. Also when looking at the side in the direct sun all the flowers were lit equally bright. When I sketched the shady side it was easier on the eyes. I didn’t feel like going back to the car for my sunglasses.
As I was standing there for around an hour and a half to fill each of these papers with flowers, some spotty light fell on a few flowers at a time and it was much nicer to see than the bright glare of direct light. I decided to do my painting with spotty light. I’ll have to fake it on the sunlight if I paint this at home, but that means I can put as much sunlight in as I want to, because if I go back to the garden to paint the flowers will be different and I don’t know exactly what time the sun fell on any flower to catch it at it’s best.
So, yeah, and hour and a half on each sketch paper. That means I have around six hours in it so far and haven’t started painting yet. That’s one reason I can’t get in with a plein air group. Also, I don’t want to pay to join a group, I mean $35 to get your name on an email list? But they don’t like this approach to painting. They don’t want to go back day after day and do a bunch of sketches. But it’s a whole different process and if I ever sell a painting I’ll ask a lot more for it than their fast one day paintings would go for. They want their art openings to be “cohesive” which means the artists must conform. If all the paintings for sale are asking $300 and someone enters a painting and they want $1000 for it, the juror would reject it because they don’t want an artist to think their painting is worth so much more that any of the others.
I traced my flowers from the sketch papers and cut them out to arrange them on the paper I tinted for this painting. This step will help me decide if I need to draw more flowers or if this is enough. I want to have some flowers in the background too. If I can come up with a good arrangement then I’ll try to decide how much sunlight to put into the painting and where. I decided I want the spotty light to make the composition more than the flower shapes. If I can make a good composition with the flowers and light, I hope the viewer’s eye will move around the whole painting.