Tag Archives: sketch

horse sketch in charcoal with model horse

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It took me about 1/2 hour to get this far. That’s ok for a start. I’ll take the proportions when I get back to work on it and see if I got it close to accurate. I only eyeballed it till now.

We have had a lot of hot and humid weather lately. Now it’s raining. A few days ago I went over to Pleasure House Point to scout for a scene to paint with my watercolors and the sand was too hot. I had sandals on, I could feel the heat. I decided to go early in the morning but I can’t get motivated. The weather is kind of sapping my energy. It will be better this weekend, they say. I did find a place to sketch where I could have some shade to sit next to a small tree. I might stand up in the sun to sketch, but I can sit in the small shady spot when I take a break. It will be great to draw and paint in plein air again soon, I don’t think it’s necessary to break a sweat for the sake of art though. Life makes you suffer enough, art should be fun. I’ll go back to Pleasure House Point eventually.

Meanwhile, there’s this horse. Maybe I can do something with it for an art project. I have an idea or two for it.

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Beach in charcoal and chalk

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It was hot but cloudy with wind, so that made it tolerable for sketching the view from the overlook on the boardwalk going over the sand dunes. The bench was too hot to sit on, though. That’s ok, I like to stand up to sketch. I didn’t stay long.

I’d like to try to paint this with watercolors at home. I took my color swatch charts and picked some colors to work with. It’s almost a monochromatic color scheme, especially since it got cloudy. I’ll keep it kind of monochromatic with some faint tints of color when I paint it and see if I can get the values close to reality. The horizon line was fuzzy from the distance and straight so I’m going to try on a scrap of paper first to get the look I remember. If I use gray in the sky, I should probably use gray in the water and avoid the bright blues which I’d rather use.

That’s the plan. Keep your fingers crossed.

horse sketch part 2

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Now I’m getting somewhere with it. YEA!  I took the proportions of my model by holding a pencil at arms length, resting my arm on my easel to hold it steady, closing one eye and putting my thumb on the pencil at the height of the body from the bottom of the hoof to the top of her back and compared that to the length of the body. The height equaled the distance from her rump to the middle of the front shoulder. So I knew the proportion was close. I made corrections on the head and neck to make them look right with the body. Then I drew her blaze with chalk because it makes the head shape easier to see. I also redrew the legs making a faint line at knee level and drawing circles where I thought the ankles should be. I didn’t erase all the measuring lines.IMG_2296

WOW! That’s a bad shot! hahahaha Nothing’s in focus! I had it set on auto. That’s ok, I never said I could take a decent picture with my good camera.

I put in in anyway so you can see how badly lit my model is on that shelf and if I drew it in proportion.

The plan is to transfer this sketch to a piece of watercolor paper and try to paint it. I’ll move my model to my work table where the light is slightly better and draw it one more time. I could still make corrections. Then paint with watercolors. I have some ideas in mind I’d like to try with the watercolors.

horse sketch

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Should I stop here or should I continue? Does this look like a horse? This is how I was taught to draw, start out by blobbing in the general size and shape of the subject. By this point I’ve moved the legs half a dozen times but I’m trying to make the negative spaces between the legs look like my model.

I worked on this about 1/2 hour. That’s how long my attention span lasts for sketching, then I need to take a break. I’ll get back on it and try to refine it but there’s no rush. Taking frequent breaks refreshes my concentration.

One great thing about drawing is that you can take it in any direction you like. If you don’t want to render a finished drawing you don’t have to. If you want to draw from your imagination or do abstract drawing that’s fine too.  That’s why I wonder what’s up when I read an article where the writer uses the words “slavishly copying”, like that’s bad.. To me, accuracy is important. I enjoy copying something beautiful. I feel like I’ve studied it in more depth if I get a tight drawing. In the long run, I’ll have a better file of it in my brain that I’ll be able to use if I want to draw that subject again, only it’s moving, or not in front of me. I won’t need to look up a photo of it. But drawing this way is a discipline. It helps if it was forced on you when you were young. hahaha The people who say slavishly copying, they can’t do a tight study.

horse charcoal sketch

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It’s too hot and humid for me to enjoy drawing in Plein air and that’s ok because I have a lot of other things taking my time. At least I got this sketch done from a model horse. I love horses for subjects. They’re the most beautiful animals.

I’m trying to get used to drawing horse anatomy. The more practice I can get now, the easier it will be to sketch live horses in plein air in the future. That’s why I left that line at his knees. I drew it when I measured the proportions of the horse. Then I tried to visualize the muscles and did a little shading. It took me 4 hours or so to get this far and that’s all the visual info I need at this stage.

