This one is hard to guess. I never knew what he looked like until I saw his name on the statue. I’ll give you a clue in the photo below.
It’s easier to get a likeness drawing from a statue than from a live model. I’m kind of slow on drawing. This is my second try. I almost had it yesterday but I could see it wasn’t right, so I transferred my first sketch to the other side of the paper and tried again this morning. Now I think it looks more like him and if I use this sketch and do a more finished drawing it will be better yet. But portraiture is a real challenge to me and I don’t feel very confident in my sketch until I give it a second try.
A statue will never get impatient!
One problem with drawing these statues is the spotty light. They’re shaded. Then sometimes the sun is beaming right down on one of them, but not for long. See my photo below.
Previously on “Who’s the Dead Guy?”
I’m still getting the hang of drawing waves. That’s my excuse for hanging around on the beach when it’s cloudy and a little windy in the mid 40s. I stood between 2 sand dunes and didn’t feel cold. The tide was high when I was there yesterday and today with bigger breakers and some curl in the waves. A beautiful mist was blowing off the top of the waves.
I spend a few minutes observing the waves. How many are breaking, building up or going back out. Can I remember the shapes they take in those steps? Then I start scribbling. I took a little break from sketching and observed again before I could continue and I thought, I’m studying wave anatomy. I have to be there. I’ll never understand it from a photo.
These studies are for the big plan I have to paint fog on the beach. My canvas is 19×38, too big to take out on the beach, so I’ll have to paint it at home. Especially since I’m planning on taping my paintbrushes onto yard sticks so I can stand back from the canvas like Matisse did. The size of the canvas, the wind on the beach, the yard sticks, make it seem like it might get messed up on the sand. I have my color rough from the beach in plein air, so my colors and values will be close to life if I mix them again at home. I’m almost finished with a full size sketch for my painting. If I can do another wave study or two, maybe I can combine the best parts of all my wave sketches into one scene. I really need to have my plan worked out in advance because this is a difficult challenge for me.
Do you remember the story about how Turner lashed himself to a mast on a boat in a storm and painted? Sketching on the beach in this weather is tame compared to Turner. He must have been a real thrill seeker. But if an artist is really there on the scene painting I get the feeling of the atmosphere or spirit or something intangible from it, like Turner had in his paintings. do you know what I mean? That’s what I want. It might take the rest of my life to achieve it.