Waves and dunes are the same shapes. They both are always moving but you don’t notice the dune moving. They’re so much alike you could dress a dune up in wave colors, tell people it’s a wave and everyone would believe you.
I want to paint waves but it’s too hot to hang around on the beach. I used my sketch of a dune and did a palette knife painting of it with wave colors from memory, then folded the paper in half to make a mono print.
Dunes are like waves in another way, they’re breaking.
In my dune sketch there is some plant life on top of the dune and the sand breaks below the vegetation. So instead of painting that part green I used white and it would put the white water of a breaking wave in the right place. It’s me dressing a dune in wave colors.
This mono print is a variation of the dune painting I’m working on and hope to finish tomorrow if I can get up early enough to be at the beach before it gets too hot.
I had this board from an experiment I did a few years ago when I picked up pieces of birch bark and glued them onto a board to use as a background, then never thought of a good use for it. Today I was looking through my collection of different papers and decided to paint on it with my palette knife.
Now I’m heading out for a walk in nature because nature is a healer if she doesn’t decide to just kill you.
Porn update- Still there as of this morning
It seems like the FCC has bigger fish to fry than porn on wordpress freshly pressed art tag. I tried to find the forum where I complained to wordpress before with no luck. My daughter will come over tomorrow and help me with that. Am I the only one here that looks at freshly pressed? Why don’t the more computer savvy bloggers raise hell with wordpress? I can’t take it anymore. It could damage my mental health that I finally got after so many years of mental unhealth.
A few months ago I complained to wordpress because some spammer in India was flooding the freshly pressed tag with non art related posts and they told me anyone can can tag art, just scroll past it. So, I know what I say doesn’t matter to them.
Why are they allowing porn on the freshly pressed art tag? Pick one answer or add your own ideas.
1 This is what they want for their daughters, to be t. and a. for perverts.
2 They like porn and want you to like it too.
3 They don’t look at freshly pressed, they just post anything.
It’s enough to keep me from reading other art blogs, but, hey, I’m getting old here and they don’t care what I think.
I wanted to give the look of wind on the water breaking up the reflections.
Next painting might be easier. That little man, I had to try 3 times before I got this.
That’s not too much wasted paint considering that there’s probably a half cup of it or more on the painting. I put plastic wrap on my leftovers and might be able to use them next week.
These are the palette knives I used in this painting on my palette with left over globs of paint.
The large one on the left was good for scraping the first blue on the sky. The second from the left is the one I use most of the time. It’s great for mixing paint colors and I often use it to scoop up a glob of paint to transfer it to the canvas. The second from the right is the one I used to paint most of this and the one on the right was recommended to me by my blogging friend, Alli. Check her out! Her paintings are beautiful and peaceful!
It was a stroke of luck that Alli told me to buy another knife because I was having a problem painting the figure, then when I went to the art supply store I noticed my painting that was in their window was missing and the manager found it and I took it home. But it almost got stolen. If I didn’t go to the store that day, by this week that painting would be gone. Just my intuition. But intuition is one of the benefits of leading the life of a hermit. Eventually you get some. And you can’t ignore it.
I went over the clouds again, the background trees, the edge of the creek on the other side, the creek water and changed the shape of the pond in the middle ground then finally got to start on the trees on the path. So, I’ve been to the point a bunch of times and went there to walk a few times without painting. It’s supposed to be nice again tomorrow so maybe I can get more tall grass painted on the path and do some tree trunks and sticks.
Then I’m almost finished except for the reflections on the pond and I want to put a figure on the path. The paint is getting kind of lumpy because of all the layers applied with my palette knife. I might paint the figure with paint brushes since it will be small and a palette knife isn’t easy to do a small figure.
I can’t be a purist about any certain style or art subject that comes up. I think it’s fine to mix up different styles in one painting. A purist who wants to do a palette knife painting might not want to use a brush at all. Some watercolor purists don’t use water color pencils along with watercolors in a tube. Once I heard a juror say, “Pick one style and stick to it.” I wondered if she meant me. Heck, I don’t even know the different styles. I only know what I learned in art school long ago.
