Tag Archives: plan

Still life plan

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This is what I have so far. I might work on the pot more and I might add more flowers. I’m not sure. I stood back farther from my sketch to take the picture than I did to sketch it so the ellipse on the pot isn’t the same as it is in my photo. And I leaned the starfish up against the pot so you could see it but I wasn’t planning on leaning it there for my final pastel drawing. I need to go to the store and buy peaches because I need a peach in this picture. I might take it out on my balcony to work on it later because the balcony has good sunlight before 10. The light in my apartment isn’t good.

This is the second time I tried to draw the pot. When I was in art school long ago drawing accurately was important. An unsymmetrical flower pot or unsymmetrical ellipses on the pot would be mocked in a critique. Like, how high were you when you drew that? if it was lopsided.

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This is how I try to make my flower pot look right. First draw straight lines on tracing paper to the approximate proportions then fold it in half and check it. Fold tracing paper in forth and cut an ellipse, compare it to what you see in real life. If the ellipse isn’t right, try again.

This much work on the flower pot is enough to make some people call the drawing “labored over”. Labored over is bad in contemporary art. Which makes no sense to me. Is it really bad if you enjoy working on something difficult and finally get it right? Is it actually labor if you’re not getting paid but doing what you want to do just for fun?

The thing about contemporary art being so badly drawn is that they don’t like a drawing that isn’t sloppy. If I entered a juried show and the other flower paintings had unsymmetrical flower pots and messed up ellipses or totally absent ellipses, and mine was the only entry that showed some effort, mine would get rejected. If the juror is an art teacher that never learned to draw because their art school didn’t force it on them like mine did, and if that art teacher didn’t tell their students to try again to draw the pot better, then mine would be a kind of affront to them and they would resent my efforts.

If I called the juror and asked why my painting was rejected the juror would say, “I was making groupings and yours didn’t fit with the others”. This is why I say, the art world demands conformity. And why I say the jurors think like interior decorators.

I’m not making this up. This is one reason why I h8 the art world and will never pay another entry fee. I might go for free wall space some time in the future but maybe not.

Once I asked a juror who constantly rejected my paintings why and she told me the jurors are looking for “contemporary”. As if my being alive and doing art today isn’t enough to make me contemporary. I also have to lower my standards. They see my paintings as old fashioned. The joke’s on them though, because I’m not behind the times, I’m ahead of the times.  I can’t change the art world. It will happen anyway eventually but I’ll be dead. And my daughter will be able to sell my paintings for big bucks. She has a genius marketing plan that I can’t divulge.

 

the Peachoid / I 85 at Gaffney South Carolina

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not my photo.

It’s a water tower. Interesting info that was new to me has recently been disclosed by my daughter.

I’m planning an art project which will be a pastel still life featuring representations of celestial bodies and I was talking to her about how to represent the moon.

I drove past this a lot of times on my way to Atlanta, GA. and never realized, people call it the Moon over Gaffney. It’s funny. Millenials  love to use emojis  and the peach emoji represents a butt. A butt represents the moon. So people driving past the giant peach thought of a giant butt. It has been repainted.

One time I took Amtrak to Texas when my sister lived there and as the train was speeding through Georgia and I was staring out the window, I saw a bunch of bare butts on the hill next to the tracks. Some kids were “mooning” the train. I’ll never forget it. I was traveling alone and sitting there cracking up. I stood up to see if anyone else in my train car saw the kids mooning the train but no one else was laughing, so maybe they didn’t see the moons. We passed it so fast.

The giant peach goes to show how public art can mean different things to different people. I decided to draw a peach in my still life. Not every one will get the connection.

This project might take some time. It’s too hot outside for me to enjoy drawing in plein air. I’m only now in the planning stage of my next art project, and I like taking my sweet time doing art, which is not the modern way of doing art. The modern way is to make it look spontaneous. I refuse to conform to that nonsensical attitude. I’ll show my progress on the still life as soon as I get something down on paper. Meanwhile, here’s an inspiration, the giant peach / moon.

That’s a lot of bronze

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photo lifted from stock

This is just one of many in question. Do they have any plans for all the statues? I have an idea.

Why not open a contest to artists for plans for new statues? I think the metal can be recycled. Is that possible? Would it make it less expensive to make new statues if they could recycle the bronze? Is anyone going to the public meetings on the fate of the statues? I’m not going, but if you’re going to the meetings, maybe you could suggest it.

