We’re having some nice weather this week. It might be cold tomorrow but I should probably let this dry a little before I go back into it.
I was glad when the clouds rolled in this afternoon because I had a solid blue sky and I wanted to make it more interesting. I’m not sure if I want to work on the clouds more or if I should leave them alone. I’ll probably work on the background trees again before I start blobbing in the trees on the path.
I knew my lines would get all crooked painting with the palette knife. I tried to keep them as straight as I could but when you try to paint on top of lumpy paint from the previous palette knife glaze, you just have to stop worrying about straightness at some point.
It probably doesn’t matter if my perspective is off either. I don’t know if this is some kind of abstract or any kind of realism or what it is if it fits in some style of painting. The palette knife gives it a whole different look than I’d have got with brushes. To me it’s a wavy feel.
I don’t know if this shot is giving you all the grays in the dark. I used warm and cool grays on top of warm grays on top of cool grays. Some of the lower layers show through and the viewer’s naked eye can mix the tints and shades of gray to see a gray that’s alive and moving, not a dead gray.
I considered not painting the railings but then I decided the battery needed them. I knew they would be rough going on top of all those lumpy layers but I kind of got them in. I’m glad I gave it a shot.
This is the grass and path. It was fun glomming the paint on real thick with my palette knife. I mixed the colors of paint on my palette and only mixed them a little on the canvas with the knife and added some texture.
This shows you how out of control my lines got and some texture in the background, that might or might not be a ghost.
I did the whole thing with palette knives and split it up over two different days letting the gray green background and the light gray of the flowers dry overnight. The paint was still wet the next day but only slightly dried which helped my brighter greens and white from mixing in as much. So I did layers but I don’t know if that’s how other artists do a palette knife painting.
It was fun and I’ll do another one.
The good thing about a palette knife painting is that you don’t have to clean brushes. The bad thing is that this will take months to dry. I can put it in my outside closet where it will be out of danger.
The dark green paint was soupy and it ran off my palette knife nicely. I thinned it with terpenoid.
The white paint was like soft icing.
The palette knife is harder to control than a paint brush. You have to be careful how you scrape up the paint off the palette so it’s on the knife in a good position to make a blob where you want the blob. Paint goes where you don’t want it to go. Most of the time I just let it there but a couple times I scraped up a big blob that fell in a bad place.
At York Academy of Art, (long ago) our teachers told us to vary the textures in our paintings. This helps make the viewer’s eye move around the canvas. Heavy texture is fun to paint and to look at, but you need a smoother texture to contrast with the heavy palette knife texture, and to give the eye a place to rest.
I painted in the couch, the way they taught us to paint at YAA, which means you put a layer of Maroger Medium on the dry canvas in the area you want to paint that day. Then paint on top of the medium with color. The paint slides so nicely on the Maroger Medium, which is what the old masters used. I have a tube of Alvi’s Maroger Medium. It’s great to work with. Sometimes when I get home and sit back and look at my painting, I see things I want to correct. With this medium, you can just wipe the paint off without destroying the dry layers of paint underneath. Also you can thin your paint and make glazes, or go thick impasto on top of the medium.
You can use the palette knife in different ways. Use the flat side of it to spread your paint like butter, to cover a larger area. Or you can dab in thick chunks of paint with the tip of the palette knife. But the technique I use most often with the palette knife is to blob in some glazes of paint with a brush on top of the medium and scratch through the paint with the palette knife to make lines and textures.