Tag Archives: Norfolk VA

magnolia study and plan

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It’s called a Todd Gresham Magnolia. This is my last study, time to start painting.IMG_2456

This is the whole plan taped to the wall. The magnolia pastels on the navy blue paper are life sized from last year. The pastel buds on the green paper are from yesterday and a few days ago. The big tree in charcoal on light blue paper is the background tree, a Southern magnolia. And the branch drawn in charcoal on tan paper is the branch of the Todd Gresham magnolia which is the main subject of the painting.

I can’t say for sure if it’s possible for art to be spontaneous or from the subconscious or accidental, all I know is that if I’m going to try to paint  something I like to have a plan worked out down to the details.

Now I feel like I’ve done the preliminary part. If I need more flowers I can turn these on their sides or upside down. But this might be enough sketches. It’s crazy how fast the flowers change. They move in every breeze and by the hour they open up more.  If I tried to start a flower one day and finish it the next with another coat of paint I’d never be able to find the same flower. This is why I couldn’t avoid doing the sketches. They’ll need two glazes on two different days.

I can work on this painting at home but I’ll probably take my canvas over to the garden and make corrections at some point. And I’ll have to mix my flower colors in Plein air because I didn’t have the right pastel colors. Even if you have a couple hundred pastels you still don’t have the exact color you want.

My computer was acting weird for a day or so. Flashing horizontal line were freaking me out, then it seemed to go away, but if I close my laptop they come back. If I let it open they’re not there. If I have to take this thing over to Best Buy and can’t look at WordPress, don’t worry. But maybe it’ll be ok now.

Magnolia buds opening / pastel studies

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The weather can change suddenly and dramatically around here this time of year. I have to adapt my Plein air painting plans to be prepared for anything. Last week we had some nice days, then rain, then torrential rain, then gale force wind on Fri. When it stopped raining I wanted to make some progress on my plan for the Magnolia painting but I couldn’t take my canvas out there, (it’s like trying to wrestle a sail in the wind) so I put my palette and paints and palette knife in my rolling Ikea cart and went to the garden to mix some colors for the underpainting for my background Southern Magnolia tree. The cart was no problem in the wind.

I was glad to get out and mix colors but didn’t start painting yet. I saw the buds are opening and thought, “Yikes! This could happen early this year!” What if the tree blooms and I haven’t finished the background?! The wind knocked down a lot of pink petals and unopened buds. You never know in Feb. We could get more freezing weather, or it could be like spring. The flowers could last weeks or only one week. Now I see more buds starting, so if the weather is good the tree could be in bloom for a whole month.

Either way, I decided to do some flower sketches to be on the safe side. I have a bunch of sketches from last year. Maybe tomorrow I can do a few more sketches of buds opening. Then if they’re gone before I get my background finished I can use my sketches to paint the flowers at home instead of in plein air.IMG_2453

This is how I arranged my palette. The colors at the top of the photo are for the southern Magnolia tree, trunk, branches and leaves. The colors on the left are for the other side of the tree, dark greenish black for leaves in the shade and lighter tan and light green for the spaces where you can see all the way through to the distant background. The light warm brown and dark brown lower in the photo are for the mulch under the tree, dark in the shadows and light where the sun shines. I put little pieces of plastic wrap over the paint to keep it workable in case it’s a few days till I get around to starting the painting.  Oil paint can stay good for weeks with plastic over it. Mixing my colors in advance is a necessary step in this process.

I like this large palette. It was meant for water soluble medium but I replaced the sponge that came in it with a piece of glass. I put duct tape on the back of the glass because it’s easier to see the colors and values I’m mixing on gray than it is to see colors on white background.  It has plenty of room for me to mix a lot of colors, then when I get them arranged around the sides I still have enough space in the center to thin the paint. This big palette fits nicely in my Ikea cart.

When I was in New Mexico at art camp the organizer talked about limiting the amount of supplies, colors of paint, etc. that he takes out to paint. I don’t take all my tubes of paint, but I can take much more out there because I’m not carrying it on my back like a regular plein air pochade box. The palette, brushes, easel, turpentine, paper towels, water bottle, etc, all fit in my Ikea cart.  I can go farther from my car with more gear and not get as tired. Plus, another thing I like about my get up is, my easel has spikes on the legs and the pochade boxes don’t have spikes which makes them more likely to blow down in the wind.  Pochade boxes have small palettes but most Plein air painters don’t mix up their colors in advance. They squirt out blobs of color and dip their brush in, mixing colors with their brushes instead of a palette knife. Mixing colors with a brush is a no no if you want to avoid muddy colors. Yeah, I don’t care if I’m not stylish with a pochade box. My Ikea cart and paint clothes make me look like a homeless woman.  hahaha I don’t think anyone else cares either.

