I went over the clouds again, the background trees, the edge of the creek on the other side, the creek water and changed the shape of the pond in the middle ground then finally got to start on the trees on the path. So, I’ve been to the point a bunch of times and went there to walk a few times without painting. It’s supposed to be nice again tomorrow so maybe I can get more tall grass painted on the path and do some tree trunks and sticks.
Then I’m almost finished except for the reflections on the pond and I want to put a figure on the path. The paint is getting kind of lumpy because of all the layers applied with my palette knife. I might paint the figure with paint brushes since it will be small and a palette knife isn’t easy to do a small figure.
I can’t be a purist about any certain style or art subject that comes up. I think it’s fine to mix up different styles in one painting. A purist who wants to do a palette knife painting might not want to use a brush at all. Some watercolor purists don’t use water color pencils along with watercolors in a tube. Once I heard a juror say, “Pick one style and stick to it.” I wondered if she meant me. Heck, I don’t even know the different styles. I only know what I learned in art school long ago.
I wonder if they would give this a bad critique at the academy. Probably. They were the old school purists.
There is only one bright tree on the far side. I almost covered it with a pine tree but I’ll save it.
I don’t know how well this shows up in the photo. I put the handle of the drawing board over a stick that’s rooted there and it kind of tilts the paper up a little while stopping the wind from blowing it away. Also, maybe you can see where my drawing board broke at the handle once long ago and I glued chop sticks on it to repair it with some glue on paper towels ripped to fit and a little wooden shim over a crack. I just don’t want to buy another drawing board. I’ve had this one so many years I kind of got attached to it. It’s been all over hell’s half acre with me.
If it’s windy I’ll just sit on the ground to paint. It’s a real nice spot there at the edge of the pond.
I tried to make mental notes of the colors I needed when I sketched this in plein air then painted it at home. The color looks good in the photo for the sea oats but the background isn’t showing up green enough and there’s a lighter area showing on the right because of a glare.
For the background I wanted to give a color and texture of pine needles. For the sea oats I wanted to make a fuzzy texture .
It seemed like the painting went fast on this project. I worked on it for around 5 hours, which isn’t really that fast, just fast for me, because I often have 30 or 40 hours in a painting. So I like the palette knife for that. It’s not easier than painting with a brush, just different. This was a simple experiment.
The palette knife makes the project faster because I painted right on top of my sketch. Usually I redraw my sketch and then redraw it again on the canvas. This way I saved a lot of time because I didn’t prime a canvas which is a multi step process with sanding the canvas, painting gesso on it and sanding it again then tinting the canvas. That part needs to be spread out over two days or more. This way I could jump right into painting.
It’s nice not to have to clean the brushes. That is a job.
Paper is working out to be more conservative than canvases, So the palette knife is practical on a lot of different levels.
I am using more paint than I use normally. That’s one drawback to the palette knife.
The palette knife is fun, though, so I’ll do more.
This is a close up of the sky for my painting of the battery De Russy. I was putting it off because I couldn’t decide how to paint the sky then we had a whole week of cloudy rainy weather and I had fun goofing around doing experimental palette knife paintings. One thing I decided was that I didn’t want hard edges on my clouds. I wanted to try to paint the thin wispy clouds we often have around here, maybe get some haze into the sky.
My coat of blue paint was dry. I decided to wing it at home with no good sky to copy because it’s raining again. Tomorrow the sun will come out but it will be windy so I still can’t paint at the battery because it’s too hard to control a large canvas in the wind. It’s like wrestling with a sail.
First I put a coat of Maroget medium on top of the blue then I used my palette knife to scrape a real runny thin glaze of white all over the sky leaving a couple holes where the blue shows through. Then I tried lifting off some excess paint so I could make the clouds thinner but the paper towels I used to blot up the paint left a dotty pattern in the sky, so I used the paper towels to rough up the dot pattern a little.
I thought about adding more white or maybe some light gray. I don’t know, maybe I should leave well enough alone.
It wasn’t my imagination and I wasn’t hallucinating. I wanted to buy new glasses so I was at the optometrist and he wanted to look at my retina. He shined a light through my pupil and I saw red flashing squiggly lines on a black background. I asked what it was and he said its the blood vessels on my retina.
I thought of Ray Charles. I wonder if an eye doctor looked at Ray’s retina and he saw the same thing and since he never saw a spider web he thought the squiggly lines looked like a spider web.
Did you ever see this weird visual phenomenon? And if you saw it did you know what it was or did your brain file it under weird like mine did?
This painting is palette knife drawing practice. I thought of a way to make curved lines. My palette knife isn’t flexible enough so I cut the edge off a magazine cover and used the edge of it, bending it slightly to drop in curved lines to contrast to the straight lines scraped in off the edge of the palette knife.
The only kind of doctor I’ll go to is a dentist and even good dentists ruined my bite with ill placed crowns. If I catch corona, which I probably won’t because I’m a freakin hermit, but if I did I’d rather die than go on a ventilator.
As always, feel free to opine.
oil paint on pastel paper painted with a palette knife
Did you ever look into the abyss and get the feeling it’s looking back at you? And it wants to pull you in so deep you’ll never get out? And you can’t look away?
Step away from the edge, my friend.
I was there too, for years.. Now I’m ok. I’m not opening that can of worms, I just want to say, if I can live through all that, you can too. Keep stepping away from the edge every day in some way. Get outside and do something. Exercise or art or gardening or anything you like. You might enjoy your old age even if most of your life was messed up. Have your fun. You have it coming and it will happen if you stay alive.
oil paint on pastel paper painted with a palette knife
We can’t see it because it’s very tiny particles but we’re inhaling it all the time, and swallowing it. It could have inactive viruses that come alive when they hit the environment. We might be exposed to viruses from light years away. Maybe we’re immune anyway because they’ve been falling on humanity for countless generations. But something else invisible could rain down from the stars that would change things so fast our heads will spin. It’s impossible to predict. How can we prepare? We can’t.