This flower is too sexy for my blog. Too sexy for my blog. Too sexy OMG.
Oh well, I draws em like I sees em.
Inspiration. Where does it come from? I can only talk from my own experience here, so feel free to opine, as always.
I think it comes from outside myself. It’s nature or other art, or a good teacher, or music, literature, everywhere you see something that grabs you. When I was young and worked full time and exercised every day and had a house, husband and kid, I wasn’t into drawing and painting. I still had a lot of ideas but when you’re young and you have a lot of obligations and distractions it’s easy to put art on a back burner. I always knew if I lived long enough a time would come when I could concentrate on art. To me art and craft are the same thing. Back then I was inspired to take a pottery class or two. I was inspired to make gingerbread houses and carve pumpkins among other things. Is the inspiration to sew or cook something special less than the inspiration to paint? I say it’s all the same. If I don’t feel like painting it’s because I’m on something else.
I had a lot of stress back in those days but I don’t think stress kills inspiration in my case. It’s that there’s only 24 hours in a day and I like to sleep too. There were a few years when my mind was in a turmoil. Art gave me the chance to” live in the moment”. It’s a good break for your mind if you’re under stress. I think all that advise you read about living in the moment and giving up the past, whatever is eating you, is too idealistic. It’s not like you have switches in your brain where you can just turn off thinking about that bad thing. When you can spend a lot of time alone you have to go back over it again and again until you figure it out. Then you can get some peace of mind. There’s a lesson to be learned from whatever your mind is fixated on. You have to face it. Masking the problem with pills won’t stop it from coming back. Plus the meds could suck the spirit out of your work, if you’re an artist, by numbing your brain.
The main thing about inspiration is that it requires time alone to work for me. It helps to eliminate some things from your life if you’re a very busy person.
About this drawing: It was so windy that flower was blowing all over the place. I drew a moving target. It was real good practice because after drawing so many magnolias I had to work faster and observe then sketch and observe again when the flower blew back. I had to work faster and it wasn’t too bad because charcoal doesn’t show up on this paper anyway, so, just skip it. With flowers, if you get it wrong no one knows.
These flowers are huge. I’m sketching them life size on 9 x 12″ paper and they’re running off the edges. When I do a painting of this next year I’ll have to paint them smaller but drawing large is easier than painting small. These are for practice.
Vine charcoal doesn’t work well on this dark paper so I have to skip that step and block in the general shapes with pastel and chalk. The more flowers I draw the easier it’s getting but these sketches still took around two hours each. For my painting I need about three times the number of magnolia studies I have. Then I can eliminate the ones I don’t like. The tree has some buds so I might be able to get a couple more sketches in before they all turn brown and fall off. I’ll have to go back next year and do more.
Spring has sprung around here.
Last time I saw this tree all the flowers turned yellow overnight. It still had a lot of buds. Now all the second buds are open and it looks like the cold didn’t damage them. The tree is more beautiful than before. I hope I can get more sketches before they wilt. But it’s pretty even when they get yellow.
My next apartment is on the other side of town from the botanical garden so I want to get flowers sketched until I move. Then I’ll be hanging around at the ocean front more. I’ll still go to the garden but not as often.
When I got to the tree today I was surprised to see that a lot of the flowers are turning brown before they open but it’s a nice yellow ochre. I think the one on the left is a bud I sketched a couple days ago. I was glad I brought a yellow ochre pastel along.
Before I left home I checked the weather and there was a 5% chance of rain with the chance going way up in a few hours so I thought I could get a little sketching in. Guess what 5% I was under.
It started as a few drops and I continued to sketch. Then it was a pretty good shower and I took shelter under a tent for a few minutes hoping it would stop raining. It messed up my sketch and I thought about giving up for today. Then it eased up some so I finished the sketch.
I couldn’t blend or do any erasing on that flower on the left. The rain made my pastels run and smear. I thought WOW! This rain is giving my sketch that fast loose happy accident look so prized in the art world these days! Maybe I should draw in the rain more often! Crazy though it seems.
My goal this month, besides moving, is to sketch as many magnolias as I can. Next year I’ll do a painting but the more flower sketches I get in advance, the better.
It was cold out there yesterday and even colder today, so I might get back to the tree this afternoon, but I’m not sure if I will.
This is one reason why my paintings aren’t marketable, they take a long time in the planning stage. People seem to want art to be spontaneous and fast. They don’t want to pay for the time it takes for me to finish a painting but if I could ever sell a painting I expect it to pay the rent. I’d rather throw my old paintings away when I move or give them to my friends than sell them cheap.
Yesterday I worked on this sketch for about an hour and a half and got this far. First I blocked in the general size and shape of the flowers with the side of a small piece of charcoal then erased the excess and drew some lines. Then I erased the lines that were in the wrong place and redrew my lines. Then I erased again when I started in with pastels. Now you may say,” Chris, Why don’t you learn to draw faster?” I’d say, “If I liked to rush I wouldn’t have moved to Virginia in the first place, I’d have gone to New York. Also, why rush if you have the time and you enjoy what you do?”