If the weather stays this hot I’ll transfer this sketch to watercolor paper and do a watercolor sketch of it next week.  I’m also thinking of a place I remember in the shade to get back outside drawing. There’s not much shade on the beach. I walk there but don’t take my art supplies because by 10:00 I’ve had enough sun. IMG_2273

This photo shows my model on some books to bring him up to eye level. He’s made of china so he’s too reflective.  I took the photo so you can compare my sketch to the model for accuracy. Darn it, part of my easel is blocking the model in my photo. Funny, I didn’t see it when I was drawing. I guess that’s because the camera has a different perspective.

self portrait / unfinished charcoal

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Do I look like this? I don’t know. It’s not finished. My hair is brown and gray with a blue fringe, and I usually wear glasses. I’d like to do my self portrait with my fun “bucket list” hair do. I’m not drawing the glasses.

It’s hot and humid out today so I decided to try to sketch myself. I have my easel in the bathroom in front of the mirror. There’s enough room to walk around it but the light isn’t good. I worked on the sketch for an hour or so then did other things and then went back to it. I’d like to put some pastel in for color.

I’m not photogenic. There’s a photo of me somewhere but I don’t keep them. The good thing about doing a self portrait from life is that maybe I could make myself younger looking. Then I could say, look, I don’t need to buy the app for that! hahaha I’ll try to finish this so the blue stays in my hair forever on the blog.

 

another try at sea and sky watercolor pencils

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Last year I sketched waves with charcoal and chalk. This year I want to sketch them in color. I think the watercolor pencils have a grainier quality than regular watercolors. I’ll do some comparisons with the watercolors in tubes this year. It seems like I picked a difficult subject for Plein air painting because waves never stop moving. I’ll keep working on it but there are so many great views around here and I’m not on a deadline. I’ll try out my Inktense watercolor pencils drawing other scenes before I get the hang of painting of the ocean. It’s not just painting waves, it’s also that I want to paint the bubbles on the sand and that looks even more difficult.

Yesterday we had nice weather but it was too windy to stand on the beach at the water’s edge. I sat on the leeward side of a sand dune and it was great. It took me some time to plan my sketch with pencil and pick my colors from the charts I made. Then I realized I forgot to bring a piece of soap along. If you put soap on your paintbrush before you dip it in the masking fluid it saves the brush from getting gummed up and ruined. For this experiment I used my white oil paint stick on the sky as an alternative to masking fluid and used regular masking fluid to block out the white foam on the breakers.

After I got my sketch planned and picked the colored pencils I wanted to use I came home to paint this because I had enough sun. I’d buy a beach umbrella, but those things can be a hazard. I don’t need to stay out all day painting in plein air. I can go back any time. This could take months or even years, but eventually I’ll get it.

The Beautiful Back Bay / charcoal and chalk

IMG_2246Finally! I have a sketch I’d like to work into a painting from Back Bay. I’ll take my watercolor pencils and give them a try.  I have very little experience with watercolors but they’re less bulky to take to a popular overlook than my oil paint supplies.

I want to explore and sketch more places there. This could take some time. Years.

The water isn’t finished in this sketch. Before I left home that day I checked the weather report and it said the wind was coming from the southwest but it would change to the northeast. When I got there the bay had nice ripple waves. First I started planning where the water would show and where the reeds would be, and the horizon. It seemed like that went fast, but when I looked at the water again it was CALM! The water looked like glass. I hate when it’s calm so I quit working on the sketch.

The weather is very important to your Plein air artist. It’s funny how fast it changes around here too. Good thing I can go back any time.

Back Bay / charcoal and chalk

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A couple days ago when it stopped raining I went down to Back Bay just to check it out and as soon as I started walking it rained again. I got soaked. I said I’d go back when it stopped raining. Then yesterday it was sunny and warm and dry but the wind was whipping. I took a bike ride anyway. I did good with the wind and even on a gravel road but the wind definitely made it more difficult. There were gusts that made me walk it a few times. And riding into the wind coming back made me too tired to sketch the beauty by the road.

I’d like to do a painting of the dark water with the almost white sedge. I stopped a few times to look at it and found a some places I could sketch on less windy days.

The water is almost black. It’s the mud on the bottom. I thought to myself, mud is beautiful. I could see layers of violet, brown red and blue to make it. Then with the contrast of the delicate grass growing in the mud and shining so brightly in the sun, it’s bleak and beautiful. Then in the background you might see trees far away or more water.

When I got back to the parking lot I sat in the car to sketch this view over the bay. Darn it, I got a little too much sun. I’ll have to stay in today which is disappointing because  I want to practice drawing and painting water.

 

Magnolias getting floppy / pastel and chalk

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These flowers are huge. I’m sketching them life size on 9 x 12″ paper and they’re running off the edges. When I do a painting of this next year I’ll have to paint them smaller but drawing large is easier than painting small. These are for practice.

Vine charcoal doesn’t work well on this dark paper so I have to skip that step and block in the general shapes with pastel and chalk. The more flowers I draw the easier it’s getting but these sketches still took around two hours each.  For my painting I need about three times the number of magnolia studies I have. Then I can eliminate the ones I don’t like. The tree has some buds so I might be able to get a couple more sketches in before they all turn brown and fall off. I’ll have to go back next year and do more. IMG_2232

Spring has sprung around here.