My model is a sculpture by David Turner at First Landing State Park. I didn’t finish the sketch. The temp dropped and it started to sprinkle so I quit drawing. I might transfer this to another paper and go back with a few pastels and try to do a drawing with color another time.
This spot is good because I can get off the road without stepping in the tall grass which is home to ticks chiggers and snakes. They have benches and overlooks where you can be safe out of the grass. The marsh is on both sides of the road for miles and it’s beautiful all the way, especially with the Fall colors. This is the best time of year to see it but they close the road for 6 months so the humans don’t scare the migrating birds.
I’m getting better at riding my bike on the gravel road. I can avoid the bumpy parts. But I’m trying to think of a way to take paint in there on my bike so I can do it in color next year. I might fill up a book with charcoal sketches before I decide what to paint. I could take my plein air gear and paint at the Back Bay visitor center when the roads are closed because it’s real pretty right there at the parking lot too.
You have two ways to get into False Cape from Virginia Beach. First, is the road through Back Bay which is closing Nov.1, then there’s the beach. You can get there by boat, but a 3 mile walk on sand then the 3 mile walk back out would be too much beach walking for me to enjoy. Plus, the cape is around 10 miles long, so I’ll never get to the end of it on foot. I’ll go back down the East Dike Rd. on my bike in the spring. Then the West Dike Rd. will be open too. I’ve only lived at the beach for one year, so I haven’t finished scouting the whole area. There might be roads I can find leading in from North Carolina. It’s not very far.
And this isn’t the only beautiful marsh here. I’ll ride my bike down the Cape Charles trail as long as the weather stays mild. First Landing State Park with the Cape Charles trail is closer to home than Back Bay and False Cape, and open all year. There’s a pretty marsh at the end of that trail at 84th St. It goes on for a mile or so. I’ll never get tired of looking at the wetlands.
Twice when I was riding my bike down the east dike road, a flock of small birds with light colored bellies, maybe finches, I don’t know for sure, was flying back and forth over the road and marsh back and forth swooping and dipping or kind of zipping all around me. It was CRAZY! Almost like the Birds movie! I couldn’t see whatever bugs they were after, if they were going for bugs.
I think the road closes in Nov. so I want to go back this week.
Pointillism is a scientific style of painting. I never saw a class offered on it but I wanted to try. I read a few articles and they don’t give much information so I had to make my best guess. I’ll give you my questions and if I got it wrong please tell me.
The first thing I could get from my research was that Seurat used the paint straight out of the tube without mixing colors on the pallet. Did he thin the paint with turp or not? I guessed not. Then I saw my dots forming peaks. Did Seurat have peaks on his dots? How large are the dots supposed to be? Can the dots overlap? Can the paint mix on the canvas when the dots overlap?
One article said Seurat had 11 colors and white. It didn’t say what the colors were. I bought a tube of veridian green for this painting. I never buy tubes of green because I have a few yellows and a few blues so I can mix the green I need. But to try to stay true to the no mixing colors on the pallet rule, I bought the green. Then I broke the no mixing rule when I added white to cobalt blue and then I added white to the green. I didn’t use gray because I know modern artists don’t like gray and Seurat probably never used it.
One of the articles said there should be an underpainting. I usually tint my canvas before I do my underpainting, but this time I did my underpainting on a white canvas.
It’s important to keep color theory in mind in pointillism. I took a class long ago in color theory and remember some things like using complimentary colors and using tints of equal value to create the visual mix of gray or the visual mixing of colors that vibrate, and how colors look different on top of other colors.
Is this experiment a success or a failure? I don’t know, but this is my first attempt at pointillism and I’ll try again some time in the future.
Should I call this finished or should I paint a ship coming in? I have the Chesapeake Bay Bridge Tunnel in the painting. Should I add some pelicans on pilings? Maybe some happy little pelicans flying away in the sky? Or a guy wind surfing?
I tried three times on the sky till I finally got something I can live with. The first time I tried to make a blend of lighter blue on the horizon to slightly darker blue over head without using glazes. I tried to make my blend with thick paint, blending the values wet instead of letting it dry and going over it a few times with glazes to get my blend. That didn’t work. I think blends are difficult.
Then I tried to do the sky with dots like Pointillism. That didn’t work either. I want to try Pointillism but I’m not sure about the proper technique. I’ll try Pointillism on an easier subject some time soon.
