That painting I did last week was sooooo bad. How bad was it? Matisse rolled over. I tossed it.
They don’t give any information about technique in my Matisse book. It’s trial and error here. At least no one will ever say I fear failure. I’m learning something about fauvism by trying to copy the style. This is what I got so far.
Fauve means wild animal so my painting should be bold. Last week I was hesitant so I daubed. Matisse would h8 that. This time I was more deliberate with my brush strokes.
In fauvism you’re supposed to convey an emotion with your color choices. I hope I can do that. Imagine Diana, goddess of the hunt. She represents the feminine ideals of independence and chastity. She can kill her own food so she doesn’t need to rely on some god to bring dinner home and she’s better off without being in a relationship with some god because those guys cause all kinds of mischief fooling around with mortals and chasing nymphs etc. She’s alert and at peace with nature. She’s strong. I hope I can capture her attitude.
Trying to paint in a style I’m not used to is challenging. I’ll try again. If you know anything about it please advise me. Thanks for the likes on that last post which was a really horrible painting. I appreciate the support.
Yesterday was too hot to draw outside so I went to the Chrysler Museum to sketch. I worked on it for a little over an hour and went back today and was there for another hour or so. I can’t tell if this looks like the marble bust or not.
I’d like to try to paint a portrait but I don’t want to pay a model. I could do a self portrait but I don’t enjoy looking at my reflection. So I’ll see if I can paint Diana like a fauve. If it comes out ugly she won’t be offended.
I don’t care too much if I mess it up. I’ll do my best, but no guarantees. I have practically no ego for an artist. Should I blame my parents for that or thank them?
My art school was a trade school but I learned to draw and paint in the traditional ways. That doesn’t mean I don’t like modern art. Is it really important to stick to a certain style? I don’t think so, but there are people who tell an artist to pick a medium or style and stick to it. I heard a juror say, “Don’t mix two different styles.” I didn’t ask for the reason and I don’t know the styles well enough to know if I’m doing that, but I thought she was talking to me.
I like looking at photography even though I don’t do it. I like a lot of modern art even though my attempts to do it don’t usually work out. Most artists try different things and go through their phases. Matisse, who I always liked, tried fauvism so I want to try it too. I’ll use this sketch.
Isn’t she beautiful? She’s made of marble and you can find her at the Chrysler Museum, Norfolk VA.
Continuing with my portrait practice, I went to the museum because it was raining. I have all my practice portraits of the famous dead artists taped on the wall and I don’t like any of them. They’re all going out with the garbage. I’ll keep this one. This gives me some hope that I’m getting a little better at portraiture. Why did my sketches of the dead artists come out stiff looking compared to this? I think it’s because this time I had a more graceful model.
The myth of Ariadne goes like this: She was the daughter of King Minos. She helped her lover Theseus escape from the labyrinth then they ran away together to the island of Naxos but Theseus abandons her there. The plaque says Ives made her looking down because she had a broken heart but not for long. Bacchus, the god of wine sees her on Naxos and immediately falls in love with her and they are happily wed.
Durn, my photo looks fuzzy. I’m not a real pro with a camera, as you can see. I’m including this pic so you can see for yourself if I got a likeness.
When I started drawing this statue I thought she looks high. She’s smiling and her eyes are half closed. Then I saw she has grape leaves in her hair. She must be drunk!
This is my model. She’s in a large formal garden at Norfolk Botanical. I’m still doing portrait practice by sketching statues because they’re free and they don’t move. My friends and family don’t want to pose long enough for me to get a finished drawing. At least if I do find a free live model some time in the future, the time I’ve spent sketching statues will help me get a likeness.
After sketching a bunch of statues of male artists, it was nice to draw a pretty girl. I’ll go back to the sculpture garden with the famous dead guys again and do more of them but I took a little break from them.
This is another pretty girl in the same formal garden. Unfortunately, her nose is broken which will make it more of a challenge to draw her. I’ll have to use the magic of art to fix her nose after I get a little better at portraiture.
About ten years ago I practiced figure drawing and portraiture in Hollywood Cemetery in Richmond. I got the inspiration to draw the stone angels and was working on that for about six weeks when a good friend died suddenly and I was totally shattered. I hung around in the cemetery a lot for a couple years and drew most of the angels. It was the best therapy for me. Every day I was reminded that I’m still alive because I was standing over all these dead people. Hollywood Cemetery is very special. I’m not superstitious. I never saw a ghost, but the cemetery was my refuge from the world and it made a better artist out of me. And it helped me recover in some weird way, when my life went down the tubes back then.
After spending a lot of time sketching in the cemetery I wanted to draw some angels that were broken. I figured out how to draw a missing hand on a broken angel by copying a hand of another angel to fit. I felt like I kind of fixed the broken one when I could do that, and I knew my drawing skill was improving. That’s why I want to try again by putting a nose on this broken statue’s face.
I was very happy to find all these statues at Norfolk Botanical so I can continue to what I started ten years ago.
I’ll give you a hint. Italian neoclassical sculptor.
This is one of our dead guy’s masterpieces.
The plein air report for today- Flies were biting my legs. It must be that time of year I have to pack bug spray with me. Then it started raining. So, that’s my excuse for not finishing this sketch.
Previously on “Who’s the dead guy?”
I’ll give you a hint, Spanish, Baroque. I had to look him up. This one might not be easy to guess.
A photo of one of this artist’s masterpieces
It got too hot and humid after the sun came out of the clouds this morning. Your plain air artist had to go back into the air conditioning.
Previously on “Who’s the dead guy?”
I’ll give you a hint. He liked to paint curvy women. No teenage nymphs for this guy.
When I was working on this study I thought this hat is too much. did he really wear a hat that partially blocked his vision and then have to tilt his head back to see? Or is that only how he looks in this statue. I thought he seems kind of snobby. In the future, whenever I see one of his paintings, I’ll always wonder if he was really all about that hat.
This is my second try. If I transfer this to another paper and try again I could make some corrections and it would come out better, but I don’t want to. This is only a practice sketch so that my portrait drawing can improve.
Previously on “Who’s the Dead Guy?”
This guy is harder to name. I had to look him up, but if you study art history you might know him. I’ll give you a hint. He’s been dead over 2000 years.
This is one of his masterpieces. Well, it’s not the original. That one was destroyed.
Now for the bird story.
I’ve had a lot of weird bird encounters in my life. Here’s another.
This morning I was over at the garden working on my sketch and a lady spoke to me. She said, “That crow is interested in your bag.” I looked at the bench where I had taken my pencil box and water bottle out of my bag and laid them on top of it. This crow was on the arm of the bench looking at my stuff so I shooed him away. He waited till I got right there and flew a few feet away. I went back to my drawing and I saw he was there again on the arm of the bench looking at me. I held out my hand and said , “Sit on my finger.” But he hopped away slowly. Then I put my pencil box and water bottle back in the bag and laid it at my feet in the grass. The crow flew up to sit on the statue’s head and sat there looking at me. I said, “What?” He hopped down and was hopping around my feet for a while and I told him I was trying to work here and he left. So, do you think the crow wanted to tell me something?
Previously on “Who’s the Dead Guy?”
I’ll give you a hint. He did a lot of self portraits.
I need practice on portraits. At Norfolk Botanical they have a sculpture garden with 11 statues of artists. I’ll try to get a likeness of some of the other artists, then do a finished drawing of my best one.
Next time I post I’ll include a photo of this statue.