The colors don’t show up in the photo exactly as they are but you get the idea.
The flowers are thick paint and I used my modified fan brush again to add texture. You can see the difference between my background glazes which are thin and the flowers which are thick. That’s the traditional way of painting. If you use both thin and thick paint it helps give the illusion of depth and the viewer’s eye has something to compare. The viewer might not realize it but the painting might keep their attention longer with that contrast of paint thickness and texture.
You can see the thick paint of the dead leaves on the ground, the thin paint of my background glazes and the thick paint of the flowers compared to the solid lines of the branches.
There was a glare on the painting because of my shiny medium so I had to take the photo from the side instead of head on.
I’m not sure if I’ll go over the tree again or not. It might look like a lot of time consuming line work but its not that difficult and every time you go over a line it gets easier. Painting tiny lines always starts out a little awkward but by the time I’m done it goes fast. The secret is to thin the paint until its runny and have a coat of Maroger medium on the dry painting so you’re painting the lines on top of the slick medium. The background was dry and the medium is clear. If you paint a line where you don’t want one or if your line goes crooked you can easily wipe it off without destroying the background because of that layer of medium.
This close up shows the background vegetation, bushes, trees, whatever. I kind of faked that part. And it shows dead leaves on the ground. The ground is colors I mixed up in plein air and blobbed on at home and then scraped through with my palette knife to mess it up and give it a dead leaf texture. I mixed the colors for the background in plein air too and painted two or three gray greens and some sky spots then blended the edges with my modified fan brush. When the first glaze was dry I mixed up the lighter tint of burnt umber and faked in the bushes at home with my fan brush.
So far, the painting is monochromatic with three different textures.
You can see a few peeks of blue sky but the redbud is a short tree so when you see them from the road you don’t see sky through the branches. A redbud will blend in with the underbrush which hasn’t leafed out yet but it’s getting that more pink or red tint that shows up just before the buds become noticeable. I made my tree stand off the background with the contrast of lighter and darker burnt umber lines. I knew I’d need a background that was close to a middle value from light to dark for the more contrasty sticks to show up. This isn’t realism. They blend in with the underbrush in real life.
This is my modified fan brush. I cut the zig zag edge. Now I can paint five or more lines at once. It holds a lot of paint so when it’s loaded with nice thin paint and I’m painting in the couch, ( on top of the medium ) so I can do a background like this relatively fast. People that don’t know about the modified fan brush will think it took forever to paint all those lines and the hairy texture.
I got this far just in time because I think the redbud will be in full bloom this week. I’m excited because it’s almost finished. The purple flowers are next. I’ll need to underpaint the flowers with white first because the violet and amethyst paint is transparent and it won’t show up very bright on top of this background unless it’s on top of a layer of white.
We had some not good for plein air weather and I wanted to start the background for my painting at home but was undecided how to start. Every day I made up a new plan. Then I changed my mind again before I started. I wanted to wing it on the background because the real life background for this tree is too complicated and not a good composition from this side of the tree.
In my case it’s better to put a painting on hold until I have some kind of plan. Some artists would slap in a solid background or something fast and easy because the painting is all about the redbud anyway. They don’t like to overthink a painting. What’s the alternative to overthinking? Mindlessness? It seems like overthinking might give my painting a better chance of success. My mind runs constantly. I can’t stop it so I’m not fighting it. If I wanted to stop overthinking I might need to take some drugs for that.
I don’t like what I have here but I think I can save it. I didn’t paint the tree yet. I painted the background colors up next to my charcoal lines on gray blue pastel paper.
It’s going to rain today but I went over to the botanical garden to have a look at the tree and didn’t take my art supplies. I know I need to lighten up the background bushes and I’m dying to kill that orange mulch color. I was glad to see I still have time before it’s in full bloom. A lot of pretty trees are blooming around here. I don’t like to rush a painting, overthinking and all, but nature waits for no one. I want to paint the background first. That will help the tree seem to come forward in the painting. Looks like tomorrow will be good to paint in plein air. I should be able to finish this when it blooms right on time.
Redbuds are native here and I love to see them in the woods when I’m driving. Suddenly you see a slash of purple by the road and the other trees aren’t leafed out yet. Then they go back into hiding and are indistinguishable from the underbrush until they bloom again.
This one is in the botanical garden and I saw a couple more over there. As soon as the weather clears up I’ll go back and get another sketch. Last year I got an ok sketch, if I can find it. I need one more and I can start planning a painting.
I’ll need another big canvas so they’re not crowded. This paper is 11 x 14 and too small. I haven’t decided on what to use as the background or if I want to put other spring flowers in the painting. This painting might not happen until next year, I don’t know. I’m kind of distracted this week and it’s cloudy and rainy too, so, maybe in a couple weeks after I get settled in my next apartment, and some other things are settled… By then they’ll be done blooming though.
That’s one problem of this artist, life’s distractions can stop me from drawing and painting. (temporarily) The simpler my life is, the easier it is to concentrate on art. When things get complicated it isn’t as easy to do. I can still get out and sketch for a few hours on nice days but working on a finished painting won’t happen for a few weeks.