 

Magnolia Branch w Buds / sketch

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One year I planned to do a painting of an early blooming Magnolia and cold weather killed the buds. The tree didn’t bloom at all. Last year in March I got a bunch of life size studies of the flowers. This year, if it works out, I’d like to either do a pastel or an oil painting. I’m not sure which. These flowers might not bloom for a few weeks but I don’t have a lot of  time to make decisions.

First decision- pastel or paint

If I do a pastel I should have my flowers planned ahead of time so I can do the background separately. If I do an oil painting I can start by  painting the background and paint the flowers on top in thicker paint and it will cover nicely. If I do a pastel I need to figure out exactly how big and where to put the flowers first because I won’t be able to cover or lift the background  pastel colors out enough for the flowers to be bright if drawn on top of the background.

If I do a pastel I can use a big sheet of the sanded paper and take less art supplies out with me after I decide on a few pastels. If I paint it I need to prime a canvas.

How many flowers will fit on a big piece of pastel paper? Should I crop this sketch or enlarge it and do them life size? Will I be able to use the sketches I got last year?

So many problems for your Plein air artist to figure out! I’ll have to prop this up where I can see it and try to decide this weekend. The stronger the plan, the stronger the finished piece.

Keeping my fingers crossed for mild weather because this could still get postponed until 2021 if it gets real cold again.

 

Lego sculptures @ Norfolk Botanical Garden

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Gardener with Grandchild – 76,840 legos, 740 hours to buildIMG_2437

Birdbath – 14,802 legos, 200 hoursIMG_2438

Peacock – 68,827 legos, 200 hoursIMG_2439

Giant Bloom of Violet Pansy – 29,314 legos, 740 hoursIMG_2440

Roseate Skimmer Dragonfly – 27,788 legos, 515 hoursIMG_2441

Bonus photo , daffodils. Looks like it might be an early spring here. I’m going back this week to sketch a Magnolia branch so I can use those studies of magnolia flowers I did last year in a finished pastel drawing.

The legos are making me want to buy a set. What a fun inspiration for kids of all ages!

Path Through Wildflowers

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This is watercolor with Inktense pencils. It seems like it took a long time to finish.  I went over to the garden 6 times including the times I sketched it, first on charcoal paper and then again on watercolor paper. Each time I stayed there for an hour or two and made some progress on it then came home and worked on it off and on for hours, so I think I have over 20 hours in the painting. I enjoyed working on it very much.

The weather was beautiful! It’s cooling down but not cold.  I didn’t turn the heat on in my apartment yet. It’s staying around 70 inside so far. I hate  turning the heat on for the first time every year because it blows dust around and I don’t want to catch a cold because of it.

The garden is still beautiful with a lot of flowers blooming. The roses are so sweet smelling and the breeze makes the scent follow you down the walk.

It looks like I have time to try another watercolor painting before we get a good freeze. I’m waiting for that refreshing arctic air from Canada. Then I’ll start on my long time in the planning winter swamp painting in oils. Until then, maybe I can try to get a watercolor done at Back Bay.

Rose / Inktense pencils practice

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It was so nice out there today. The botanical garden had a lot of visitors when I went out to sketch this morning. I smelled the roses as I was walking in and remembered one I loved last year, the Crimson Bouquet. I wanted to find the brightest red because I’m from Lancaster Co. PA. the red rose town. York, on the other side of the Susquehanna is the white rose town.

I can’t tell if the background is working or not, but I wanted to do the minimum for it.

I’m looking forward to my art adventure in New Mexico in 2 months. I want to take all my art supplies with me on the trip but it’s not practical. I don’t know what kind of drawing or painting I’ll want to do when I see the Ghost Ranch. If I take a lot of art supplies I’ll have a bigger job unloading my trunk every night when I stop at a motel. I’m definitely  taking my oil paint supplies and I’ll have to prime a couple canvases in Aug, but I’d also like to take my Inktense pencils and a watercolor sketchbook. In the meantime, if I can sketch a few flowers while standing in the shade this summer, that’s good practice. I might have better luck when I try to do a landscape with the Inktense pencils out West.

 

my pride and joy / Sarah

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My daughter won an award, “Millennials On The Move”. She’s in a magazine, “CoV Biz”. Sarah is very active in the community, Norfolk VA.