I wonder if they would give this a bad critique at the academy. Probably. They were the old school purists.
There is only one bright tree on the far side. I almost covered it with a pine tree but I’ll save it.
I don’t know how well this shows up in the photo. I put the handle of the drawing board over a stick that’s rooted there and it kind of tilts the paper up a little while stopping the wind from blowing it away. Also, maybe you can see where my drawing board broke at the handle once long ago and I glued chop sticks on it to repair it with some glue on paper towels ripped to fit and a little wooden shim over a crack. I just don’t want to buy another drawing board. I’ve had this one so many years I kind of got attached to it. It’s been all over hell’s half acre with me.
If it’s windy I’ll just sit on the ground to paint. It’s a real nice spot there at the edge of the pond.
I tried to make mental notes of the colors I needed when I sketched this in plein air then painted it at home. The color looks good in the photo for the sea oats but the background isn’t showing up green enough and there’s a lighter area showing on the right because of a glare.
For the background I wanted to give a color and texture of pine needles. For the sea oats I wanted to make a fuzzy texture .
It seemed like the painting went fast on this project. I worked on it for around 5 hours, which isn’t really that fast, just fast for me, because I often have 30 or 40 hours in a painting. So I like the palette knife for that. It’s not easier than painting with a brush, just different. This was a simple experiment.
The palette knife makes the project faster because I painted right on top of my sketch. Usually I redraw my sketch and then redraw it again on the canvas. This way I saved a lot of time because I didn’t prime a canvas which is a multi step process with sanding the canvas, painting gesso on it and sanding it again then tinting the canvas. That part needs to be spread out over two days or more. This way I could jump right into painting.
It’s nice not to have to clean the brushes. That is a job.
Paper is working out to be more conservative than canvases, So the palette knife is practical on a lot of different levels.
I am using more paint than I use normally. That’s one drawback to the palette knife.
The palette knife is fun, though, so I’ll do more.
This is a close up of the sky for my painting of the battery De Russy. I was putting it off because I couldn’t decide how to paint the sky then we had a whole week of cloudy rainy weather and I had fun goofing around doing experimental palette knife paintings. One thing I decided was that I didn’t want hard edges on my clouds. I wanted to try to paint the thin wispy clouds we often have around here, maybe get some haze into the sky.
My coat of blue paint was dry. I decided to wing it at home with no good sky to copy because it’s raining again. Tomorrow the sun will come out but it will be windy so I still can’t paint at the battery because it’s too hard to control a large canvas in the wind. It’s like wrestling with a sail.
First I put a coat of Maroget medium on top of the blue then I used my palette knife to scrape a real runny thin glaze of white all over the sky leaving a couple holes where the blue shows through. Then I tried lifting off some excess paint so I could make the clouds thinner but the paper towels I used to blot up the paint left a dotty pattern in the sky, so I used the paper towels to rough up the dot pattern a little.
I thought about adding more white or maybe some light gray. I don’t know, maybe I should leave well enough alone.
It wasn’t my imagination and I wasn’t hallucinating. I wanted to buy new glasses so I was at the optometrist and he wanted to look at my retina. He shined a light through my pupil and I saw red flashing squiggly lines on a black background. I asked what it was and he said its the blood vessels on my retina.
I thought of Ray Charles. I wonder if an eye doctor looked at Ray’s retina and he saw the same thing and since he never saw a spider web he thought the squiggly lines looked like a spider web.
Did you ever see this weird visual phenomenon? And if you saw it did you know what it was or did your brain file it under weird like mine did?
This painting is palette knife drawing practice. I thought of a way to make curved lines. My palette knife isn’t flexible enough so I cut the edge off a magazine cover and used the edge of it, bending it slightly to drop in curved lines to contrast to the straight lines scraped in off the edge of the palette knife.