I’d work up a small clay model of something non offensive and enter the contest if there was no charge to enter.  Like a dragon, that would be cool, or a mermaid because I live at the beach.

They should make the contest free to enter and let the public decide what they want on the pedestals. That would be fair. The public arts commission shouldn’t be trusted to make the decision because they have really bad taste sometimes and might give us something lame because one of their friends entered it and they need to return a favor.   In fact, maybe the public arts commission should be disbanded for letting the monuments stay there until they got torn down. I mean, how out of touch can they get?

If some old confederate wants to buy the monuments and would pay the cities for them. that would be fair too. Then the buyer  could keep the bronze.

Hey, I’m a damn Yankee, I always knew they’d have to come down some day and the confederate generals are not my heroes either. You can ask my friends in Richmond. I told them there would be a big problem and no one could take any responsibility for doing something about it. That would be proactive. It would never happen.

plan for dune paintings panorama

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I don’t know if you can see it well enough in this photo. As I was working on these separate pieces of sketch paper I was putting the others in my bag loosely and the charcoal and chalk was rubbing off inside the bag. No big deal, these are only sketches that I’ll never frame. They got messed up with sweaty fingerprints too. This is 4 pieces of sketch paper each 11″ x 14″ with a 4″ piece of a gray paper added to either side because I need 64″ across for my panorama but I ran out of the tan paper.

The watercolor papers are 15″ x 22.5″ so if I deduct a few inches from 3 x 22.5″ because I’ll staple them to boards, then when it’s all finished I’ll have to trim off the staple holes, I’m figuring roughly 64″. I’ll transfer this to the watercolor paper tomorrow and I might have to redraw at the beach a little before I start painting, but the hardest part of the planning stage is under control now.

I made some notes of colors I think I’ll need. And I want to do a couple practices for that little triangle of ocean showing between the dunes on the left.  The ocean looks gray and it has sparkles. It’s far away but still sparkly.

The chance of rain goes up over the next few days. I’m hoping for a blue sky with light clouds. That will be the first step in the painting. If the weather cooperates, it might not take long to paint my 3 pieces of the triptych, or it could take weeks.

the path to the beach

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That’s the ocean in the background.

I bought two big sheets of watercolor paper for my dunes now that I have a few sketches I can use. I’m planning a triptych. I want to show more sky in the watercolors than is showing in my sketches and it would be great if I could make the three paintings of the triptych  look connected. The watercolor paper is larger than my sketchbook so I’ll be able to extend my sketches on both sides a little.

I’ll have to haul my watercolors supplies down a path but not real far, I/4 mile or so, I guess. I can use my beach cart. I’m not sure if I can take all three pieces out with the paper stretched on boards, or if it would be better to work on one at the beach and the other two at home. The three watercolors will be a big job for me. I’m not sure how to paint that little bit of ocean and I’ll have to decide how to do the sky.

The bugs were after me this morning. Now I’ll have to start taking bug spray along too.

This plan seems like a lot of work but I think it will be worth it. Just hanging around there is worth the drive.

sketch of dunes / charcoal and chalk

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The earlier I can get to Back Bay the better when it’s hot. Today I got to my overlook around 8:30 and it was great! Not many people were there either.

I could get at least two more sketches from this one spot. It’s pretty 360* around and a place where I can see a little ocean between dunes. I could do a series of dune paintings in a row to give the panoramic feel of it.

Walking on the beach is nice exercise after sketching. The dunes get my heart rate up for a few minutes. The waves were small again this morning. In another week or so the tides will be all different from this week and I might be able to do some wave studies.

another pretty scene at Pleasure House Point

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charcoal and chalk

There are so many nice places to get off the main trail and sketch. The fishermen have beaten little paths all around. If you’re concerned about social distancing you can step back easily when a group of people walk past you.

I enjoyed being there so much this morning. It was sunny and windy. I had to take my hat off because I was afraid I’d lose it.

When I left there today I decided to run by Jerry’s Artarama and see if I could buy a piece of watercolor paper. The store is open but you can’t go in. People are calling in their orders or ordering online, then you can pick it up at the door or they will deliver it to you. So, I didn’t have to wait very long and the sales lady brought the paper out to me.

Modern problems require modern solutions, right?

I’d like to try to paint this scene in watercolor as my next project.

