I don’t know if you can see it well enough in this photo. As I was working on these separate pieces of sketch paper I was putting the others in my bag loosely and the charcoal and chalk was rubbing off inside the bag. No big deal, these are only sketches that I’ll never frame. They got messed up with sweaty fingerprints too. This is 4 pieces of sketch paper each 11″ x 14″ with a 4″ piece of a gray paper added to either side because I need 64″ across for my panorama but I ran out of the tan paper.
The watercolor papers are 15″ x 22.5″ so if I deduct a few inches from 3 x 22.5″ because I’ll staple them to boards, then when it’s all finished I’ll have to trim off the staple holes, I’m figuring roughly 64″. I’ll transfer this to the watercolor paper tomorrow and I might have to redraw at the beach a little before I start painting, but the hardest part of the planning stage is under control now.
I made some notes of colors I think I’ll need. And I want to do a couple practices for that little triangle of ocean showing between the dunes on the left. The ocean looks gray and it has sparkles. It’s far away but still sparkly.
The chance of rain goes up over the next few days. I’m hoping for a blue sky with light clouds. That will be the first step in the painting. If the weather cooperates, it might not take long to paint my 3 pieces of the triptych, or it could take weeks.
I bought two big sheets of watercolor paper for my dunes now that I have a few sketches I can use. I’m planning a triptych. I want to show more sky in the watercolors than is showing in my sketches and it would be great if I could make the three paintings of the triptych look connected. The watercolor paper is larger than my sketchbook so I’ll be able to extend my sketches on both sides a little.
I’ll have to haul my watercolors supplies down a path but not real far, I/4 mile or so, I guess. I can use my beach cart. I’m not sure if I can take all three pieces out with the paper stretched on boards, or if it would be better to work on one at the beach and the other two at home. The three watercolors will be a big job for me. I’m not sure how to paint that little bit of ocean and I’ll have to decide how to do the sky.
The bugs were after me this morning. Now I’ll have to start taking bug spray along too.
This plan seems like a lot of work but I think it will be worth it. Just hanging around there is worth the drive.
The earlier I can get to Back Bay the better when it’s hot. Today I got to my overlook around 8:30 and it was great! Not many people were there either.
I could get at least two more sketches from this one spot. It’s pretty 360* around and a place where I can see a little ocean between dunes. I could do a series of dune paintings in a row to give the panoramic feel of it.
Walking on the beach is nice exercise after sketching. The dunes get my heart rate up for a few minutes. The waves were small again this morning. In another week or so the tides will be all different from this week and I might be able to do some wave studies.
There’s not much shade down there but I found some and sat in it to sketch. It was uncomfortable but better than standing in the sun. By the time I got to my overlook at 10 this morning I already had enough sun.
Yesterday was cloudy and cool. Then, on my way home at 11:30 today I passed a long line of cars waiting to get into the public parking lot at Sandbridge. If I had to wait in that line I’d just turn around and go somewhere else.
The past two times I walked on the beach at Back Bay the waves were small. That’s why I’m getting into the dunes even though I really need the practice drawing and painting waves.
I’d also like to sketch more at Pleasure House Point, so depending on the weather I might go back over there. It’s closer than Back Bay. I need to check the tide charts again.
I’ll try to get out earlier so it’s not so hot and I can sketch the better views in the better light.
This is weird, I went back to the old wordpress editor for this post because I couldn’t find the place to click to add media on the new one. I had a post made up but somehow I lost it and couldn’t get it back. This makes my 3rd try here.
I’m going to do a few sketches at Back Bay and get some sand dunes then decide which one to do a watercolor from.
This will be a short post because I’ve already worked on it too long.
One place on the path floods often and I can tell which way the tide is going by the way the water is running across the path. A lot of times I go there just to walk and don’t take my art supplies along. Now, we’ve had a few days of rain and I worked on this at home, but the past couple weeks when I went over to walk or to sketch or pick my colors, the flooding place was dry and the water looked like low tide. I could see sand and oysters. When I got home I looked at the tide tables and was surprised to see the tide was almost high because I expected to find it was low tide. I wondered if I could read the tide tables at all.
The last time I went to the point to sketch and pick colors from my charts a lady on the path above where I was standing spoke to me. We were both amazed at how far out the water was and she told me low tide was an hour and a half ago but it hasn’t moved and might not move much even at high tide.
This could be one of the lowest tides I’ll see all year, which was ok because I wanted to paint the oysters on the mud flats.
This week we’re getting a lot of rain so there will be coastal flooding and low tide will look like high tide, I guess.
