Hmmm. My photo is a little fuzzy.
This one is my daughter’s favorite.
Evening gown. Autumn-Winter 1983 haute couture collection. Paris pink silk satin bodice with large bow and black silk velvet skirt.
This one is my favorite. I might try to steal it some day.
Daytime dress Autumn – Winter 1967 Saint Laurent rive gauche collection. Yellow cotton pique dress: sleeves and hem trimmed with red guipure (a kind of lace). Archives Anouschka Paris
Sexy piecing, huh?
Evening gown. Homage to Tom Wesselmann Autumn – Winter 1966 haute couture collection. Purple wool jersey with pink wool jersey piecing.
Evening gown Autumn = Winter 1997 haute couture xollection. Bodice embvroidered with silk organza, sequins, and raffia in a poppy and leaves pattern: red silk pleated skirt with red silk satin ribbon tie belt. Embroidery by Lesage.
omg. He stole my idea! hahahahah
When I saw a photo of this it reminded me of a pine cone. When you see it in person it’s kind of elegant. I guess YSL can make a pine cone look elegant. Sarah said maybe he got his inspiration from nature.
Short evening ensemble. Spring – Summer 1967 haute couture collection. Fringed raffia coat, neckline embroidered with brown wooden beads: ivory silk dress embroidered with wooden beads. Embroidery by Lanel
This is a really great show if you’re interested in fashion design. And the only East coast venue is the VMFA.
Darling, will this make me look fat?
hahahahah I don’t care. I’m wearing it anyway.
The story of the jacket.
Long ago my Mom showed me this pattern and asked me if I wanted her to make it for me. I said, “OhHellYeah!!” because I’ve always loved fringe. The pattern said the jacket comes out looking elegant in black white and gray, and it looks striking in red white and blue. I asked for the red white and blue one. I wore it all the time. Then when I couldn’t wash it again, because the fringe was not good anymore, I asked her if she still had the pattern. She didn’t. I kept the jacket in the closet for years, sometimes I thought about trying to copy it. I knew it would be difficult and time consuming so I put it off. Finally I got around to it. It took weeks. But I can’t find something I like when I shop for a jacket, so I had to do it. I tried to make a pattern by pinning the old jacket to a big sheet of packing material I had and tracing around it. The back front and sleeves of the jacket are all one piece. I cut a pattern out of denim and made a few corrections, trying to improve my rough first pattern. The denim felt too stiff and wouldn’t drape as nicely as my old jacket, which had a shell made of dress lining fabric. So the third time I cut the shape, I used the blue dress lining fabric and it seemed ok. Making that fringe took f-o-r-e-v-e-r- I had to cut 3 yards of the fabric into 1″ bias strips and join them up into one long piece. I had to draw chalk lines on the shell 1/2″ apart on an angle like the original. Then I had to sew each strip on until I had the whole shell covered. I worked on it a few days all day and a few days part of the day. Some days I had to let it go and do something else. But then I still had to go back and cut each strip the whole length to make a fringe. I had to do a lot of hand sewing because I wanted to cover my cut edges on the seams and I don’t have a serger. So, omg, what a big job that was.
Isn’t that a beautiful dress by YSL? I want it! And I think I might be able to STEAL IT!!! hahaha I really do want to get out of the house and paint in plein air, but not today. I’m going to look at the pattern books and try to find a pattern that I can adapt to make the YSL. I would rather have it as a top than a dress. I could cut it off at the bottom of the black line. If I can’t find a pattern to use to fake the YSL, then I might not do it.