Rudee Inlet sketch and photo

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This is a sketch I can use for a pastel on this nice rough sanded paper. I’ll go over it again later and even up my lines. That’s all freehand, no ruler either, so, it’s still a little rough, but an improvement over my first try.

To me architecture is as hard to draw as the figure.

I’m planning a nocturn. Tonight I’ll mark in the lights with chalk and pastel then make my sky dark. There’s too much light from the city to see stars but the moon was big and bright before sun up the past few days. I’m undecided if I should put the moon in the picture or not.

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This is my first rough. I worked on it for a couple hours and stopped. At first I wanted to draw the whole bridge but when I got this far I could see it wasn’t working out. This rough helped me decide to start on the left so I could draw the narrow inlet where boats go through. I had these lines so I transferred this to the bigger better pastel paper and it was easier to draw the second time making corrections as I went.

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This is what it looks like to my camera during the daytime with clouds rolling in.

Tomorrow I can get the keys to my new apartment and put some thing in it. Then Sat some moving guys are coming to unload my mini storage and put my stuff in the new place. I don’t know if I’ll finish this pastel nocturn. I’m tempted to stay at this hotel until I do but on the other hand, I want to sew masks for nurses. As soon as I get my sewing machine plugged in I’m going to get with the mask sewers group and sew for the hospital for free. A lady told me Joanne Fabrics is donating the materials to the group. I think it would do me some good to make myself useful in the emergency.

Also, I bought a nice souvenir of my week at the oceanfront, a mermaid statue, on sale. She can hold a small potted plant. So she’s my model when I move away from the beach inland a few miles if the state park is closed and I have to pay to park at the beach.

I’ll miss walking on the beach. (sigh) I won’t be bored though.

the Judgement of Paris

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This is a classical theme explored by a lot of great artists. It tells the story of the Greek myth that lead to the Trojan war. Paris got roped into judging  a beauty contest between the goddesses. I forget all the details, but one goddess offered him wealth if he named her the most beautiful. Then another goddess offered him wisdom. Then Venus offered him the love of the most beautiful woman in the world and he gave her the apple which was the prize. It happened that the most beautiful woman, Helen, was married to a king and she ran off with Paris. They made war over it. The gods and goddesses were all playing around with the mortals and taking sides in the war which made it much worse.

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I’d also like to illustrate this story some day. If I could paint it I’d like to have three little girls having a tea party under a weeping cherry tree. They’re playing dress up and all wearing sheets wrapped like togas with wreaths of flowers in their hair. One girl could have her favorite books on the table with her hand on them.  Another girl could have her jewelry box open and holding up some sparkly gems. The girl playing Venus would be holding her toga up which is falling down and reaching out for the apple. Paris could be leaning against the tree.José_Camarón_Boronat_-_The_Judgement_of_Paris

I had Chinese food the other day and my fortune cookie said “Your best work is yet to come.”  This judgement of Paris inspiration has been in the back of my mind for so many years. I think I can do it. I just need some young models.

Meanwhile, I’ll keep practicing with other drawing and painting projects. I’m still healthy, there’s no hurry. I’ll do it before I die.

Magnolia Branch w Buds / sketch

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One year I planned to do a painting of an early blooming Magnolia and cold weather killed the buds. The tree didn’t bloom at all. Last year in March I got a bunch of life size studies of the flowers. This year, if it works out, I’d like to either do a pastel or an oil painting. I’m not sure which. These flowers might not bloom for a few weeks but I don’t have a lot of  time to make decisions.

First decision- pastel or paint

If I do a pastel I should have my flowers planned ahead of time so I can do the background separately. If I do an oil painting I can start by  painting the background and paint the flowers on top in thicker paint and it will cover nicely. If I do a pastel I need to figure out exactly how big and where to put the flowers first because I won’t be able to cover or lift the background  pastel colors out enough for the flowers to be bright if drawn on top of the background.

If I do a pastel I can use a big sheet of the sanded paper and take less art supplies out with me after I decide on a few pastels. If I paint it I need to prime a canvas.

How many flowers will fit on a big piece of pastel paper? Should I crop this sketch or enlarge it and do them life size? Will I be able to use the sketches I got last year?

So many problems for your Plein air artist to figure out! I’ll have to prop this up where I can see it and try to decide this weekend. The stronger the plan, the stronger the finished piece.

Keeping my fingers crossed for mild weather because this could still get postponed until 2021 if it gets real cold again.