Sometimes I think I can give in to peer pressure and paint fast, but why should I? I like my nonprofessional, “amateur” status and can’t conform to art society rules for very long, when I do try.
Between these sketches and the ones I do next year for the painting I’m planning, I could have 20 hours or more in the sketching phase. My painting won’t come out like I want it to if I skip this step.
Sketching is more important to me than painting at this point in time. In a few weeks I’ll be moved into my new apartment, then I’ll have time to start on a landscape painting. I have a lot of my things packed but if I keep making a little progress every day on that job it’ll be under control on moving day. I’ve moved so many times in the past 15 years that it’s no big deal anymore. In fact it makes me feel free to know if anything bugs me about the place I can leave. I don’t have too much stuff.
It’s great to get out to sketch even if it’s cloudy. And sketching regularly will make me a better painter, if what our teachers at YAA told us is true. It will take years, but you just have to keep at it even if you only have a couple hours to sketch some flowers.
These flowers change fast. I sat down for a few minutes and when I looked at my sketch again the petals had moved. At first they have a pale pink line and as soon as they open they start to yellow.
Next time it doesn’t rain I’ll try to sketch some purple magnolias.
I’m not crazy about the yellows I got with my oil paint sticks for this one. I hoped it would look yellower on a violet background. They’re still too green. I might try again with pastels next time it doesn’t rain. But I saw some other plants blooming that I also want to sketch so I’m not sure if I’ll continue sketching daffodils or just wait until next year and do a painting of them.
Today when I got back to my car in the parking lot at the botanical garden, I saw a squirrel sitting at my front tire with something big and white in its mouth. When I got in the car the squirrel ran over to the trees but came right back. I sat there for a few minutes getting my things together for my next stop and the squirrel came back to my car. I heard this scratching sound under my car and got out to look. The squirrel ran away but came back and started scratching again so I started the car and he only went about 15 ft. from the car then came back. I inched forward and saw him going to the trees. I wonder what he was stealing off my car. That was weird.
I was alone in the greenhouse on Saturday. It rained all day but it was nice to be there sketching. Then later a photographer came in and spoke to me. I asked him if this is a slipper orchid and he told me it’s a pitcher plant, which makes sense because the bottom center petal is pitcher shaped, but it doesn’t look like the other pitcher plants I sketched in the past.
I used oil paint sticks and watercolor.
The sun finally came out! YEA! I’m going back to work on my sketch of the daffodils later when it warms up a little.
I saw a bad art movie on Netflix, Velvet Buzzsaw. It’s about bad art first fascinating then KILLING art world elitists. Does the really bad art kill ordinary people too? I watched the whole movie, like you have to look at a car wreck.
Ships and boats are all around us here. I should get some practice drawing them. Yesterday I went over to Fort Norfolk to check it out and it was closed for Presidents’ Day, which I forgot about, but the guard at the gate told me I could park in their field on the outside of the fort to sketch. It was great. The ships are close because the river isn’t too wide there. It was sunny and not too cold and I had the place to myself. A lot of people could see me from the tall buildings all around but it was safe because the guard was probably watching me too. Since you have to show a photo ID to get into the fort it might be the safest place on the waterfront to sketch. I’ll get back over there again soon. It’s the oldest fort and they have guided tours.
The ships weren’t easy to draw. My sketch kept getting bigger as I was working on it which means it was out of my control. Control, sometimes you want it, sometimes you don’t. If I was always in control of my sketch that means I’ve mastered drawing. So, there’s still room for improvement. My ships aren’t in exact proportion either, maybe that’s not noticeable.
This sounds like fun. I signed up.
A few years ago I wanted to take a vacation out west then I canceled my plans because I moved to the beach and I’ve been on permanent vacation since I got here.
I bought a 6 cylinder Ford in 2016 because I wanted a car strong enough to go up a Rocky Mountain without overheating, which is what happened on my last road trip when I drove the old Buick. Every time I drove uphill it ran hot then when I went downhill it ran cold. I wondered if the car would make it back home. It did. Also, the Ford has the most comfortable seats of all the cars I test drove.
I’ve been looking at the Plein air magazine once in a while for a workshop to join but couldn’t decide on any of them until I saw this ad. I was hoping to find a Plein air event at The Dalles in Oregon because in all my cross country driving, The Dalles was one of my favorite places, but I think this one at the Ghost Ranch will be great. I like the part about no competition, no show, no drama. So, I guess it will be painting and partying.
I’ll drive my big ass Ford to New Mexico because I enjoy driving but I don’t enjoy flying. YEA! Now I have another thing to look forward to! The first thing is moving in March which I think will be a good move for me too.