Tag Archives: Virginia Beach

Pleasure House Point in Dec. / oil

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The story of the insane SHRIEKING bird.

One day I was over there painting. I was all alone on the path. It was peaceful until this loud screeching shriek came from right behind me. I stopped and looked around but couldn’t see the bird.

Another day, I heard it far away. I also saw the likely culprit walk into the sedge a couple times. The second time I heard the bird, people walked down the path with binoculars and I thought they were probably bird watchers, so I asked them if they heard that loud screeching bird, and they did hear it. They said it was a sandpiper, and showed me a photo on a phone. I said, yes that’s it. Mystery solved.images

I also heard a loud chattering bird noise and now I wonder if sandpipers make that sound too.

A problem happened because of the cold weather.

Finally the sun came out after days and days of cloudy rainy weather and I was anxious to work on my painting, even if it was freezing. I bundled up and went out. As soon as I opened the lid on my palette, the glass broke! It was 32. Fortunately, I always put gray duct tape on the back of my palette glass, so little pieces of broken glass didn’t fall out. Breakage does happen sometimes with glass, but the main reason I put duct tape on the bottom of my glass is because it’s easier to see colors and values on gray than it is on a white palette. And some of the broken pieces were big enough to mix paint on, so I made some progress on the painting that day despite the broken palette. Weird, huh? I guess it was the sudden cold on the glass that caused it to break.

Well, that’s two nature stories for you.

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how I rig up my taboret for plein air painting at the beach

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I looked at plein air easels in catalogs, and saw most of them don’t have spikes on the legs. They also have tiny pallets. I have an easel with spikes, It’s saved my painting from falling down in the wind a lot of times. I wonder why spikes aren’t always on plein air set ups. And why the tiny pallets? How’s an artist going to mix up colors and thin them down with turp for a glaze? I guess that might be one reason plein air impressionists don’t use a palette knife to mix paint, their pallets are too small. I usually spend a lot of time preparing my paint so I need a big enough palette to mix a few colors. I bought a palette for watercolor or acrylic and discarded the sponge it came with. I have a piece of glass with duct tape on the back to mix on. I can see my colors and values better on the gray duct tape than on a white background.

They make the plein air kits so it all fits in a box you have to lug out to your location. Maybe most plein air painters don’t go over sand dunes or down long trails. A few years ago I bought this beach cart with wide wheels. That’s how I can take all these heavy supplies down a sandy trail. I lay my cart on it’s side close to my easel on the left because I’m left handed, and put my palette on the side of my cart. It’s off the ground high enough that I can easily reach it, and it was windy this week but my palette stayed wedged in that spot and didn’t blow down. I had to keep a hand on my painting at all times, and when I stopped painting I had to take it off the easel and put it on the ground so it wouldn’t blow down. Even so, sand gets into my paint and sticks blow on it that I can brush off most of after the paint dries.IMG_1956

This is my camera’s perspective of the scene. It looks far away compared to my naked eye perspective, and the colors look more gray. It got a little cloudy so the shadows aren’t showing up in this photo. This is why I don’t use a photo to get my sketch.

Instead of starting my painting from the weak perspective of the camera, I hold up my sketchbook and try to imagine it’s transparent. I decide how much of the scene is covered by my sketchbook and measure my perspective by comparing nature to the size of my paper. I try to decide where I want my horizon line to be on my sketch and how far I can extend my sketch on each side. How many trees can I fit in the painting, how much sedge, water, etc.

Even though I am trying to match the colors and values of nature so that I can make the illusion of depth, I can’t copy nature exactly.

I recently read an article about a plein air painter who says don’t copy nature, just do your own interpretation of it. His paintings were monochromatic. What’s the point of going out to paint in plein air if you’re not trying to match the colors and values of nature? I can’t see anything more beautiful than nature as it is. My own interpretation comes through in the painting even though I am trying to copy the beauty of nature as I see it. That artist with the big write up in a magazine has a much larger ego than I do if he thinks his monochromatic fuzzy flat paintings are somehow better than real life.IMG_1954

This is my painting with one layer of glazes over the whole canvas. You can see the difference between my naked eye perspective and the camera’s. My perspective is up close and personal compared to my photo. So, what is real? It could be entirely something else from the naked eye or the camera.

