Tag Archives: watercolor

wave / watercolor practice

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The ocean, it ain’t easy to paint. If I try about 100 more times maybe I’ll get it. That’s ok. This could take years. I won’t give up until I do my masterpiece, hopefully before I die. Until then, you might have to look at some bad art. hahahahahah  If you have any advice for me on technique that would be great.

It was nice out today. Not hot or cold, sunny with a nice breeze. Last time I went to First Landing State Park, by the time I left the parking lot was slam packed. I decided to try a watercolor sketch at Back Bay today because I thought it would be less crowded since it’s a holiday, and it was. I enjoyed sitting on a sand dune to paint this.

We might get some rain tomorrow and this week, so I wanted to get out today for a sketch.

I’ll keep all my bad attempts at painting waves. After I have a bunch of them I’ll take them all out with me and that will help me improve my technique if I can compare them to real live waves. It’s like figure drawing. I’ll keep at it but not constantly.  I go back to figure drawing again and again over the years, and I’m getting better at that. I might not do a figure drawing for a long time. but when you put an art down then pick it up years later, you can pick up where you left off. You don’t forget what you learned before. The hands have a memory and it doesn’t take much time to get back in your previous groove. It will be the same for me painting waves.

Path Through Wildflowers

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This is watercolor with Inktense pencils. It seems like it took a long time to finish.  I went over to the garden 6 times including the times I sketched it, first on charcoal paper and then again on watercolor paper. Each time I stayed there for an hour or two and made some progress on it then came home and worked on it off and on for hours, so I think I have over 20 hours in the painting. I enjoyed working on it very much.

The weather was beautiful! It’s cooling down but not cold.  I didn’t turn the heat on in my apartment yet. It’s staying around 70 inside so far. I hate  turning the heat on for the first time every year because it blows dust around and I don’t want to catch a cold because of it.

The garden is still beautiful with a lot of flowers blooming. The roses are so sweet smelling and the breeze makes the scent follow you down the walk.

It looks like I have time to try another watercolor painting before we get a good freeze. I’m waiting for that refreshing arctic air from Canada. Then I’ll start on my long time in the planning winter swamp painting in oils. Until then, maybe I can try to get a watercolor done at Back Bay.

marsh with egret / art theory

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This is watercolor with Inktense pencils in the grass. I’m not sure if I should work on the egret more or stop now.

When I see a beautiful place like this, I want to paint all of it. I wonder why the trend in art is to simplify. I need bigger paper so I can put more of the scene in the picture.

My theory is this, if an artist’s life is complicated they feel the need to simplify their art. Most peoples’ lives are complicated. My life is so extremely simple most people would die of boredom. That’s why I enjoy the complexity of nature so much.

I look at this scene and think about things like, that’s a great habitat for an egret but inhospitable for a human. How many snakes are down there? How many of those snakes are poisonous? Is the light better in the afternoon? Because the parking spot close to my little overlook will be full and I’ll have to walk a mile with my art supplies if I don’t get there early. Why did the trees die? An inlet is on the other side of that row of trees and the path floods. Did the marsh water get saltier, killing trees? Or did beetles do that? I might never know the answers to my questions but that’s the kind of things my mind goes to.

Since my life is so simple, I feel like my mind is more balanced, thinking about simple questions and not stressing about serious problems. It makes me look slow in comparison to other artists. I can’t call myself “prolific” because it takes a week to finish a watercolor. That’s ok. If I was an artist that felt compelled to make art in some type of frenzied state, (the other extreme)  that would be unbalanced for me.

As always, feel free to opine.

marsh @ Pleasure House Point

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This is watercolor with some Inktense pencil in the grass.

The tide was high all week and the sandy path to my overlook was flooded every day.  At least the water looked the same every day too, because it’s a lot different at low tide. A lot of people walked in the water, some fishermen wearing waders and others, including me, took their shoes off and walked barefoot  in the water. It’s still warm here.

A guy stopped and talked to me. He said Pleasure House Point is his favorite place for work and recreation. I asked him what kind of work he does and he said he tests water quality. Doesn’t that sound like a good job for a nature lover? He was interested in buying my painting and it was only half finished. He gave me his phone number.  I’ll call him tomorrow. Keep your fingers crossed I get a sale. IMG_2389

This is what I did to my fan brush. I cut it zig zag so I could make waves. I was trying to figure out a way to paint the water with wind going over it and this was what I came up with. I think I’m on the right path with this and I’ll use it again.