I don’t have as much confidence working at home as I do working in Plein air or as much confidence working with watercolors as working with oil paint or pastels. The weather forced me to paint at home. I thought it would probably be ok because I did my sketches in plein air and picked my colors and made notes of which color to use in plein air. Then after I get past my reluctance to start, I find that I enjoy drawing with the Inktense pencils. I can make a texture with the Inktense pencils and I have a lot of colors, so they save me the time of mixing watercolors on my palette.
It was nice to get over there today. I smelled honeysuckle, my favorite scent since I was a kid and the honeysuckle bloomed when school let out for the summer.
A lot of people were there but I found a spot off the trail to sketch. I saw a lot of birds, egret, osprey, some kind of small heron type bird, possibly a sand piper.
This was easy to sketch. I’ll stretch a piece of watercolor paper and go back tomorrow. The weather is going to be nice again.
The little black dots in the water are oysters. mmmmm, fried oysters. You can’t take these, they’re protected.
I sewed a lot of masks for the cable guy to distribute. He sent me an email to say thanks. Whatever he does with them, I don’t care. It’s too many for one guy to need, he’ll probably give them away. I didn’t tell him it’s a bad idea to sell them. I hope he doesn’t, but it’s really out of my hands.
A few days at the sewing machine made my back tired. I’m glad I have the opportunity to help the community in the corona crisis. I might sew more, but first I need to get out and try to do an art project.
Long ago, when I was a young chick in art school, they insisted we must learn linear perspective using vanishing points. It was too technical for me. I promptly forgot what I learned. After doing a few vanishing point exercises I decided if I wanted to draw architecture I’d just eyeball it.
It’s not easy to draw architecture. I have to try at least twice and it’s still not exactly right but it’s not annoying my eyes so this will do. My perspective is a little off and my proportions are a little off, I hope it’s not noticeable.
When I can get my lines straight I’m happy. I did this all free hand not using a photo or even a ruler. To check my lines for straightness I look at my drawing on the edge the way you look down the edge of a board to see if it’s warped, tilting the drawing so I’m not looking straight at it but kind of looking sideways. Then I can see where my lines go off straight and it’s easier to make corrections. It might seem like a slow process to draw straight lines this way but I want to do it freehand and practice will pay off in the long run.
This is a close up showing two focal points. The light in the foreground is a focal point because it’s contrasting with the bridge support that is partially illuminated by it, that support being the only one with a lot of light on it, and the dark lines going behind it on a slant. The secondary focal point in the background is a streetlight far away. It’s white against black, so if a viewer’s eye is zooming in on details their eye will stop there and look at the background for a second before moving on. You can see some sketchy boats in this photo which aren’t a focal point and aren’t even noticeable from far away. Yeah, those are boats. I could hardly see them from where I was but I drew them anyway. (artistic license – draw as much or as little as you want to)
The lines look tilted because I wasn’t holding my camera exactly square to the paper.
This close up shows reflections continuing from above the bridge to below it. I wanted to have some light reflecting under the bridge to tie the top to the lower part with a little light. That’s another secondary focal point on the far right of the drawing because of the white square on the black background and the orange square next to it.
Sundown was my favorite time of day to draw this scene from the balcony of my hotel. A half hour earlier the sun was glaring on the water so bright I couldn’t look in that direction. A half hour later and the buildings in the background blended in with the trees’ darkness.
I started this pastel in Plein air at the inlet on the 6th floor of the hotel. I did my drawing and picked my colors in plein air. Then I got an apartment and moved in. After a couple days I stopped unpacking and organizing the apt. so I could finish this. Now I have to get back to the unpacking job before I start another art project.
This is the view from the window at the end of the hall on the 6th floor in this hotel where I’ve taken up temporary residence. (facing South) It’s charcoal and chalk. I worked on the sketches off and on for 3 days. It was cold and windy so I ducked back into my room to warm up and then went back to it later.
I’d like to paint the scene but I don’t know how long I’ll be here. I might be able to find an apartment this week. The ones I called last week don’t have availability until May. Not that I’d feel bad about staying here a whole month, but this isn’t a residence hotel, I should move on.
I might have time to finish this in pastel. There’s a bridge I want to sketch first. The bridge scene would be great for a nocturn. It’s something I’ve always wanted to try. The lights reflecting on the water at night are real pretty.
This is the same view as seen by my camera. I don’t think the photo does it justice. I’m posting it so you can compare my naked eye perspective to the camera’s perspective. I don’t need a photo that’s half parking lot. Big yawn! haha
I must have stayed at this hotel long ago but forgot this was the one with the view I wanted to capture. I remembered it has a great location when I was faced with the prospect of being locked down. Then when I got here I said to myself, “OH YEAH!”
The bridge is out the room’s window. (facing West) I don’t have to go out at all to draw it.
The boardwalk is open. Guys are out surfing. A lot of people are out getting exercise but traffic is light.