Tag Archives: plan

Pond, Path, Creek, Golf course / sketch and photo

I adde a person walking for scale but I might change the figure in the painting.

I made the path wider so it’s more visible.

This is a plan for a palette knife painting on paper. I’m going to try painting right on top of my charcoal sketch, at home, because it’s going to rain again for a few days. Luckily, I got a few colors mixed in plein air today which I can put plastic wrap on top of and they will be good for a week or more. They say the sun will come out on Sat. too, so I can get back over there and mix more colors.

We didn’t have any frost yet. The trees are showing some color but not a lot. I might fake in some fall color in the background, or I could wait and see what happens, but the beach isn’t the best place for fall colors.

I need to look at this sketch and make some decisions before I get started painting . Like exactly where to start. I mixed some middle ground tree colors in plein air but I should probably start with the sky and background. Or I could try to paint the water first. The water looks different every time I see it, so I might just wing it.

Yawn.

I’m not a good photographer, but this pic is too boring. I’ll get a more interesting painting if I don’t use it, I’m only showing you the photo so you can see how much my naked eye differs from the camera. Which eye is the better representation? The human eye or the camera?

Battery De Russy / finished sketch

I tried to sketch this a couple years ago and never finished.

I transfered those old sketches to this larger paper and made some corrections but I can see it’s not still not right, better, but not good enough. When I transfer this to a canvas and go back I’ll make more corrections and it will be ok the next time.

Perspective ain’t easy. I’m eyeballing it and drawing freehand. It’s a challenge so if I keep at it my drawing will improve for other subjects too.

I’m looking forward to painting it with a palette knife. If I told you this joint vibrates with its own weird frequency, I hope you know what I mean. I don’t believe in ghosts so that might be why I never saw one, and I spent a couple years practicing figure drawing in Hollywood Cemetery around 15 years ago. I drew the sad stone angels. They make great subjects because they never move and they’re free any time you want to sketch them. Hollywood Cemetery had the vibe of a sanctuary to me.

I felt safe at Fort Monroe the past few times I went there even though there’s a two lane street between me and the battery. There’s not much traffic. I saw a ton of cops over there too so they may be making me feel safer. I was not a person of interest this time. I parked in the real public lot across the street instead of taking an illegal spot next to where I was standing.

Every time I go out on the highway lately traffic is flying!

3rd palette knife painting w. closeups

I have a plan for another subject using this technique.

This is the last time I’ll use my sketches of the butterfly ginger for the palette knife painting. The next thing I’d like to try it on is the spooky battery at Ft. Monroe which I started sketching a couple years ago and put on hold on account of the weird vibes I picked up at the fort. I want to try again to finish a painting of the battery which might or might not be haunted.

Since the palette knife makes it comes out all wavy I think it might give that big imposing scary piece of architecture a more moody look. It will be all different shades of gray, some warm grays and some cool grays.

This is a negative shape for the viewer’s eye to go into and rest.

I want to try making different textures with the palette knife. For the background on this painting I used the short flat edge of the odd shaped palette knife to scrape two shades of greenish gray in a thin layer with some peaks of the dark gray tint of the canvas showing through.

This technique uses up a lot of paint.

First I squirted a blob of Viridian green on my palette. It’s dark. I added terpenoid a few drops at a time until the paint was runny. I thought my big blob of paint would be enough to paint these dark green areas but I misjudged the amount of paint I needed and had to use more.

When I mixed my lighter greens I used big blobs of paint and still didn’t have enough mixed up. When mixing colors it’s better to have too much paint mixed that to not have enough and I usually mix the right amount for what I want to paint with only a small bit left over but with the palette knife it’s harder to estimate.

The last color I used was white and I put a huge blob of it on my palette then added so much more paint that I thought it looked like I’d be wasting paint but it was exactly the right amount to finish the flowers.

Now I have to buy more paint.

pastel studies of butterfly ginger

I changed my mind.

Doesn’t palette knife painting look like a lot of fun? Instead of watercolor, I think I’ll paint these flowers with my palette knife and not use a brush at all. I need to buy a palette knife set so I have a variety of shapes to work with.

I have 5 studies of these flowers now. That should be enough.

