High St. Rat 2010
It came from San Francisco. Brian Greif, an art collector saved it from a building being taken down. It’s on Victorian era redwood siding. You can find it at ODU’s Baron and Ellin Gordon Art Gallery.
Banksy said the reason he got famous is because he hid his identity. Isn’t that genius?! Way to play the art world, Banksy. And now he’s rich.
The thing about the art world is that it doesn’t matter if you’re great at what you do, or how inspired you are. The powers that be don’t even like innovation. Remember when the Impressionists got rejected from the shows? And now everyone loves the Impressionists. The elites in the art world only reacted after Impressionism was a big thing with the public. They never would have recognized the genius of the Impressionists on their own. They haven’t changed in the past 150 years. The art world higher powers are the same kind of narrow minded snobs as the ones that rejected Impressionism. They’ll fall for the cult of personality before skill every time. You need a gimmick or an outrageous personality to get noticed. This is one field where insanity can be to your advantage.
I love Banksy for playing the art world the way he does.
This flower is too sexy for my blog. Too sexy for my blog. Too sexy OMG.
Oh well, I draws em like I sees em.
Inspiration. Where does it come from? I can only talk from my own experience here, so feel free to opine, as always.
I think it comes from outside myself. It’s nature or other art, or a good teacher, or music, literature, everywhere you see something that grabs you. When I was young and worked full time and exercised every day and had a house, husband and kid, I wasn’t into drawing and painting. I still had a lot of ideas but when you’re young and you have a lot of obligations and distractions it’s easy to put art on a back burner. I always knew if I lived long enough a time would come when I could concentrate on art. To me art and craft are the same thing. Back then I was inspired to take a pottery class or two. I was inspired to make gingerbread houses and carve pumpkins among other things. Is the inspiration to sew or cook something special less than the inspiration to paint? I say it’s all the same. If I don’t feel like painting it’s because I’m on something else.
I had a lot of stress back in those days but I don’t think stress kills inspiration in my case. It’s that there’s only 24 hours in a day and I like to sleep too. There were a few years when my mind was in a turmoil. Art gave me the chance to” live in the moment”. It’s a good break for your mind if you’re under stress. I think all that advise you read about living in the moment and giving up the past, whatever is eating you, is too idealistic. It’s not like you have switches in your brain where you can just turn off thinking about that bad thing. When you can spend a lot of time alone you have to go back over it again and again until you figure it out. Then you can get some peace of mind. There’s a lesson to be learned from whatever your mind is fixated on. You have to face it. Masking the problem with pills won’t stop it from coming back. Plus the meds could suck the spirit out of your work, if you’re an artist, by numbing your brain.
The main thing about inspiration is that it requires time alone to work for me. It helps to eliminate some things from your life if you’re a very busy person.
About this drawing: It was so windy that flower was blowing all over the place. I drew a moving target. It was real good practice because after drawing so many magnolias I had to work faster and observe then sketch and observe again when the flower blew back. I had to work faster and it wasn’t too bad because charcoal doesn’t show up on this paper anyway, so, just skip it. With flowers, if you get it wrong no one knows.
These flowers are huge. I’m sketching them life size on 9 x 12″ paper and they’re running off the edges. When I do a painting of this next year I’ll have to paint them smaller but drawing large is easier than painting small. These are for practice.
Vine charcoal doesn’t work well on this dark paper so I have to skip that step and block in the general shapes with pastel and chalk. The more flowers I draw the easier it’s getting but these sketches still took around two hours each. For my painting I need about three times the number of magnolia studies I have. Then I can eliminate the ones I don’t like. The tree has some buds so I might be able to get a couple more sketches in before they all turn brown and fall off. I’ll have to go back next year and do more.
Spring has sprung around here.
Last time I saw this tree all the flowers turned yellow overnight. It still had a lot of buds. Now all the second buds are open and it looks like the cold didn’t damage them. The tree is more beautiful than before. I hope I can get more sketches before they wilt. But it’s pretty even when they get yellow.
My next apartment is on the other side of town from the botanical garden so I want to get flowers sketched until I move. Then I’ll be hanging around at the ocean front more. I’ll still go to the garden but not as often.
These flowers are so big when they open that only one will fit on this size sketchbook paper. If the weather holds up I’ll go back with more paper next time.
If I do a painting of this tree I’ll only do a few branches not the whole tree. Maybe next year. I’ll put a piece of glassine paper over this sketch to save it. Most of the time I just put the sketch back in my sketchbook and they get smeared.
There’s also some lichens I want to sketch before it gets crowded at Seashore St. Park. I love their texture.
And I have a great plan to produce a video of a conceptual art piece on the beach. It’s still too cold for that but I’m excited about this movie I want to make. It’s a secret. You will freak out. My daughter said she’ll help me with it.