So then I tried to do clouds with some blue sky showing through and that looks better. I used my Maroget medium and glazes on the sky. I like my clouds to look light and fluffy without hard edges. Now, how about that water? I don’t know, I might try again. I’m open to suggestions on it.
I took my painting supplies out to the beach at First Landing State Park a few times when it wasn’t too hot and not too crowded and mixed my colors there, but mainly painted it at home from sketches. Sand got on my painting but I got most of it off when the paint dried.
This one won two first prizes. It’s called “Worshippers of the Point” by Karlise Ile from Latvia.
In this photo you can see the little worshippers and one is going up the ramp to the goddess.
This one is a team effort by Sue McGrew and Kirk Rademaker from Washington and California titled “Blackberry Blossom”. How did they do that multi layered intricate carving?
This is the other side of Blackberry Blossom.
This one is titled “150 % Organic” by Jakob Zimacek and Jan Zelinka from the Czech Republic. It looks like the broccoli is going to eat the people.
This one is “Emerge” by Jonathan Bouchard and Jacinthe Trudel from Canada.
The other side of Emerge.
This is only a few of my favorites. They have 22 in all. What an inspiration! I always wished I could do sand castles like that!
This is my second try on a larger piece of sanded pastel paper. I think it looks better than the first one which I tried to draw on a smaller sketchbook. This time I took my easel and drawing board with the large paper instead of holding a sketchbook in my hand like I did on the first try. It’s easier for me to work larger. Compare this sketch to my previous post and tell me if he looks better this time. I’m not sure if the proportions are exactly right, but not too far off.
I thought the sculpture was by David Turner but it was done by his dad, William. I can’t tell their work apart. They both make the most beautiful wildlife sculptures out there.
It’s great to draw the Turner guys’ sculptures. I think I see some kind of attitude in my bird’s face, but that could be my imagination because I was only trying to copy the bronze, not put my own personality into the drawing. With all that beauty out there for me to copy it takes the pressure off an artist to be “original” all the time. And copying some other artist’s masterpieces is improving my drawing skill slowly but surely.
Even if an artist tries to copy as closely as possible, they still put information about themselves into the drawing. I can’t avoid it. The savvy art viewer will see it. Know what I mean?
My model is made of bronze. This is just a start. I couldn’t draw small enough to fit the whole bird on the page so I want to transfer it to a larger paper and go back tomorrow if the nice weather holds out. When I go back I’ll make some corrections. I’ll finish the feathers more and draw white feathers on him. I should look up eagles to be sure because the sculpture doesn’t have the white feathers colored white.
There are so many beautiful bronze animals around here. This one is at Norfolk Botanical. I bet they’re all made by David Turner. I love that guy’s work. At Seashore State Park they have a beautiful red fox in bronze which I also want to draw.
I’m one of those artists who think there’s nothing more beautiful than nature and it should be represented in art as closely as possible to reality.
Can you see those two pelicans flying away? I had my Bob Ross moment there, drawing those happy little birds.
I think that guy knew I was sketching him. He kept turning in my direction. I was almost finished with my sketch and he left. Then some foreigners came out with a giant arch shaped kite. The guy had a harness strapped on his body holding the kite strings. It looked like the girl was doing most of the work trying to lift the kite up to catch the wind then going after it every time it came down. He was yelling instructions at her in Russian or something.
The kite was coming down a little too close for comfort to me so I packed up and left. That happens sometimes when you go out sketching in plein air, you gotta move for some reason.
I drove to PA because they had the cone for the hurricane hitting Virginia Beach. They told people in sections A to evacuate. I live in section C but I decided to leave to avoid power outages and so I wouldn’t have to worry about my car getting flooded. As soon as I got to PA I heard the hurricane was going to hit farther South than previously thought, so I came back to the beach and the lights are still on. It’s windy but not scary here. It looks like we got lucky this time. And I enjoyed the drive to PA and back. The scenery is beautiful and traffic was light and fast.
The place I love most in my home county, (Lancaster) is Middle Creek so I went up there and got this sketch. After I got my sketch and was ready to drive out I saw a huge pheasant in the tall grass by the side of the road. He was just poking around in there and didn’t fly off when I drove past him. I saw him close up. He was a beauty with big red spots around his eyes.
Middle Creek is great for seeing wildlife. In the Spring you can see 100,000 snow geese if you go at the right time and get through a traffic jam on that little country road.
Can you see the little mountain foothill in my sketch is hidden by fog?