I’m not sure if artists that use the palette knife to paint prime their canvases or not. It might make it a little easier to scrape the paint across the canvas if the canvas is sanded and gessoed and sanded again. That makes it smooth. Then the canvas needs a coat of background color.

I can glom the paint on real thick and try to get it to go where I want it to go without a paintbrush. It will be a challenge making shapes and lines and textures and still making a flower out of it.

I’ll go back to the garden to mix some green colors then I can paint at home.

figure drawing

The first of two models.

My models are made of bronze and I’d like to paint them in bronze colors. I’m not sure exactly how yet, Which media to use, probably not oil paint. I still have to sketch the second dancing girl and she’s in a more difficult pose to draw. She’s leaning back. I’ll do it next week.

The back of the sculpture looks good too, so I might draw both sides. I’ll have to transfer the sketches to a larger paper. They’re holding hands while dancing.

It doesn’t make any difference how long it takes me to come up with a plan for my dancing girls. They’re not going anywhere. I might even wait till winter to do it so there will be less people at the garden and I won’t be in the way on the path.

Still life plan

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This is what I have so far. I might work on the pot more and I might add more flowers. I’m not sure. I stood back farther from my sketch to take the picture than I did to sketch it so the ellipse on the pot isn’t the same as it is in my photo. And I leaned the starfish up against the pot so you could see it but I wasn’t planning on leaning it there for my final pastel drawing. I need to go to the store and buy peaches because I need a peach in this picture. I might take it out on my balcony to work on it later because the balcony has good sunlight before 10. The light in my apartment isn’t good.

This is the second time I tried to draw the pot. When I was in art school long ago drawing accurately was important. An unsymmetrical flower pot or unsymmetrical ellipses on the pot would be mocked in a critique. Like, how high were you when you drew that? if it was lopsided.

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This is how I try to make my flower pot look right. First draw straight lines on tracing paper to the approximate proportions then fold it in half and check it. Fold tracing paper in forth and cut an ellipse, compare it to what you see in real life. If the ellipse isn’t right, try again.

This much work on the flower pot is enough to make some people call the drawing “labored over”. Labored over is bad in contemporary art. Which makes no sense to me. Is it really bad if you enjoy working on something difficult and finally get it right? Is it actually labor if you’re not getting paid but doing what you want to do just for fun?

The thing about contemporary art being so badly drawn is that they don’t like a drawing that isn’t sloppy. If I entered a juried show and the other flower paintings had unsymmetrical flower pots and messed up ellipses or totally absent ellipses, and mine was the only entry that showed some effort, mine would get rejected. If the juror is an art teacher that never learned to draw because their art school didn’t force it on them like mine did, and if that art teacher didn’t tell their students to try again to draw the pot better, then mine would be a kind of affront to them and they would resent my efforts.

If I called the juror and asked why my painting was rejected the juror would say, “I was making groupings and yours didn’t fit with the others”. This is why I say, the art world demands conformity. And why I say the jurors think like interior decorators.

I’m not making this up. This is one reason why I h8 the art world and will never pay another entry fee. I might go for free wall space some time in the future but maybe not.

Once I asked a juror who constantly rejected my paintings why and she told me the jurors are looking for “contemporary”. As if my being alive and doing art today isn’t enough to make me contemporary. I also have to lower my standards. They see my paintings as old fashioned. The joke’s on them though, because I’m not behind the times, I’m ahead of the times.  I can’t change the art world. It will happen anyway eventually but I’ll be dead. And my daughter will be able to sell my paintings for big bucks. She has a genius marketing plan that I can’t divulge.

 

the Peachoid / I 85 at Gaffney South Carolina

Peachoid-gaffney

not my photo.

It’s a water tower. Interesting info that was new to me has recently been disclosed by my daughter.

I’m planning an art project which will be a pastel still life featuring representations of celestial bodies and I was talking to her about how to represent the moon.

I drove past this a lot of times on my way to Atlanta, GA. and never realized, people call it the Moon over Gaffney. It’s funny. Millenials  love to use emojis  and the peach emoji represents a butt. A butt represents the moon. So people driving past the giant peach thought of a giant butt. It has been repainted.