Sketching is more important to me than painting at this point in time. In a few weeks I’ll be moved into my new apartment, then I’ll have time to start on a landscape painting. I have a lot of my things packed but if I keep making a little progress every day on that job it’ll be under control on moving day. I’ve moved so many times in the past 15 years that it’s no big deal anymore. In fact it makes me feel free to know if anything bugs me about the place I can leave. I don’t have too much stuff.
It’s great to get out to sketch even if it’s cloudy. And sketching regularly will make me a better painter, if what our teachers at YAA told us is true. It will take years, but you just have to keep at it even if you only have a couple hours to sketch some flowers.
These flowers change fast. I sat down for a few minutes and when I looked at my sketch again the petals had moved. At first they have a pale pink line and as soon as they open they start to yellow.
Next time it doesn’t rain I’ll try to sketch some purple magnolias.
I’m not crazy about the yellows I got with my oil paint sticks for this one. I hoped it would look yellower on a violet background. They’re still too green. I might try again with pastels next time it doesn’t rain. But I saw some other plants blooming that I also want to sketch so I’m not sure if I’ll continue sketching daffodils or just wait until next year and do a painting of them.
Today when I got back to my car in the parking lot at the botanical garden, I saw a squirrel sitting at my front tire with something big and white in its mouth. When I got in the car the squirrel ran over to the trees but came right back. I sat there for a few minutes getting my things together for my next stop and the squirrel came back to my car. I heard this scratching sound under my car and got out to look. The squirrel ran away but came back and started scratching again so I started the car and he only went about 15 ft. from the car then came back. I inched forward and saw him going to the trees. I wonder what he was stealing off my car. That was weird.
I was alone in the greenhouse on Saturday. It rained all day but it was nice to be there sketching. Then later a photographer came in and spoke to me. I asked him if this is a slipper orchid and he told me it’s a pitcher plant, which makes sense because the bottom center petal is pitcher shaped, but it doesn’t look like the other pitcher plants I sketched in the past.
I used oil paint sticks and watercolor.
The sun finally came out! YEA! I’m going back to work on my sketch of the daffodils later when it warms up a little.
I saw a bad art movie on Netflix, Velvet Buzzsaw. It’s about bad art first fascinating then KILLING art world elitists. Does the really bad art kill ordinary people too? I watched the whole movie, like you have to look at a car wreck.
Ships and boats are all around us here. I should get some practice drawing them. Yesterday I went over to Fort Norfolk to check it out and it was closed for Presidents’ Day, which I forgot about, but the guard at the gate told me I could park in their field on the outside of the fort to sketch. It was great. The ships are close because the river isn’t too wide there. It was sunny and not too cold and I had the place to myself. A lot of people could see me from the tall buildings all around but it was safe because the guard was probably watching me too. Since you have to show a photo ID to get into the fort it might be the safest place on the waterfront to sketch. I’ll get back over there again soon. It’s the oldest fort and they have guided tours.
The ships weren’t easy to draw. My sketch kept getting bigger as I was working on it which means it was out of my control. Control, sometimes you want it, sometimes you don’t. If I was always in control of my sketch that means I’ve mastered drawing. So, there’s still room for improvement. My ships aren’t in exact proportion either, maybe that’s not noticeable.
February’s not so bad around here, if you love orchids. The growers are showing off their finest ones in your nearest greenhouse. I spent a few peaceful hours sketching them at Norfolk Botanical Garden. It was nice to get out to draw on those rainy cloudy days.
I used my oil paint sticks for the flowers and watercolor for the background. That’s why my orchids have a sketchy look. It’s not easy to draw a sharp line with the oil paint sticks. And I was drawing on white watercolor paper with a white oil paint stick, so it was hard to see what it would look like with the background colored in. For the shadows on the orchids, I used a silver oil paint stick because it’s the only gray I have and I thought it would look too dark for shadows on white orchids. I went over the silver with white. I scraped it off with my palette knife and went over it with white again. After I put in the dark watercolors I thought the silver/gray looked ok.
First, I did a detailed sketch with charcoal. If you draw a line with an oil paint stick and it’s in the wrong place, you can’t erase it. This helped me to get the shapes and sizes of the orchid petals so that when I used the oil paint sticks There would be a better chance of my flowers fitting on the paper and coming out graceful like the orchids.
As I was going over this sketch with the oil paint sticks, I was erasing my charcoal. I could see enough to draw with my white and silver oil paint sticks, but I didn’t want my charcoal line to show through the paint stick lines. So, this sketch got erased during the process, and replaced with the looser sketchier version of the orchids shown above.
That was fun. I think I’ll go back and draw another type of orchid.