This is the tall kind of lotus with the big leaves. I should make this leaf twice this size if I do it in oil paint. I didn’t take the right color pastels. It’s a narrow path and I took some pastels in a baggie instead of my whole pastel collection.
It’s getting too hot for me to enjoy standing around outside to draw. I have to get to the botanical garden when they open at 9 or forget about it because I’m not going out to draw when it’s over 85. At least I can get the zen vibe of drawing in for an hour or so in the morning if I get out early enough. Today the heat didn’t get to me until I was ready to do the leaf. It becomes impossible to concentrate when you get too hot.
I’d like to do more lotus studies and try to paint like Matisse again with the paintbrush on a yardstick. That was fun.
I think I’m getting the hang of drawing these flowers. This piece of paper didn’t even get smudged with suntan lotion or sweat. Hell, I didn’t even bend the paper! It must be getting easier for me. 😉
It is getting hot and humid out there today. In fact I broke a sweat standing still but I was in the sun. These are some of the problems of your plain air artist. Nice life, huh? Yes it is if that’s the kind of problems I’m facing.
The thing about pastels is that no matter how many you have you’ll never have the exact color you need so you have to blend a couple colors together and just try to get the right value if you can’t get the exact color you want. The first few times I take my pastels out to sketch I want to take all of them. I load up my beach cart because if I leave any at home, those will be the ones I need. Then after I’ve sketched it a couple times I can narrow the colors down to fifteen or twenty and I put them in a baggie in my backpack with my water bottle instead of lugging the whole heavy box of pastels, but the beach cart makes it possible for me to take them all out if I want to. I like to spread them out on the grass to pick the ones I need comparing the colors to the real flowers.
I’m not happy with these colors for the yellow flowers and I won’t be able to use this sketch for my painting but I don’t mind showing you my not so great sketches. It’s another step to planning my painting. If any step of the process doesn’t look good, scrap it and try something else.
Mistakes help me find my way. Being lost on the roads in my newly adopted city helps me learn my way around without using the GPS in my car. I don’t want the car telling me what to do. I don’t like a talking car. The same thing is going on in my head when I’m working on sketches. Some work and some don’t. When I’m drawing I’m making a file in my mind of what works. When I’m ready to paint I’ll have already made the hard decisions. Eventually I’ll be able to find anything I’m looking for in the Virginia Beach / Norfolk area without a map and won’t need the GPS. When you depend on technology to remember things for you your brain gets lazy and you forget. If you burn a path in your brain for drawing or driving you never need the technology to answer questions for you. But, I’m PA Dutch, so, I’m kind of old fashioned anyway. Hey, I have a car and a computer, air conditioning etc. Just so you know I’m not living in the dark ages, I just prefer the old natural ways.
Today I went back to the garden thinking I’d do more sketches of Chicks Dig It, but when I saw these spider lilies I was no longer in love with Chicks Dig It. I’m fickle like that.
That means I’ll have to sketch these a couple more times for my painting because each variety of lily has different shaped petals. Good thing I didn’t start transferring my sketch of Chicks Dig It to the canvas. I like to take my sweet time doing a painting, actually. Sometimes I wish I could just go there and go home with a painting but I never learned exactly how to go about painting in the fast way. Then sometimes I’m glad I’m slow to decide simple things like which variety of lilies to paint because I’d rather have a dozen sketches that I can throw into a flat file and one finished painting, even if it takes me weeks to do it. There’s not enough room in my small apartment for hundreds of canvases but I could find a place for hundreds of sketches. And every time I move, which has been frequently in the past fifteen years or so, I throw away a lot of paintings and give them away.
It seems like in the art world oil paintings are looked at with more respect than other media, but to me the sketching and drawing that leads up to an oil painting is necessary and just as important. And drawings or dry media of any type should be valued equally to an oil painting. But that will never happen.
The name of this variety of lilies is Chicks Dig It. Isn’t that a fun name?! I scouted the garden for lilies budding a couple weeks ago and saw the plaque with this name on it and thought it would be real pretty. Every day or so I’d check on it to see if it was blooming and today it is! My sketch has a few smears, it doesn’t matter. These flowers are only my reference for a painting.
I had to stand in the sun to sketch but that’s ok, I got there earlier and took breaks to sit in the shade. This is the lily I want to do in my painting. Now I have to sketch leaves and buds and a few more flowers but I’m almost ready to plan my flower layout. Finally making a decision on the type of lily is a big step in the project. I can fit maybe 7 or 9 flowers on the canvas that I have tinted and I want to put in a lot of buds too.
I like the wilted flowers they call “deadheads”. Gardeners are so quick to pull off deadheads. They probably don’t like me to paint them but I like the shapes they make so if there’s any for me to sketch I’ll try to get them in my painting too. I feel like if I’m going to paint flowers, leaves and buds why not paint the deadheads too?
