Long ago, when I was a young chick in art school, they insisted we must learn linear perspective using vanishing points. It was too technical for me. I promptly forgot what I learned. After doing a few vanishing point exercises I decided if I wanted to draw architecture I’d just eyeball it.
It’s not easy to draw architecture. I have to try at least twice and it’s still not exactly right but it’s not annoying my eyes so this will do. My perspective is a little off and my proportions are a little off, I hope it’s not noticeable.
When I can get my lines straight I’m happy. I did this all free hand not using a photo or even a ruler. To check my lines for straightness I look at my drawing on the edge the way you look down the edge of a board to see if it’s warped, tilting the drawing so I’m not looking straight at it but kind of looking sideways. Then I can see where my lines go off straight and it’s easier to make corrections. It might seem like a slow process to draw straight lines this way but I want to do it freehand and practice will pay off in the long run.
This is a close up showing two focal points. The light in the foreground is a focal point because it’s contrasting with the bridge support that is partially illuminated by it, that support being the only one with a lot of light on it, and the dark lines going behind it on a slant. The secondary focal point in the background is a streetlight far away. It’s white against black, so if a viewer’s eye is zooming in on details their eye will stop there and look at the background for a second before moving on. You can see some sketchy boats in this photo which aren’t a focal point and aren’t even noticeable from far away. Yeah, those are boats. I could hardly see them from where I was but I drew them anyway. (artistic license – draw as much or as little as you want to)
The lines look tilted because I wasn’t holding my camera exactly square to the paper.
This close up shows reflections continuing from above the bridge to below it. I wanted to have some light reflecting under the bridge to tie the top to the lower part with a little light. That’s another secondary focal point on the far right of the drawing because of the white square on the black background and the orange square next to it.
Sundown was my favorite time of day to draw this scene from the balcony of my hotel. A half hour earlier the sun was glaring on the water so bright I couldn’t look in that direction. A half hour later and the buildings in the background blended in with the trees’ darkness.
I started this pastel in Plein air at the inlet on the 6th floor of the hotel. I did my drawing and picked my colors in plein air. Then I got an apartment and moved in. After a couple days I stopped unpacking and organizing the apt. so I could finish this. Now I have to get back to the unpacking job before I start another art project.
This is a sketch I can use for a pastel on this nice rough sanded paper. I’ll go over it again later and even up my lines. That’s all freehand, no ruler either, so, it’s still a little rough, but an improvement over my first try.
To me architecture is as hard to draw as the figure.
I’m planning a nocturn. Tonight I’ll mark in the lights with chalk and pastel then make my sky dark. There’s too much light from the city to see stars but the moon was big and bright before sun up the past few days. I’m undecided if I should put the moon in the picture or not.
This is my first rough. I worked on it for a couple hours and stopped. At first I wanted to draw the whole bridge but when I got this far I could see it wasn’t working out. This rough helped me decide to start on the left so I could draw the narrow inlet where boats go through. I had these lines so I transferred this to the bigger better pastel paper and it was easier to draw the second time making corrections as I went.
This is what it looks like to my camera during the daytime with clouds rolling in.
Tomorrow I can get the keys to my new apartment and put some thing in it. Then Sat some moving guys are coming to unload my mini storage and put my stuff in the new place. I don’t know if I’ll finish this pastel nocturn. I’m tempted to stay at this hotel until I do but on the other hand, I want to sew masks for nurses. As soon as I get my sewing machine plugged in I’m going to get with the mask sewers group and sew for the hospital for free. A lady told me Joanne Fabrics is donating the materials to the group. I think it would do me some good to make myself useful in the emergency.
Also, I bought a nice souvenir of my week at the oceanfront, a mermaid statue, on sale. She can hold a small potted plant. So she’s my model when I move away from the beach inland a few miles if the state park is closed and I have to pay to park at the beach.
I’ll miss walking on the beach. (sigh) I won’t be bored though.
This is the view from the window at the end of the hall on the 6th floor in this hotel where I’ve taken up temporary residence. (facing South) It’s charcoal and chalk. I worked on the sketches off and on for 3 days. It was cold and windy so I ducked back into my room to warm up and then went back to it later.
I’d like to paint the scene but I don’t know how long I’ll be here. I might be able to find an apartment this week. The ones I called last week don’t have availability until May. Not that I’d feel bad about staying here a whole month, but this isn’t a residence hotel, I should move on.
I might have time to finish this in pastel. There’s a bridge I want to sketch first. The bridge scene would be great for a nocturn. It’s something I’ve always wanted to try. The lights reflecting on the water at night are real pretty.
This is the same view as seen by my camera. I don’t think the photo does it justice. I’m posting it so you can compare my naked eye perspective to the camera’s perspective. I don’t need a photo that’s half parking lot. Big yawn! haha
I must have stayed at this hotel long ago but forgot this was the one with the view I wanted to capture. I remembered it has a great location when I was faced with the prospect of being locked down. Then when I got here I said to myself, “OH YEAH!”
The bridge is out the room’s window. (facing West) I don’t have to go out at all to draw it.
The boardwalk is open. Guys are out surfing. A lot of people are out getting exercise but traffic is light.