My dear departed ex-husband and I had problems but we were united on one thing. Sarah was #1 to both of us. He would be bursting with pride if he could see this. She is our only child and she’s not spoiled.

I don’t know how to put the whole article on this post, but Sarah said she’d come over this week and help me with that.

One of my blogging friends put the link in the comments. Thanks, Sarah.

Isn’t she pretty? Her Dad was a good looking guy. She gets her genius brain and creativity from me. hahahahaha As her mother, I have to take the credit, because if she turned out bad I’d get blamed. But she went far on her own after I turned her loose on the world.

ODU gets a Banksy

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High St. Rat 2010

It came from San Francisco. Brian Greif, an art collector saved it from a building being taken down. It’s on Victorian era redwood siding. You can find it at ODU’s Baron and Ellin Gordon Art Gallery.

Banksy  said the reason he got famous is because he hid his identity. Isn’t that genius?! Way to play the art world, Banksy. And now he’s rich.

The thing about the art world is that it doesn’t matter if you’re great at what you do, or how inspired you are. The powers that be don’t even like innovation. Remember when the Impressionists got rejected from the shows? And now everyone loves the Impressionists. The elites in the art world only reacted after Impressionism was a big thing with the public. They never would have recognized the genius of the Impressionists on their own. They haven’t changed in the past 150 years. The art world higher powers are the same kind of narrow minded snobs as the ones that rejected Impressionism. They’ll fall for the cult of personality before skill every time.  You need a gimmick or an outrageous personality to get noticed. This is one field where insanity can be to your advantage.

I love Banksy for playing the art world the way he does.

 

Magnolia in the Wind / with some thoughts about inspiration

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This flower is too sexy for my blog. Too sexy for my blog.  Too sexy OMG.

Oh well, I draws em like I sees em.

Inspiration. Where does it come from? I can only talk from my own experience here, so feel free to opine, as always.

I think it comes from outside myself. It’s nature or other art, or a good teacher, or music, literature, everywhere you see something that grabs you. When I was young and worked full time and exercised every day and had a house, husband and kid, I wasn’t into drawing and painting. I still had a lot of ideas but when you’re young and you have a lot of obligations and distractions it’s easy to put art on a back burner. I always knew if I lived long enough a time would come when I could concentrate on art. To me art and craft are the same thing. Back then I was inspired to take a pottery class or two. I was inspired to make gingerbread houses and carve pumpkins among other things. Is the inspiration to sew or cook something special less than the inspiration to paint? I say it’s all the same. If I don’t feel like painting it’s because I’m on something else.

I had a lot of stress back in those days but I don’t think stress kills inspiration in my case. It’s that there’s only 24 hours in a day and I like to sleep too. There were a few years when my mind was in a turmoil. Art gave me the chance to” live in the moment”. It’s a good break for your mind if you’re under stress. I think all that advise you read about living in the moment and giving up the past, whatever is eating you, is too idealistic. It’s not like you have switches in your brain where you can just turn off thinking about that bad thing. When you can spend a lot of time alone you have to go back over it again and again until you figure it out. Then you can get some peace of mind. There’s a lesson to be learned from whatever your mind is fixated on. You have to face it. Masking the problem with pills won’t stop it from coming back. Plus the meds could suck the spirit out of your work, if you’re an artist, by numbing your brain.

The main thing about inspiration is that it requires time alone to work for me. It helps to eliminate some things from your life if you’re a very busy person.

About this drawing: It was so windy that flower was blowing all over the place. I drew a moving target. It was real good practice because after drawing so many magnolias I had to work faster and observe then sketch and observe again when the flower blew back. I had to work faster and it wasn’t too bad because charcoal doesn’t show up on this paper anyway, so, just skip it. With flowers, if you get it wrong no one knows.

 

Magnolias getting floppy / pastel and chalk

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These flowers are huge. I’m sketching them life size on 9 x 12″ paper and they’re running off the edges. When I do a painting of this next year I’ll have to paint them smaller but drawing large is easier than painting small. These are for practice.

Vine charcoal doesn’t work well on this dark paper so I have to skip that step and block in the general shapes with pastel and chalk. The more flowers I draw the easier it’s getting but these sketches still took around two hours each.  For my painting I need about three times the number of magnolia studies I have. Then I can eliminate the ones I don’t like. The tree has some buds so I might be able to get a couple more sketches in before they all turn brown and fall off. I’ll have to go back next year and do more. IMG_2232

Spring has sprung around here.