One time I took Amtrak to Texas when my sister lived there and as the train was speeding through Georgia and I was staring out the window, I saw a bunch of bare butts on the hill next to the tracks. Some kids were “mooning” the train. I’ll never forget it. I was traveling alone and sitting there cracking up. I stood up to see if anyone else in my train car saw the kids mooning the train but no one else was laughing, so maybe they didn’t see the moons. We passed it so fast.

The giant peach goes to show how public art can mean different things to different people. I decided to draw a peach in my still life. Not every one will get the connection.

This project might take some time. It’s too hot outside for me to enjoy drawing in plein air. I’m only now in the planning stage of my next art project, and I like taking my sweet time doing art, which is not the modern way of doing art. The modern way is to make it look spontaneous. I refuse to conform to that nonsensical attitude. I’ll show my progress on the still life as soon as I get something down on paper. Meanwhile, here’s an inspiration, the giant peach / moon.

That’s a lot of bronze

Charlottesville-judge-rules-Confederate-statues-cant-be-removed

photo lifted from stock

This is just one of many in question. Do they have any plans for all the statues? I have an idea.

Why not open a contest to artists for plans for new statues? I think the metal can be recycled. Is that possible? Would it make it less expensive to make new statues if they could recycle the bronze? Is anyone going to the public meetings on the fate of the statues? I’m not going, but if you’re going to the meetings, maybe you could suggest it.

I’d work up a small clay model of something non offensive and enter the contest if there was no charge to enter.  Like a dragon, that would be cool, or a mermaid because I live at the beach.

They should make the contest free to enter and let the public decide what they want on the pedestals. That would be fair. The public arts commission shouldn’t be trusted to make the decision because they have really bad taste sometimes and might give us something lame because one of their friends entered it and they need to return a favor.   In fact, maybe the public arts commission should be disbanded for letting the monuments stay there until they got torn down. I mean, how out of touch can they get?

If some old confederate wants to buy the monuments and would pay the cities for them. that would be fair too. Then the buyer  could keep the bronze.

Hey, I’m a damn Yankee, I always knew they’d have to come down some day and the confederate generals are not my heroes either. You can ask my friends in Richmond. I told them there would be a big problem and no one could take any responsibility for doing something about it. That would be proactive. It would never happen.

plan for dune paintings panorama

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I don’t know if you can see it well enough in this photo. As I was working on these separate pieces of sketch paper I was putting the others in my bag loosely and the charcoal and chalk was rubbing off inside the bag. No big deal, these are only sketches that I’ll never frame. They got messed up with sweaty fingerprints too. This is 4 pieces of sketch paper each 11″ x 14″ with a 4″ piece of a gray paper added to either side because I need 64″ across for my panorama but I ran out of the tan paper.

The watercolor papers are 15″ x 22.5″ so if I deduct a few inches from 3 x 22.5″ because I’ll staple them to boards, then when it’s all finished I’ll have to trim off the staple holes, I’m figuring roughly 64″. I’ll transfer this to the watercolor paper tomorrow and I might have to redraw at the beach a little before I start painting, but the hardest part of the planning stage is under control now.

I made some notes of colors I think I’ll need. And I want to do a couple practices for that little triangle of ocean showing between the dunes on the left.  The ocean looks gray and it has sparkles. It’s far away but still sparkly.

The chance of rain goes up over the next few days. I’m hoping for a blue sky with light clouds. That will be the first step in the painting. If the weather cooperates, it might not take long to paint my 3 pieces of the triptych, or it could take weeks.

the path to the beach

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That’s the ocean in the background.

I bought two big sheets of watercolor paper for my dunes now that I have a few sketches I can use. I’m planning a triptych. I want to show more sky in the watercolors than is showing in my sketches and it would be great if I could make the three paintings of the triptych  look connected. The watercolor paper is larger than my sketchbook so I’ll be able to extend my sketches on both sides a little.

I’ll have to haul my watercolors supplies down a path but not real far, I/4 mile or so, I guess. I can use my beach cart. I’m not sure if I can take all three pieces out with the paper stretched on boards, or if it would be better to work on one at the beach and the other two at home. The three watercolors will be a big job for me. I’m not sure how to paint that little bit of ocean and I’ll have to decide how to do the sky.

The bugs were after me this morning. Now I’ll have to start taking bug spray along too.

This plan seems like a lot of work but I think it will be worth it. Just hanging around there is worth the drive.