I love my kneeded erasers. I have one in my hand all the time when I’m sketching with charcoal or pastel. It makes blending less tiring on my hand than a blending stump. To start with, I blob in a color in the general place and size I want my flower to be. Then I use my eraser to push that first layer of color into the paper. As I’m working on the general shape of the flower I’m erasing the extra pastel to define the edges of the petals and adding more color where the petals need to be larger, continuing to blend it down with my eraser. Then I go over the flower with a darker color to put in some shading. Then go back with a lighter color to add the light sides of the petals.
Yesterday it wasn’t supposed to rain until afternoon and I went over to the garden to draw. The sun came out for a little while and I thought I had enough time to finish a sketch before it rained. I didn’t get this sketch finished because it started raining before 11.
That’s ok. This is only flower drawing practice, like a color rough. When I do a finished piece I’ll have to do my background first and put the flowers on top of leaves. Since these flowers don’t look the same two days in a row I might have to work on the painting at home. If I do a painting at home the more sketches of flowers I have the better.
I still haven’t decided which variety of lilies I want to use for my painting so I need to do more sketches first. The more the better so I can get a plan worked out and arrange them for a good composition.
I don’t know the name of these lilies, I didn’t see a plaque. It was nice standing in the shade of the magnolia tree to sketch them. It’s getting hot and muggy out there this afternoon but I got started at 9:30 and it wasn’t bad standing still to draw.
I worked on this for 2. I/2 hours and took a few breaks to sit down on a shaded bench. I’m more comfortable standing up to draw because I can concentrate better on my feet and sitting down to draw makes my back tired. It’s harder to hold my sketchbook comfortably sitting down, since I don’t take my easel when I’m using my small sketchbooks.
I spotted two more places in the shade where I can draw yellow day lilies and some reddish ruffly oriental lilies. After I get those two varieties sketched I’ll pick the one that looks best and do a painting.
It’s a throwback to the age of the dinosaurs isn’t it?
My model is a bronze sculpture.
Yesterday I got a start on my sketch but after working on it for a half hour or so I saw that I drew it too far to the left on my paper. I didn’t want his beak to crowd the edge so I decided to transfer my sketch to the other side of the paper and try again.
I worked on it for another hour or so and was starting to get hungry and lose my concentration. I took a break and went back to work on it a little more. Then a lady spoke to me and I jumped. She was very apologetic for startling me but I told her no prob. I was in the zone but I can go back. That happens sometimes when you draw in plain air. If it would annoy you too much to have your concentration broken, then plain air isn’t for you. I kind of enjoy talking to people who are interested, so no big deal if they scare me. I’m not on any schedule for finishing the sketch.
Drawing this pelican made me see the beak has an extra section down the center. And from far away the head looks like a squid to me. Can you see that shape in the head? I’ve seen live ones before but I can’t remember where. If I find a good spot with a nice background for this bird I might do a painting and enter it in the Audubon contest. (some day)
When I started drawing this statue I thought she looks high. She’s smiling and her eyes are half closed. Then I saw she has grape leaves in her hair. She must be drunk!
This is my model. She’s in a large formal garden at Norfolk Botanical. I’m still doing portrait practice by sketching statues because they’re free and they don’t move. My friends and family don’t want to pose long enough for me to get a finished drawing. At least if I do find a free live model some time in the future, the time I’ve spent sketching statues will help me get a likeness.
After sketching a bunch of statues of male artists, it was nice to draw a pretty girl. I’ll go back to the sculpture garden with the famous dead guys again and do more of them but I took a little break from them.
This is another pretty girl in the same formal garden. Unfortunately, her nose is broken which will make it more of a challenge to draw her. I’ll have to use the magic of art to fix her nose after I get a little better at portraiture.
About ten years ago I practiced figure drawing and portraiture in Hollywood Cemetery in Richmond. I got the inspiration to draw the stone angels and was working on that for about six weeks when a good friend died suddenly and I was totally shattered. I hung around in the cemetery a lot for a couple years and drew most of the angels. It was the best therapy for me. Every day I was reminded that I’m still alive because I was standing over all these dead people. Hollywood Cemetery is very special. I’m not superstitious. I never saw a ghost, but the cemetery was my refuge from the world and it made a better artist out of me. And it helped me recover in some weird way, when my life went down the tubes back then.
After spending a lot of time sketching in the cemetery I wanted to draw some angels that were broken. I figured out how to draw a missing hand on a broken angel by copying a hand of another angel to fit. I felt like I kind of fixed the broken one when I could do that, and I knew my drawing skill was improving. That’s why I want to try again by putting a nose on this broken statue’s face.
I was very happy to find all these statues at Norfolk Botanical so I can continue to what I started ten years ago.
I’ll give you a hint. Italian neoclassical sculptor.
This is one of our dead guy’s masterpieces.
The plein air report for today- Flies were biting my legs. It must be that time of year I have to pack bug spray with me. Then it started raining. So, that’s my excuse for not finishing this sketch.
Previously on “Who’s the dead guy?”
I’ll give you a hint, Spanish, Baroque. I had to look him up. This one might not be easy to guess.
A photo of one of this artist’s masterpieces
It got too hot and humid after the sun came out of the clouds this morning. Your plain air artist had to go back into the air conditioning.
Previously on “Who’s the dead guy?”