Pleasure House Point / charcoal

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It’s so beautiful over there, I could get 4 paintings from this one spot.

There’s a canal on both sides of this sandy path and the path makes a turn, so there’s water in front of you too. It’s all divided up by tall red grass and various types of vegetation.

I’m priming an 18 x 24 canvas for this painting so I can show more of the water on both sides. I don’t want to crowd this beauty into a small canvas.

The Chesapeake Bay Foundation owns this wildlife preserve. They have some nice trails going through it. It’s free and not too crowded, with enough space for me to stand up my easel.

Cypress Swamp with Spanish Moss / charcoal

 

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When I was working on my painting at the botanical garden, I met a lady who does plein air painting and she forwarded an invite to me from The Artists Gallery in Virginia Beach. It was a call to plein air painters to meet in First Landing State. Park today. I was so happy because for at least 30 years I wished I had the time to paint there. Now I do and also had the pleasure of meeting some other plein air painters.

I’ve always loved this swamp and came here when I was on vacation at the beach in years past. The water looks black because it’s forming peat on the bottom. I imagined the first settlers that came to VA from England, when they got off their boat at the mouth of the Chesapeake and went a little in off the beach, they ran into THIS! They probably decided to get back on the boat and go upstream. The moss is hanging like spooky draperies all around. It looks soft and breezy. A settler might think it would make good mattress stuffing, but it’s full of bugs. Funny, I haven’t got a single mosquito bite since I’ve been here, and I’ve been hanging around by the water a lot.

Someone told me once, this is the farthest north they call subtropical because Spanish moss is native here. It is a couple degrees warmer here than in Richmond, only 100 miles away.

Wow! was it ever beautiful over there this morning. I could never get tired of painting in there. I have a painting started at the botanical garden which might take me a couple weeks to finish, then I’m going back to First Landing to paint the swamp. I’m looking forward to seeing it again after the frost. I know it will look different after the leaves come down, but I also think winter might be the ideal time to paint it

the view from my new apartment

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It’s an arboretum! They also have a garden planted by VA Tech. ┬áThen there’s an easement that will never get developed. It looks like there’s enough room for another apt building back in there. I hope it doesn’t happen.

The traffic is kind of heavy here, but it’s not as noisy as my last apt where Henrico Drs. Hospital has been building a new cancer treatment building for the past year or so.

2 months ago some loud guy moved in upstairs from me at the old place. Just my good luck it was time to renew my lease, so I canceled it. It took me the whole 2 months to pack my stuff and clean the old apt. Funny how work expands to fill the time allotted.

Now I’m at the beach in a new apt only 1 year old, and on the top floor. It’s real nice. And only 10 minutes drive from my daughter’s house in Norfolk

I’m so tired from moving, but I still got out to walk and explore the Norfolk Botanical Garden yesterday and today. It’s big. So many flowers are blooming!

The weather here is still hot and humid.

Yeah! I got my INSPIRATION BACK!!! First thing I’ll draw is a beautiful bronze figure at the botanical garden.

my favorite tie dye shirt so far and EXCITING NEWS!

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I’m moving to Virginia Beach in Oct! I can’t wait! I signed up for an apt in a new building made of concrete and steel. The floors won’t creak. I’ll be on the top floor (4th). It’s LUXURY, BABY! My balcony will overlook trees. My daughter lives in Norfolk, so it will be easier to get together with her, since Virginia Beach and Norfolk are connected.

They are two cities, but they look like one huge city. The population is much denser than Richmond. I’ll have so many new places to explore. A lot of places I’ve been to many times and wished I could hang around long enough to paint, now I can. I can go to the ocean front any time I want to. It will seem like being on permanent vacation!

I have a feeling it will be a good move for me.

About this shirt: It’s the ice dye method. I liked the way it came out but the bottom of the shirt had the brighter colors and the top of it was kind of blah. One good thing about adult X larges is that they are way too long on me and I have plenty of fabric to do an alteration. So, I traced the neck edge on tracing paper. I took out the stitches around the neck and sleeves and cut the shirt down 4″from the top. I lowered the sleeve holes 4″ and the shoulder seams. Then I recut the neck edge using my pattern and sewed the ribbed band back on, sewed the sleeves in and voila! It’s an improvement!