It’s raining here today so I enjoyed staying home and finishing this painting. I did the sketch weeks ago in plein air and painted at home ala Matisse, with my paint brushes taped to yard sticks, so I was standing back from the canvas and trying to control my brushes, which don’t always go where I want them to from a yard away.
I’m not going 100% modern on this painting since I used my Maroger medium and black to make the dark green grey of the trees. But I am going more modern by using my big brushes taped to yardsticks.
At art school, long ago, they told us to use black. The old masters used it, so it works ok if you use black like they did. And more modern artists, even Manet and others of his era used black successfully. To make a black that isn’t dead they told us to mix equal parts Burnt Umber and Ultramarine Blue. The Ultramarine Blue is your darkest cool color and the Burnt Umber is your darkest warm color so you get a neutral black. If you need a warm or cool gray you can mix any other color into this black. We also were taught to use gray in glazes and if you layer warm colors over cool colors, or cool over warm, after waiting for the first glaze to dry, you don’t get muddy colors but the viewers eye mixes the colors.
Sometimes you can’t just throw away the lessons of the old masters. I like to use the best ideas from the old and the new. Painting like Matisse, with the brush taped to a yardstick is fun and freeing. I’ll get out to draw and paint in plein air again real soon, but I got distracted by bad weather and other fun art projects to do indoors. So, I was glad to finally finish this painting after waiting weeks for the background to dry.
I can draw outside if it’s 40*F, like today, but the wind coming off the water stopped me from getting out of my car. It’s too blustery.
I went back to Fort Monroe to work on my sketch of the Battery De Russy and then changed my mind and drew these trees while sitting in my car. The battery is so long, I was planning to extend my sketch from before onto another paper and continue drawing the architecture. It would have been awkward to hold my sketchbook in the wind. Forget about standing up my easel. The wind would blow my drawing board away.
These trees were on my list of things I want to sketch there, so I got into drawing them today. The battery will take a long time. I’ll get back to it another day.
I kind of like these trees. Think I’ll prime a canvas for it. This could be a painting I can do at home on rainy days.
Here’s a strappy young redbud for you, appropriately planted in the childrens garden. It looks like it had a growth spurt last year but didn’t fill in yet.
I filled in the background with pastel on this study because I had some smears that wouldn’t erase all the way, and also to make the light on the tree show up more on the light paper.
It’s fun to spot these redbuds when you’re driving. They’re out there by the side of the road all wild and crazy. They don’t get very big but they’re bright and cheery when they bloom. Then when the flowers are down they blend back into the underbrush and you can’t see them again until next spring.
Some other trees of interest are in the photos below.
This tree has roots that have been formed into a circular bench all the way around for people to sit on or kids to climb on. I wonder how they got the roots to take that shape.
Can you see in this photo how they criss-crossed the stems of these crepe myrtles to make xs? I like the window pane effect of it. And some of the trees look like they merged together into one at the places where the stems cross. Isn’t that a cool thing to do with crepe myrtles?