Tag Archives: Pleasure House Point,

marsh @ Pleasure House Point

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This is watercolor with some Inktense pencil in the grass.

The tide was high all week and the sandy path to my overlook was flooded every day.  At least the water looked the same every day too, because it’s a lot different at low tide. A lot of people walked in the water, some fishermen wearing waders and others, including me, took their shoes off and walked barefoot  in the water. It’s still warm here.

A guy stopped and talked to me. He said Pleasure House Point is his favorite place for work and recreation. I asked him what kind of work he does and he said he tests water quality. Doesn’t that sound like a good job for a nature lover? He was interested in buying my painting and it was only half finished. He gave me his phone number.  I’ll call him tomorrow. Keep your fingers crossed I get a sale. IMG_2389

This is what I did to my fan brush. I cut it zig zag so I could make waves. I was trying to figure out a way to paint the water with wind going over it and this was what I came up with. I think I’m on the right path with this and I’ll use it again.

In wildlife news, the birds were squawking loudly and I heard a fisherman yell out, “Shut up! We’re trying to fish here!” I thought it was funny.

 

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a better plan for Pleasure House Point

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This is watercolor paper stapled and stretched. It’s 15 x 20, larger than the pastel sketchbook I used for the previous  marsh sketch. I did a more panoramic view this time, just outlining the shapes of the trees, sky, water and grass with charcoal. It’s a little easier to draw larger and on the second try. I didn’t start  painting today because it’s too hot and humid. I didn’t want to stay out long. It’s cloudy and not much breeze. We’re on the edge of the cone of doom for hurricane Dorian.  I didn’t hear any evacuation orders so I’m not leaving. We’ll have a couple days of nasty weather, maybe it won’t be too bad. Keep your fingers crossed for  VA Beach. I hope the lights stay on. Maybe I’ll be able to start painting this on Sat.

So, this is the first step. I think this is a better sketch than my first try. I don’t know if you can see it very well.

I almost forgot to tell you about the weird noises. I guess it’s birds in the sedge. Every once in a while a bunch of them start squawking oddly.  I don’t see them.

Marsh at Pleasure House Point / charcoal and chalk

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It was so nice to be over there. The weather is great! This is a big holiday weekend  so Pleasure House Point will have a lot of visitors. I’ll get back out next week with my watercolors and try to paint this. I’d like to use a bigger paper so I can show more sky and water. I think the biggest challenge will be the edges where the top of the sedge overlaps the water edge. I’ll probably do a couple practices on scrap paper.

A watercolor might be my last art project until I’m at art camp in New Mexico. I should start getting my things organized this week and pack art supplies. I’ll be off the grid and under the radar for a few weeks but when I get back I’ll tell you about my adventure. Driving across country alone is a zen thing. It’s a beauty and vast.

how I rig up my taboret for plein air painting at the beach

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I looked at plein air easels in catalogs, and saw most of them don’t have spikes on the legs. They also have tiny pallets. I have an easel with spikes, It’s saved my painting from falling down in the wind a lot of times. I wonder why spikes aren’t always on plein air set ups. And why the tiny pallets? How’s an artist going to mix up colors and thin them down with turp for a glaze? I guess that might be one reason plein air impressionists don’t use a palette knife to mix paint, their pallets are too small. I usually spend a lot of time preparing my paint so I need a big enough palette to mix a few colors. I bought a palette for watercolor or acrylic and discarded the sponge it came with. I have a piece of glass with duct tape on the back to mix on. I can see my colors and values better on the gray duct tape than on a white background.

They make the plein air kits so it all fits in a box you have to lug out to your location. Maybe most plein air painters don’t go over sand dunes or down long trails. A few years ago I bought this beach cart with wide wheels. That’s how I can take all these heavy supplies down a sandy trail. I lay my cart on it’s side close to my easel on the left because I’m left handed, and put my palette on the side of my cart. It’s off the ground high enough that I can easily reach it, and it was windy this week but my palette stayed wedged in that spot and didn’t blow down. I had to keep a hand on my painting at all times, and when I stopped painting I had to take it off the easel and put it on the ground so it wouldn’t blow down. Even so, sand gets into my paint and sticks blow on it that I can brush off most of after the paint dries.IMG_1956

This is my camera’s perspective of the scene. It looks far away compared to my naked eye perspective, and the colors look more gray. It got a little cloudy so the shadows aren’t showing up in this photo. This is why I don’t use a photo to get my sketch.

Instead of starting my painting from the weak perspective of the camera, I hold up my sketchbook and try to imagine it’s transparent. I decide how much of the scene is covered by my sketchbook and measure my perspective by comparing nature to the size of my paper. I try to decide where I want my horizon line to be on my sketch and how far I can extend my sketch on each side. How many trees can I fit in the painting, how much sedge, water, etc.

Even though I am trying to match the colors and values of nature so that I can make the illusion of depth, I can’t copy nature exactly.

I recently read an article about a plein air painter who says don’t copy nature, just do your own interpretation of it. His paintings were monochromatic. What’s the point of going out to paint in plein air if you’re not trying to match the colors and values of nature? I can’t see anything more beautiful than nature as it is. My own interpretation comes through in the painting even though I am trying to copy the beauty of nature as I see it. That artist with the big write up in a magazine has a much larger ego than I do if he thinks his monochromatic fuzzy flat paintings are somehow better than real life.IMG_1954

This is my painting with one layer of glazes over the whole canvas. You can see the difference between my naked eye perspective and the camera’s. My perspective is up close and personal compared to my photo. So, what is real? It could be entirely something else from the naked eye or the camera.

Pleasure House Point / charcoal

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It’s so beautiful over there, I could get 4 paintings from this one spot.

There’s a canal on both sides of this sandy path and the path makes a turn, so there’s water in front of you too. It’s all divided up by tall red grass and various types of vegetation.

I’m priming an 18 x 24 canvas for this painting so I can show more of the water on both sides. I don’t want to crowd this beauty into a small canvas.

The Chesapeake Bay Foundation owns this wildlife preserve. They have some nice trails going through it. It’s free and not too crowded, with enough space for me to stand up my easel.