We’re having some nice weather this week. It might be cold tomorrow but I should probably let this dry a little before I go back into it.
I was glad when the clouds rolled in this afternoon because I had a solid blue sky and I wanted to make it more interesting. I’m not sure if I want to work on the clouds more or if I should leave them alone. I’ll probably work on the background trees again before I start blobbing in the trees on the path.
I tried to make mental notes of the colors I needed when I sketched this in plein air then painted it at home. The color looks good in the photo for the sea oats but the background isn’t showing up green enough and there’s a lighter area showing on the right because of a glare.
For the background I wanted to give a color and texture of pine needles. For the sea oats I wanted to make a fuzzy texture .
It seemed like the painting went fast on this project. I worked on it for around 5 hours, which isn’t really that fast, just fast for me, because I often have 30 or 40 hours in a painting. So I like the palette knife for that. It’s not easier than painting with a brush, just different. This was a simple experiment.
The palette knife makes the project faster because I painted right on top of my sketch. Usually I redraw my sketch and then redraw it again on the canvas. This way I saved a lot of time because I didn’t prime a canvas which is a multi step process with sanding the canvas, painting gesso on it and sanding it again then tinting the canvas. That part needs to be spread out over two days or more. This way I could jump right into painting.
It’s nice not to have to clean the brushes. That is a job.
Paper is working out to be more conservative than canvases, So the palette knife is practical on a lot of different levels.
I am using more paint than I use normally. That’s one drawback to the palette knife.
The palette knife is fun, though, so I’ll do more.
I knew my lines would get all crooked painting with the palette knife. I tried to keep them as straight as I could but when you try to paint on top of lumpy paint from the previous palette knife glaze, you just have to stop worrying about straightness at some point.
It probably doesn’t matter if my perspective is off either. I don’t know if this is some kind of abstract or any kind of realism or what it is if it fits in some style of painting. The palette knife gives it a whole different look than I’d have got with brushes. To me it’s a wavy feel.
I don’t know if this shot is giving you all the grays in the dark. I used warm and cool grays on top of warm grays on top of cool grays. Some of the lower layers show through and the viewer’s naked eye can mix the tints and shades of gray to see a gray that’s alive and moving, not a dead gray.
I considered not painting the railings but then I decided the battery needed them. I knew they would be rough going on top of all those lumpy layers but I kind of got them in. I’m glad I gave it a shot.
This is the grass and path. It was fun glomming the paint on real thick with my palette knife. I mixed the colors of paint on my palette and only mixed them a little on the canvas with the knife and added some texture.
This shows you how out of control my lines got and some texture in the background, that might or might not be a ghost.
This is a close up of the sky for my painting of the battery De Russy. I was putting it off because I couldn’t decide how to paint the sky then we had a whole week of cloudy rainy weather and I had fun goofing around doing experimental palette knife paintings. One thing I decided was that I didn’t want hard edges on my clouds. I wanted to try to paint the thin wispy clouds we often have around here, maybe get some haze into the sky.
My coat of blue paint was dry. I decided to wing it at home with no good sky to copy because it’s raining again. Tomorrow the sun will come out but it will be windy so I still can’t paint at the battery because it’s too hard to control a large canvas in the wind. It’s like wrestling with a sail.
First I put a coat of Maroget medium on top of the blue then I used my palette knife to scrape a real runny thin glaze of white all over the sky leaving a couple holes where the blue shows through. Then I tried lifting off some excess paint so I could make the clouds thinner but the paper towels I used to blot up the paint left a dotty pattern in the sky, so I used the paper towels to rough up the dot pattern a little.
I thought about adding more white or maybe some light gray. I don’t know, maybe I should leave well enough alone.
The only kind of doctor I’ll go to is a dentist and even good dentists ruined my bite with ill placed crowns. If I catch corona, which I probably won’t because I’m a freakin hermit, but if I did I’d rather die than go on a ventilator.
As always, feel free to opine.
oil paint on pastel paper painted with a palette knife
We can’t see it because it’s very tiny particles but we’re inhaling it all the time, and swallowing it. It could have inactive viruses that come alive when they hit the environment. We might be exposed to viruses from light years away. Maybe we’re immune anyway because they’ve been falling on humanity for countless generations. But something else invisible could rain down from the stars that would change things so fast our heads will spin. It’s impossible to predict. How can we prepare? We can’t.
Weird thing happened. I noticed that one of my blogging friends put up some posts and her photos aren’t showing up on the reader. You have to click twice to see the picture. So I looked at my last posts on freshly pressed and I see text but no picture. If this doesn’t post the way I want it to with the picture, that unearthly scream you just heard was me.