American cyber criminals plotting revenge on Russian cyber criminals for causing a gas shortage
Tech war happens
Nature girl gets naked and no one notices
Martian working in the garden
Harvesting the crop
Fine dining on Mars
Poisonous plants on Mars.
The colors don’t show up in the photo exactly as they are but you get the idea.
The flowers are thick paint and I used my modified fan brush again to add texture. You can see the difference between my background glazes which are thin and the flowers which are thick. That’s the traditional way of painting. If you use both thin and thick paint it helps give the illusion of depth and the viewer’s eye has something to compare. The viewer might not realize it but the painting might keep their attention longer with that contrast of paint thickness and texture.
You can see the thick paint of the dead leaves on the ground, the thin paint of my background glazes and the thick paint of the flowers compared to the solid lines of the branches.
There was a glare on the painting because of my shiny medium so I had to take the photo from the side instead of head on.
I’m not sure if I’ll go over the tree again or not. It might look like a lot of time consuming line work but its not that difficult and every time you go over a line it gets easier. Painting tiny lines always starts out a little awkward but by the time I’m done it goes fast. The secret is to thin the paint until its runny and have a coat of Maroger medium on the dry painting so you’re painting the lines on top of the slick medium. The background was dry and the medium is clear. If you paint a line where you don’t want one or if your line goes crooked you can easily wipe it off without destroying the background because of that layer of medium.
This close up shows the background vegetation, bushes, trees, whatever. I kind of faked that part. And it shows dead leaves on the ground. The ground is colors I mixed up in plein air and blobbed on at home and then scraped through with my palette knife to mess it up and give it a dead leaf texture. I mixed the colors for the background in plein air too and painted two or three gray greens and some sky spots then blended the edges with my modified fan brush. When the first glaze was dry I mixed up the lighter tint of burnt umber and faked in the bushes at home with my fan brush.
So far, the painting is monochromatic with three different textures.
You can see a few peeks of blue sky but the redbud is a short tree so when you see them from the road you don’t see sky through the branches. A redbud will blend in with the underbrush which hasn’t leafed out yet but it’s getting that more pink or red tint that shows up just before the buds become noticeable. I made my tree stand off the background with the contrast of lighter and darker burnt umber lines. I knew I’d need a background that was close to a middle value from light to dark for the more contrasty sticks to show up. This isn’t realism. They blend in with the underbrush in real life.
This is my modified fan brush. I cut the zig zag edge. Now I can paint five or more lines at once. It holds a lot of paint so when it’s loaded with nice thin paint and I’m painting in the couch, ( on top of the medium ) so I can do a background like this relatively fast. People that don’t know about the modified fan brush will think it took forever to paint all those lines and the hairy texture.
I got this far just in time because I think the redbud will be in full bloom this week. I’m excited because it’s almost finished. The purple flowers are next. I’ll need to underpaint the flowers with white first because the violet and amethyst paint is transparent and it won’t show up very bright on top of this background unless it’s on top of a layer of white.
It doesn’t really look exactly like this. Even though I’m trying to paint nature as closely as I can, this is still my interpretation of the scene. If you got 100 artists who are called realists or naturalists or whatever to paint here, you would get 100 different versions. If I paint the same scene in a few years it won’t look the same.
The colors in this photo aren’t as warm as they are in real life.
If you saw the previous posts, did you notice there were no trunks on the trees across the creek? What if I wanted to simplify? Just make general shapes and not do detail? Those tree trunks wouldn’t be missed but I like them there because they are a design element of short gray vertical lines that remind me of a ladder on its side.
I don’t see nature as simple so I don’t like to leave it at the underpainting stage of general shapes.
The greenish yellow bush on the right is there to break up the line of the edge of the path. As I looked at my painting last night, I decided to kill that sharp edge a little.
This scribble is a stick bush. I did that with my palette knife. It’s another design element to make the viewer’s eye go to the path since the stick bushes follow the edge of the path.
First I used my modified fan brush to go over the whole sedge field again and unify it a little. The dark shadows were too dark. The field is more even than I had originally painted it. Today’s glaze was a correction and now I think its better.
I used the edge of my palette knife to scrape in these stems for the sea oats. The vertical sharp lines here and the softer vertical lines of the tree trunks across the creek are similar design elements, one in the foreground and one in the background. It’s already there. I didn’t have to do any composition, which isn’t my strong suit, all I had to do was copy the beauty.
We have had some great weather for over a week and I hope it lasts. Today I needed suntan lotion. Soon I’ll have to bring the bug spray.