In wildlife news, the birds were squawking loudly and I heard a fisherman yell out, “Shut up! We’re trying to fish here!” I thought it was funny.

 

watercolor fun time / dunes

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They gave all of us Plein air artists a great swag bag at the Ghost Ranch with a lot of art supplies. The thing I wanted to try first is this little color sample test palette  with 6  dry colors from QoR Modern Watercolors made by Golden. I was just playing around and made the colors bleed because it’s kind of fun to see what you get when they mix and also to watch the bleed.

That’s Mars Orange Deep on the dunes with Indanthrone Blue in the shadows and Manganese Blue in the sky. The blues don’t show up right in this photo because I took it in the yellowish light over my work table. They’re both good blues in real life.

They are some real nice bright colors and I might buy tubes of them in the future.

It rained today and it might rain tomorrow. That’s ok. It’s been dry here for 3 weeks. I started my watercolor at the Pleasure House Point marsh, but didn’t get very far with it yesterday. I will finish that thing some time soon. Not exactly sure how to proceed.  At least I had good weather for my vacation. I’m glad I made it home before the bad weather moved in out west.

skinny-dipping / watercolor abstract

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I bought raw Sienna, burnt Sienna and cobalt blue. This is a test of transparency and how the colors look overlapping and blending. I made it fun by doing a skinny-dipping abstract. The colors look better in real life than they do in this photo. A big part of improving my watercolors is to do random color swatches until I’m more familiar with the paint. It might seem like a huge waste of time and paper, but every step counts toward the goal of mastering the medium, which could take years, so there’s no rush, or limit on supplies I’ll go through. Now I know I’ll enjoy using these colors together and I like the blends I got.

Spirit Horse Head in Clouds

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It’s a clouds experiment. I can’t tell if it looks like clouds to the viewer or not. If it looks like something else, that’s what it is. I painted it in Plein air from my balcony with watercolor and the clouds were moving. I used masking fluid on my fan brush and white oil paint stick first to block out some white and to see if I could make a soft and fluid cloud texture. When it was dry I rubbed off the masking fluid with an eraser.

The horse is another drawing with a black oil paint stick taped to a yardstick to make it fun.

I’m just goofing around at home with the horses for models and trying different things with watercolors but I’m going to get back out in plein air tomorrow and get back to the landscape next.

The weather is improving.  YEA!

Spirit Horse / watercolor

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I was trying to make a ghostly transparent look with this experiment. I used masking fluid on the horse and spattered rubbing alcohol on the background. It was fun. I might do another ghost horse. Why wait till Oct? Spooky subjects are fun all year round.IMG_2307

This is my finished charcoal sketch that I started earlier this week, as seen on my previous blog post, when it was kind of rough. I’d like to go abstract with it but I feel like I need to do a tight sketch first.

By the time I finished the watercolor I probably have 7 or 8 hours in this one experiment, including the time I spent sketching, transferring it to watercolor paper then going into it with masking fluid and paint. That’s not including the times I had a fan blowing on it between layers of paint. That might seem like a long time to put into an experiment, but I learned a thing or two that I can use in the future. The more times I draw a subject the easier it gets.

Green Horse on Orange

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To go a little more abstract this time, I didn’t draw it with charcoal or pencil first. I couldn’t decide how to go about it, then just went with the old blob in a rough  shape method, like I would with charcoal, only with paint. First I put a glaze of cadmium yellow on the whole paper and let it dry. Then I sprayed water on it  and tried to make it evenly damp. I dabbed up the puddles with a paper towel. The paper warped like crazy. Then I blobbed in the general shape of the horse with green and lifted some of the color back out.

The red color, opera, looks like a bright orange over the cad yellow. I did a test strip to pick my colors and liked the colors I got when Veridian green mix with opera. And they both looked good on top of the cad yellow.

Then just to mess it all up, I splashed rubbing alcohol all over it. I held it in front of a fan till it was almost dry then darkened up the green paint with some ultramarine blue to paint the sketchy lines.

That was fun. And good practice on things like, the right wetness of the paper, trying to control a bleed, drawing with a paintbrush which I can’t erase, etc.