This is a needlepoint I did long ago but didn’t know how to finish it so I just put strips of bias tape around the edges and mounted it on a piece of burlap. It’s my version of PA. Dutch folk art flowers.
I was repackaging a bunch of fabrics I haven’t used and saw this in there. It would be neater for my moving guys if the fabrics were in a box instead of that big plastic bag. This goes in the box now, to be rediscovered if I die. hahahah
I should show you my attempt at quilting from long ago.
This is my 3rd experiment with masking fluid on oil paint. I masked off the dark red border on the labyrinth and the gold leafed lines on the bird. The 24 carat gold leaf came out looking real warm on top of the dark red outline but it shows up a cool gold in my photo.
It’s a difficult, time consuming process making the masking fluid work on oil paint. I wouldn’t recommend other artists try it. It takes a lot of prep time and patience. I’m still working out the bugs. I’m not sure if it’s showing in this photo, but you can see the weave of the canvas through the dark red lines. If someone examines the paint closely, they’ll know I used some kind of stencil when they compare the thick textured paint to the lines.
I don’t have a lot of experience with gold leaf. It’s something I tried to do long ago and had the gold leaf all these years in my art supplies. I remember hearing you need a smooth surface for the leaf. That’s why I masked off the lines for the gold leaf. The paint can get thick and textured on the rest of the canvas, but should be smooth under the leaf.
The Distelfink is a folk art bird from PA. They mean good luck. Distelfink is PA Dutch for Thistle Finch. They’re native in Europe, not PA, but their images are all over Southeast PA. I’ve always enjoyed drawing them. And I enjoy the challenge of drawing geometric designs like the Greek key and Celtic knots. Making the labyrinth work out on the size I want is a math problem and takes me a while to figure out, even with the picture of a labyrinth in front of me. These are two designs I have used since I was a kid, so they’re a fall back design for my experiment.
So, while the weather isn’t good over the winter, this is what I’m working on. My ultimate plan is to make an icon with oil paint and gold leaf, using a portrait of Edgar Alan Poe. The more practice I get, the better my chances are of success with the icon for a show in the spring at the Poe museum.
A few years ago I saw a painting by Maxfield Parrish, “Masquerade”, in Atlanta at the High Museum. I was amazed by his technique.
All those little diamond shapes are sharp. And people think I paint tight! hahahaha I wondered how he did it. The only thing I could guess was that he used masking fluid but people told me masking fluid doesn’t stick to oil paint. This painting was in the back of my mind for a long time. I saw a video about Parrish’s glazing technique but it didn’t discuss his technique of painting corners. The video gave me a lot to consider about glazing. I’ve been glazing with oil paint for a few years and I want to try more ways of glazing. The video also stressed Parrish’s use of varnish. I can’t use as much varnish as Parrish because it’s so strong my neighbors will smell it in their apartments too. I go outside to paint varnish but when the weather gets cold it takes a long time to dry.
Last week I planned some paintings to work on over the winter when I can’t get outside to paint as much. I bought a bottle of Winsor Newton water color masking fluid and tried it on a piece of an oil painting that I don’t like. I drew a hex sign for my experiment because I’m PA Dutch and I’ve always liked to draw hex signs. I’m not superstitious. To me they’re a decoration. It’s fun to spin a compass around and make a perfect circle.
The PA Dutch put hex signs over the door to their barns to keep evil spirits out. Once I asked how a hex can keep out a bad spirit and was told that the spirit would think it could get into the barn through the hex sign, mistaking it for the door. It would hit it’s head on the hex sign and give up and go away. I can’t verify the PA Dutch really believe that. I’ve been away from that culture a long time.
ok, I digress. I want to try my experiment again using masking fluid on oil paint. This time, my surface will be smoother and I’ll use a ruling pen to paint my skinny lines.